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Old 06-10-2017, 06:42 AM   #1
Inziladun
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Originally Posted by Ivriniel View Post
Do you think Bombadil's "Girdle" around the old forest likens itself to the Girdle of Melian?
It doesn't seem that Bombadil himself affects those wondering into the Old Forest.

When Frodo and his friends enter the Forest with a direction in mind, it appears that it is the collective will of the wood (ultimately, the Willow-man?) that decides they should be forced toward the Withywindle.
When they are saved by Bombadil, he tells the hobbits that event was "no plan of his". If his aiding them was something he had not directed, then neither was their being in the position to be rescued.
Also, the placing of a 'girdle' ala Melian would imply his claim of the Forest as a realm, and that was something contrary to his nature.
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Old 06-10-2017, 10:28 AM   #2
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Rather than pull stray words out of a hat and put context where there is none, Tolkien the scholar would know the significance of Gawaine's green girdle is not its invincibility, but is rather symbolic of Gawaine's failure against the Green Knight.

Gawaine accepts the girdle from Lady Bertilak, and although he readily, almost fearfully, takes it, valuing survival over virtue (and surviving without honour is unchivalrous). Gawaine refers to the girdle as “falssyng" (which roughly equates to "treachery").

Thus, after the Green Knight forgives him for his treachery, Gawaine nobly wears the girdle ever after as the symbol of his loss of honour, evincing the quote "a man may hide his misdeed, but never erase it."

So for Tolkien to equate Bombadil's green girdle with Gawaine's green girdle is rather farcical, since neither match contextually except they are green and a girdle. Rather than pulling appalling parallels from one's appendages, take the line

"bright blue his jacket was and his boots were yellow, green were his girdle..."

as simply a metaphor for sky, grass and flowers.
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Old 06-10-2017, 11:50 PM   #3
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@Morthoron

I thought Balrogs took ski holidays in the Misty Mountains when travelling in subterreanean vaults to place a Silmaril (Arkestone) in The Lonely Mountain.

@ reader - more responding to prior post....

I posted to the thread because I don't like seeing '0' posts on a lonely topic. So, in the syncretic tradition (the attempt to juxtapose on terms), let's see how much agreement we have so far. Hello Mmorthoron, great to see you.

Okay, merely using the word, 'girdle' implies presence by absence. Girdle is not appreciably central in Tolkienian casting of Bombadil, as has been rightly pointed out, the lunacy of the attempt to 'make it work' is nonetheless likened to 'a blue moon' where 'luna' and 'madness or otherwise - rarity' can be a term to apply to the analysis.

So, whilst the Arthurian Sir what's his name, of Morgan Le Fay's feminine manipulations was a ploy in two then Folklore Traditions (Exchange and Winnings), do we see those in Bombadil? I argue YES

yes when drawing a log bow, but one like in the hands of an Elf, Legolas. Bombadil's Withywindle is a Girdle - whether or not it is 'territorially disposed TO Bombadil', nonetheless, Bombadil evidences immunity to it (if it is not his Territory) or alternatively, it is Goldberry's or else, some mischief of prose and mendacity that Bombadil feigns to disown legacy and ownership of it.

We see Gawain and treachery interspersed in the Green Night, with Morgan Le Fay as master manipulator, although concurrently, the Green Knight bears connotations to a Chrisitian and almost Christ like sensibility in self sacrifice (he did lose his head from Gawain's bow, then, did naught but humiliate Gawain in non-equivalence of blow in the climax).

So, back to the Barrow Downs: the Exchange and Winnings adaptation of a Medieval motif (rather not squarely onto Tolkienian mythology), what do we have.

Carn Dum violating Barrows within Bombadil's Girdle, that he leaves alone. It's all very odd. He lets the Northern Line of Numenor falter, and fails to cleanse the Mounts, yet, overruns one after Tom puts on the Ring. He grants passage to Frodo with the Ring, which of course is Master power to the Nine and of the linked 'energy' to the Witchking.

Girdle of Melian to Girdle of Witchking (I suspect the Witchking was a cross dresser?) to Girdle of Bombadil, and thus in honour of the Syncretic tradition, we have a delightful reconciliation of the Opening Post. with No deviations or areas of concern.



