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#1 | |
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Pile O'Bones
Join Date: Apr 2010
Location: Maryland, United States
Posts: 22
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Quote:
That's my take, anyway.
Last edited by Eldy; 03-27-2018 at 09:25 PM. Reason: fixed citation |
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#2 | |
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Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,517
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Quote:
The other common theme of manifesting skill/power/magic is through creation, and that one is not as morally clear-cut - and also happens to not be something you'd associate with Tom Bombadil, which says loads more about the character that I want to analyze just now. Creations in themselves are not bad, and mostly good, but the circumstances surrounding the creation and the use of the object make it a questionable pursuit if goodness in the world is what you want to achieve. Of course you have completely innocent creations like the Elven-rope Sam carries from Lorien, and neutral creations like Dwarven weapons. And then you have Feanor's Silmarils, the Rings of Power, mithril products "made in Khazad-dum", the Nauglamir - you get the gist. Seems like the message is that creation is good, but "be careful what you wish for" as you do it. I have only just noticed as I wrote this paragraph that Tom Bombadil and Goldberry, though associated with plenty (lots of flowers, lots of food, enough of everything one could need or want), are never linked with creation. Maybe that's why Tom is the Master, not an owner, and why he lives as if apart from the rest of the world. The obvious difference between Luthien's magic and Tom's is that we know where Luthien's power stems from: after all, she is the daughter of Thingol and Melian. Their descendants maintained a shadow of that power for generations. But whence comes Tom's hypnotic voice? I'll leave that one for other threads to battle out.
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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| Tags |
| bombadil, luthien, magic |
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