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#1 |
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Dead Serious
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Well, I was away for the weekend, enjoying my other nerdly hobby and it has taken me till now to watch this episode--desperate or urgent and needing to watch it as soon as possible, it was not, whatever that may say of the show or me. This one really felt like it sloshed between stories--I almost appreciate when there were "only" three or four to cut between. As always, my stream-of-thought thoughts:
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I prefer history, true or feigned.
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#2 | |||
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Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,517
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Quote:
Quote:
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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#3 |
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Princess of Skwerlz
Join Date: Jan 2002
Location: where the Sea is eastwards (WtR: 6060 miles)
Posts: 7,500
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You've all mentioned the points I was thinking while watching, except one only briefly - the wandering song! That alone was worth watching the confused and confusing rest. I love Tolkien's walking songs and have compared different melodies considering their beauty as well as their usefulness for the purpose.
This one has a wonderful melody, and though it is sung pensively, it could be sung while walking. I love the way it begins with the rustic voice we would expect, and then becomes more polished as it goes on - would you have expected the actress to have such a lovely voice?! I also love the way it is set musically - starting off without accompaniment, then very subtly adding instruments bit by bit. Then the final note is completely a capella and fades into silence. The lyrics are well written, imo - bits of foreshadowing in the "not all who wander are lost" (the word play with wonder/wander reminds me af the Christmas carol "I wonder as I wander), some contents to speculate on (trees of stone, tower, black sand) - what did you notice about it? I defy anyone to listen to it and not be moved!
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'Mercy!' cried Gandalf. 'If the giving of information is to be the cure of your inquisitiveness, I shall spend all the rest of my days in answering you. What more do you want to know?' 'The whole history of Middle-earth...' Last edited by Estelyn Telcontar; 09-28-2022 at 03:00 AM. |
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#4 |
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Dead Serious
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You are correct--I think I've muddled my genealogy. The problem, I think, is that "Pharazôn" here feels like more like his father, Gimilkhâd--and that fact that he has a son (wozzizname), who seems a better fit for the Pharazôn role, is confusing me.
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I prefer history, true or feigned.
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#5 |
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Laconic Loreman
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Hi Gil Galad, Rune, and Esty. Nice to read your posts here.
![]() I watched Episode 5 last Friday, but haven't been feeling well this week and memory of it is quite foggy. I'll probably rewatch the Episode tomorrow, before the new one to share more opinions. I've read from quite a few people about being put off by the Elves needing mithril to survive, as if their immortality depended upon mithril. Like I said, my memory is a bit foggy, but that's not the impression I had. I thought Gil Galad and Celebrimbor were talking about how Middle-earth was decaying and the Elves would "fade" like Middle-earth was fading without the mithril. I didn't take it as the Elves would die without mithril. It seems to definitely be going a "mithril is used in the forging of the Rings of Power" theory. It has been one of the head-scratching "I'm not sure this is going to work for me" moments in the series. But I'm trying to stick to a belief that any change to the lore can work, if the adaptors make it work, by being consistent within their own story. Thankfully, it appears my fears about Elrond were unfounded. I really liked him in this episode and his portrayal. It was nice to get his forceful opinion about making and breaking oaths. It reminded me of the part in the book in Rivendell when Gimli says an oath can "strengthen" a wary heart (paraphrasing here) and Elrond says "or break it." Elrond knows full well the consequences of oath-breaking and that I think came across in the TV series. I also chuckled with Durin's table stealing ploy. The Numenorean song and the Harfoot walking song were unquestionably the highlights of the episode. The music and songs feel like they fit in Middle-earth. I just wish the same could be said about the dialogue. My thoughts are a bit jumbled, because I'm still under the weather and taking cold medicine. I have a feeling when I read this later, it's going to be difficult to follow whatever points I've tried to make.
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Fenris Penguin
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#6 |
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Shade of Carn Dûm
Join Date: Jul 2000
Posts: 369
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*Elrond: But I came for mithril.
*Durin: Why? *Elrond: Without it, my kind must either abandon these shores by spring, or perish. *Durin: Perish? Perish how? *Elrond: Our immortal souls will dwindle into nothing, slowly diminishing, until we are but shadows, swept away by the tides of time. Forever.
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Tar-Elenion |
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#7 |
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Laconic Loreman
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Having finished watching Episode 5 again, I'm left thinking this episode simultaneously contained the best moments and the weirdest of the season so far.
Again, I loved the songs and music in this episode. This is the first time the music was memorable to me, because of the Harfoot traveling song (beautifully sung), Numenor's song, and the orcs marching chant. I also liked Elrond and Gil Galad's conversation about oaths and Gil galad telling him that hope was never mere. The memorable music, oaths and "mere" hope are good themes that make it feel like a Middle-earth story, in my opinion. Then the weird. Celebrimbor's line about needing enough mithril to bathe all the Elves in the light of the silmarils. Oh boy...I'm hoping that's just clunky script writing. That was truly the weirdest moment of the series so far, even weirder than the slo-mo scenes.
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Fenris Penguin
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#8 |
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Overshadowed Eagle
Join Date: Nov 2017
Location: The north-west of the Old World, east of the Sea
Posts: 3,973
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Getting to this one quite late, and I think people have said most everything. I too enjoyed the presence of song, and feel Tolkien would at least approve the principle.
Watching with subtitles, the Orcs were apparently yelling something like "Narmat!" as they marched out. It certainly looked like Quenya, but... wouldn't that be a dual noun? A bit odd. Okay, the Mithril Fable. Definitely nonsense, but in fairness to the Elves, a) one Silmaril is literally a star now, and b) they don't know what happened to the others. How could they? Maedhros and Maglor nicked them and ran off and never came back. There's probably all sorts of legends about them. Per Tolkien's later thoughts, the Numenoreans said the boys destroyed them and essentially themselves, but what do the Elves think? Who knows. So I'm assuming the story is just that: a story. Any vaguely shiny rock from the Misty Mountains would fit it. Jewels, ore, volcanic glass, even a river (the Silverlode, for instance). If we need an explanation for where the legend came from, water might fit - Mirrormere, perhaps, reflecting the Evening Star. It doesn't have to be true. So why do the Elves need it? I mean, we actually don't know if they do! Gil-Galad just thinks they do, and has a dying tree to prove it. Which... dying trees being Meaningful is a bit of a thing in Middle-earth, right? I can see how The Tree of Lindon dying could bode ill for the Noldor, and they would want Light to restore it. I think Celebrimbor was just being mystical about what they actually need. The whole smothering everyone in light metaphor is all very well, but in practical terms I reckon he's talking about arms and armour that the Dark cannot overcome. Maybe rings later, but the direct "light of Silmaril = elves get better" thing is just poetry. Also, hahahaha the Silmaril's in a tree that's ridiculous. ![]() hS hS
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Have you burned the ships that could bear you back again? ~Finrod: The Rock Opera |
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