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Last edited by Ivriniel; 06-10-2017 at 11:59 PM.
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Old 06-11-2017, 01:20 AM   #4
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Quote:
Originally Posted by Ivriniel View Post
@Morthoron

I thought Balrogs took ski holidays in the Misty Mountains when travelling in subterreanean vaults to place a Silmaril (Arkestone) in The Lonely Mountain.

@ reader - more responding to prior post....

I posted to the thread because I don't like seeing '0' posts on a lonely topic. So, in the syncretic tradition (the attempt to juxtapose on terms), let's see how much agreement we have so far. Hello Mmorthoron, great to see you.

Okay, merely using the word, 'girdle' implies presence by absence. Girdle is not appreciably central in Tolkienian casting of Bombadil, as has been rightly pointed out, the lunacy of the attempt to 'make it work' is nonetheless likened to 'a blue moon' where 'luna' and 'madness or otherwise - rarity' can be a term to apply to the analysis.

So, whilst the Arthurian Sir what's his name, of Morgan Le Fay's feminine manipulations was a ploy in two then Folklore Traditions (Exchange and Winnings), do we see those in Bombadil? I argue YES

yes when drawing a log bow, but one like in the hands of an Elf, Legolas. Bombadil's Withywindle is a Girdle - whether or not it is 'territorially disposed TO Bombadil', nonetheless, Bombadil evidences immunity to it (if it is not his Territory) or alternatively, it is Goldberry's or else, some mischief of prose and mendacity that Bombadil feigns to disown legacy and ownership of it.

We see Gawain and treachery interspersed in the Green Night, with Morgan Le Fay as master manipulator, although concurrently, the Green Knight bears connotations to a Chrisitian and almost Christ like sensibility in self sacrifice (he did lose his head from Gawain's bow, then, did naught but humiliate Gawain in non-equivalence of blow in the climax).

So, back to the Barrow Downs: the Exchange and Winnings adaptation of a Medieval motif (rather not squarely onto Tolkienian mythology), what do we have.

Carn Dum violating Barrows within Bombadil's Girdle, that he leaves alone. It's all very odd. He lets the Northern Line of Numenor falter, and fails to cleanse the Mounts, yet, overruns one after Tom puts on the Ring. He grants passage to Frodo with the Ring, which of course is Master power to the Nine and of the linked 'energy' to the Witchking.

Girdle of Melian to Girdle of Witchking (I suspect the Witchking was a cross dresser?) to Girdle of Bombadil, and thus in honour of the Syncretic tradition, we have a delightful reconciliation of the Opening Post. with No deviations or areas of concern.



I'm checking myself into therapy after writing the post
As am I, after reading it.

In answer to all of you: could the green girdle be a reference to "Sir Gawain and the Green Knight"? I think it is possible. Must it, then, necessarily bear the entire weight of symbolism ascribed to it by a.) Priya Seth, b.) Morth or c.) Ivriniel?
I think not. It is only a girdle, after all, and I fear it would snap under so tremendous a strain!

Btw, Ivrin, do come back to the "Password" thread. Pervinca and I have no-one to play with.
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Old 06-11-2017, 01:26 AM   #5
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Quote:
Originally Posted by Nerwen View Post
As am I, after reading it.

In answer to all of you: could the green girdle be a reference to "Sir Gawain and the Green Knight"? I think it is possible. Must it, then, necessarily bear the entire weight of symbolism ascribed to it by a.) Priya Seth, b.) Morth or c.) Ivriniel?
I think not. It is only a girdle, after all, and I fear it would snap under so tremendous a strain!

Btw, Ivrin, do come back to the "Password" thread. Pervinca and I have no-one to play with.
hahaha well said
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Old 07-07-2017, 04:27 PM   #6
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So here we have a situation where the good Professor decides to alter an existing published piece of work just for kicks? Just so he can put in a random piece of colored clothing for the hell of it?

Doesn’t make any sense to me. Particularly when an admitted objective for the 1962 booklet was to better integrate T.B. into the world of The Lord of the Rings and where numerous bits of pseudo-concealed poetry are provided linking back to England and its early documented history. It doesn’t take a rocket scientist to conclude there’s a strong possibility of a medieval English originating ‘green girdle’ being slipped in for much the same reason.

I don’t believe that there is a reputable Tolkien scholar alive who honestly believes that a ‘green girdle’ would have held no particular importance to Tolkien. Nor that Tolkien was lax or casual in his choice of words for material to be published. He was undoubtedly a very careful pedant – and a self-admitted one.

