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#3 | |
A Mere Boggart
Join Date: Mar 2004
Location: under the bed
Posts: 4,737
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The works would have fallen out of copyright at some point anyway, so once a successful adaptation was made, this was inevitable. Such is the nature of making money, like it or loathe it.
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On a different note - what does the journalist mean by a "gigantic audience, culturally far removed from the writer who conceived it"? Obviously in a literal sense, almost everyone is 'culturally far removed' from Tolkien, an academic who has long since passed away, he's effectively from another world, and even while alive he lived in a rareified world. Does the writer mean that the masses 'culturally far removed' cannot understand just what Tolkien meant? Or does this have a more post-modern meaning, that now his works are out there, adapted, sub-created, thoroughly well used, that the readers/audience have more 'ownership' than those who currently hold the copyright? I have to say, good for the Estate that they finally got a cut of the profits, though they would not have them had Tolkien not sold over those rights. I wonder what they would rather have?
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