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Visit The *EVEN NEWER* Barrow-Downs Photo Page |
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#1 | ||||
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Wisest of the Noldor
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That said, it sounds like a perfectly good game and one that no doubt would interest many of us here. Again, why don't you just make a thread about it?
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"Even Nerwen wasn't evil in the beginning." –Elmo. |
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#2 | ||
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Wight
Join Date: Apr 2011
Location: Settling down in Bree for the winter.
Posts: 208
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In the Harry Potter books, if one wants to use magic, one almost always waves a wand and speaks a pseudo latin phrase. I think it safe to say that Harry Potter style magic does involve rote spells. Gandalf sometimes waves his staff when using magic. He sometimes speaks words. (Come back Sauruman!) Tom Bombadil seems always to sing, but the words don't seem rote, formal and fixed. He seems to be ad-libbing. In general, it seems safe to suggest that Tolkien's magic is much more free form and flexible than Rowling's. And yet, if Gandalf or Bombadil does something, there is often beginning and end. There is generally a brief period where Bombadil is waving his hands and the rain doesn't hit him, or when Gandalf's beam of light drives a Nazgul away. What Gandalf does is different than what Harry does, but not all that much different. The word 'spell' doesn't seem to fit quite as well in Middle Earth as in Hogwart's. I'd be interested if someone were to suggest a different word. Off the top of my head, and even after a look at a thesaurus, I haven't one to propose. Quote:
The source is subtle, ambiguous and sometimes contradictory. The rules are clear and understandable. One might argue that any clear and understandable rule can't possibly accurately portray Tolkien's magic as the magic isn't clear and understandable. When reading the AQ rules, I'll often think, yes, that rule reflects how Tolkien wrote this scene, that one, and this third one as well, but in this fourth scene it isn't quite right. I'm assuming others contributing here know LotR roughly as well as I, and generally know the First and Second Age writings far better. I thought to insert clarity into the conversation, even knowing that the clearer one gets, the more likely it is that someone will find an exception that might be held to invalidate the clarity. It seems many do not appreciate this approach. I'm trying to use other approaches when possible. |
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#3 | |
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Curmudgeonly Wordwraith
Join Date: Jun 2007
Location: Ensconced in curmudgeonly pursuits
Posts: 2,515
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And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision. |
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#4 | |
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Wight
Join Date: Apr 2011
Location: Settling down in Bree for the winter.
Posts: 208
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Players want to run exotic characters, and many game master relax Tolkien's strict segregation and let people play the character they want where they want. The characters in my off line game are a hobbit sheep herder of Breeland, a ranger of the north, an elven woodsman of Lindon, a female elven minstrel of Lindon, a knight of Dol Amroth, a human sheriff of Bree, a healer from Bree who trained in the Houses of Healing in Minas Tirith, a dwarf toy maker and warrior, an exiled rider of Rohan, a human merchant from somewhere south of the Shire but northwest of Dunland, and an exiled female rightful heir of a town and estate in Gondor. (Lady Jewel is played by the game master. She's a walking plot hook, an excuse for a major plot line. Don't blame me.) The group met at a mid summer's fair in Bree. They have been helping Breeland and the rangers handle problems resulting from ruffian's coming up the Greenway. Is it reasonable that such an eclectic group get together? Not really. We were all required to come up with a back story to justify our character's travels. Goldie is a Sindar of the Tower Hills. She learned of the Valar from her love of music driving her to learn all the old songs. She has travelled with wandering companies between Rivendell and the Havens, learning woods craft in the warm months while singing by the fire in the cold. She joined the player character group as she wants to write songs, not just play them. She finds her kin too protective to allow her to live through incidents that will end up needing to be preserved in song. All of our back stories are similarly plausible, sort of, almost. Collectively? Likely not. I agree with the game master's decision to allow us to generate the characters we want to play, but it admittedly stretches suspension of disbelief. No one dares complain about the other person's character, though. The whole idea of people in Middle Earth going on adventures is just too outlandish. (The hobbit's wife doesn't understand at all. There is a broad understanding that the hobbit gets a first go an any good jewelry we might run across, as otherwise we might lose our best archer.) It occurs to me that Lake Town or Dale might be good places for mixed groups. |
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#5 |
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Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,525
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blantyr,
I don't understand a few things here:
a) Goldie was created for the AQ, that doesn't exactly agree with the Downs. Why are you trying to mix the two? b) I understand that you talk about Goldie to give a personal example. But AQ? It's one thing to discuss "Magic in ME" and another to talk about "Magic in AQ". In this thread we aren't trying to decide what is the best set of rules regarding magic and canonicity in a RPG. c) Your point with the whole Goldie thing? You say that "people want to run exotic characters". Maybe you do, but I personally don't. Plus, how is that relevant? You are trying to say that a Tolkien RPG would be boring without specific/purposeful/whatever magic in it. But then (IMO) it wouldn't exactly be Tolkien. He didn't create characters like spiderman or the like (meaning that you could have inner abilities on the same scale). If he would have, I'd have only half as much respect for him and his works. Tolkien's works are filled with magic, but it's not "spiderman magic". You yourself said that it is sbtle - but it's subtler than that. You state that one has to do something to be magical (sing, make something, etc), but he doesn't. One could be magical all the time, without singing. EDIT: xed with your last post
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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#6 | |
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Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,525
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As with the exapmle of Aragorn, sometimes the "magic" is covered. You seem to view it with an allusion of turning on a flashlight every once in a while. I see it differently - covering the light of the flashlight every once in a while.
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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#7 | |
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Wight
Join Date: Apr 2011
Location: Settling down in Bree for the winter.
Posts: 208
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Ambarquenta defines the spell 'sense power.' Sense power will do the above, allow one to sense those who radiate magic. It also allows one to sense enchanted items or spells in progress. By the AQ character generation rules, any elf inclined to learn could sense power, but very very few dwarves, hobbits or ordinary men could do so. I could see a moderately strict game master saying no hobbit or dwarf could learn spells, including sense power. I am not claiming AQ as a canon source, but I think they got sense power more or less right. Details could certainly be debated. I am not at all certain that it should be all that easy for an elf to learn to sense power, for example. Anyway, should Frodo put on the Ring and thus gain the ability to sense power, Glorfindel's power would be obvious, while Aragorn's would not be. Take off the Ring, Frodo would no longer be able to sense their magic power, but could sense their inherent nobility. Glorfindel might still beat out Aragorn somewhat, but not nearly by so much. Aragorn might often subdue his true nobility of spirit, but even so Aragorn might look foul but feel fair to the astute observer. Frodo was a pretty good judge of character, picked up a trace of Aragorn's nobility, but that might well be good old hobbit common sense rather than any occult ability. Sam was still dubious. In short, I would agree that certain people radiate magical power. I would question whether a typical hobbit, dwarf or human would be able to sense it. Also, while those with magical power will often have some form of noble spirit, the link between nobility and occult power is not a fixed lock. There are many with strong honorable characters who can't use spells. |
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#8 | |||||||
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Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,525
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There is also "mellon", but anyone who knew how to say the word could open the Gates with it. It's not a special ability. Quote:
Glorfindel faced the Nazgul. Aragorn did that, and in addition he looked in the Palantir. That's not really magic, it's willpower. But it is still magical. Quote:
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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#9 | ||||||
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Wight
Join Date: Apr 2011
Location: Settling down in Bree for the winter.
Posts: 208
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When the Fellowship was in Lorien, Galadriel looks into the eyes of each of the Fellowship in turn, and learns something of their motives and intent. AQ has labeled this ability a 'spell'. That you do not like the word 'spell' does not imply that the scene isn't in the book. Similarly, after the wedding of Eowyn and Faramir, as the Rivendell party and the Lorien parties are about to each go their own way, Gandalf, Galadriel, Elrond and others looked into each others eyes and communicated directly mind to mind. AQ defines this ability as a spell as well. Again, I'm open to using a different word for such abilities should you care to nominate one. 'Spell' isn't an ideal choice. However, 'crafts', 'nature', and 'skill' do not seem to be appropriate words either. I would agree that most elves don't learn very many... whatever you want to call them. In Goldie's off line game, she currently knows four. If I remember Gandalf's description correctly, it allows one to step into a world of spirits. You can see them. They can see you. A Morgul knife does this too. When one is in this world of spirits, Glorfindel radiates magic in much the way you describe, while others in the living realm are much less visible. Thinking of a counter example, Frodo briefly wears the Ring in the presence of Tom Bombadil. There is no mention of Tom's appearance changing, or of Sam, Merry and Pippin's appearance changing. Tom is clearly very powerful. Does Tom not radiate a magical aura? Is his magic different from Glofindel's? Does the Ring have no power or hold over Tom? Was Tolkien more interested in telling a good tale than keeping his magic system 100% consistent? I don't know. I don't know that anyone knows for certain. If we really wanted to, we could string out such questions indefinitely. Quote:
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Agreed. |
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#10 | ||||||
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Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,525
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Moreover, do you remember how Frodo, and then he other hobbits started singing in imitation of Tom shortly after coming into his house? That is what I'd call the effects of his magical presence/radiance. Quote:
[quote]Does the Ring have no power or hold over Tom?[/qote] Evidently no, seeing as he doesn't become invisible when he puts it on. Arguably, you could say that it would tempt him, if he could possibly be tempted with anything. However, he's one truly happy and carefree person; he doesn't need or want anything else. He has all that he wants. He's hopelessly uncorruptable. Plus, he's an enigma that was meant to be left as such. If you put too many details about someone he stops being an enigma. But that's an entirely different thing altogether. Quote:
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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#11 | |||
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Wisest of the Noldor
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Now, I can quite understand AQ classing them as "spells" for convenience, and I appreciate that you're just using the word for want of a better. In fact, I believe the only reason anyone is nitpicking about it is that it looks like the word "spell" is causing a bit of a definition-creep in your own mind– as your Elf-character is, apparently habitually, doing something much closer to the traditional definition of "casting a spell": Quote:
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EDIT:X'd with G55; terminology error.
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"Even Nerwen wasn't evil in the beginning." –Elmo. Last edited by Nerwen; 05-23-2011 at 09:50 PM. |
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