When it comes to the choices behind including a waistband of a particular color – it is the combination of the two that arouses most curiosity. After all if he had written ‘orange were his girdle’ or ‘green were his cummerbund’ the impact would be far less. As I am sure you well know, there are several alternates available for the word ‘girdle’. For example he could have described the article as a ‘belt’ or ‘sash’ or many other ways. As for hue – he could have given the waistband any number of the myriad of colors within his vocabulary. Yet he didn’t.

Statistically if we limit ourselves to just considering the number of poetic choices of waistband to three – namely: girdle, belt & sash; and if we conservatively limit color choice to the seven of the traditionally described rainbow (R,O,Y,G,B,I,V), there is only a one in twenty one chance of the green/girdle combination being arrived at on a purely random basis. Roughly that’s 5%.

So yes there is a chance that Tolkien momentarily suffered acute memory loss (and forgot all about SGGK) and decided that for some inexplicable reason that he would change his prior published poetry to include a randomly chosen article of clothing of random coloring – whose significance was entirely overlooked. But the odds of such a coincidence are extremely small.

At the very best I think that one might argue that it boils down to Tolkien either did it by accident or he didn’t. Still a 50% probability – and one high enough not to be dismissed at a whim. In reality the odds of deliberate contrivance are much higher. There is after all only one 'green girdle' of any known significance in this world.





Morthoron


Your last post is not particularly well thought out and lacks balance. I don't see the “stray words out of a hat” comment as at all appropriate. Just like any medievalist would react, if one were to air out the phrase 'green girdle' there is, certainly to my mind, only one possible way Tolkien would have connected it. Unless you can prove otherwise?

As for its significance – much scholarly work has been published on the matter. Significance has been conjectured to exist on multiple fronts. So when it comes to Tolkien's own translation:

“For whoever goes girdled with this green riband,
while he keeps it well clasped closely about him,
there is none so hardy under heaven that to hew him were able;
for he could not be killed by any cunning of hand.”

it's this 'invincibility' significance that Ms. Seth has focused on as a parallel – which you seem to want to ignore. I don’t recall the Professor ever called Lady Bertilak a liar? Nor to my knowledge did he ever imply the poet lied? Nor did he doubt whether it truly possessed magical qualities. Do you?
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Old 07-08-2017, 09:53 AM   #7
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Quote:
Originally Posted by Balfrog View Post

Morthoron


Your last post is not particularly well thought out and lacks balance. I don't see the “stray words out of a hat” comment as at all appropriate. Just like any medievalist would react, if one were to air out the phrase 'green girdle' there is, certainly to my mind, only one possible way Tolkien would have connected it. Unless you can prove otherwise?

As for its significance – much scholarly work has been published on the matter. Significance has been conjectured to exist on multiple fronts. So when it comes to Tolkien's own translation:

“For whoever goes girdled with this green riband,
while he keeps it well clasped closely about him,
there is none so hardy under heaven that to hew him were able;
for he could not be killed by any cunning of hand.”

it's this 'invincibility' significance that Ms. Seth has focused on as a parallel – which you seem to want to ignore. I don’t recall the Professor ever called Lady Bertilak a liar? Nor to my knowledge did he ever imply the poet lied? Nor did he doubt whether it truly possessed magical qualities. Do you?
Saying my "last post was not particularly well thought out and lacks balance" is as laughable as the premise you started with. Because I am not required to do public relations work for a semi-pseudo-Tolkien scholar, I simply use common sense, and do not need to grasp at straws to get the gullible to read tripe and increase a site's click count.

Does Bombadil have a girdle of invincibility? No. As Glorfindel noted, "I think that in the end, if all else is conquered, Bombadil will fall, Last as he was First, and then Night will come." Tolkien never implied Bombadil was invincible, that is not the character's raison d'être.

Does Bombadil need a girdle of invincibility? No. Upon whom exactly does he wish to exert his invincibility, since a girdle of invincibility implies a martial stance that Bombadil in no way has an interest in. He is not bellicose; in fact, he allows Old Man Willow his space, and does not even attack the Barrow Wights in a conventional sense.

Does Bombadil wear a girdle of invincibility? Oh, of course, right along with his yellow boots of uber trajectory and his ever-expanding blue jacket of excessive caloric-intake. Because Goldberry sews nuclear-powered clothes.

The more realistic, less specious consideration is that the colors of Bombadil's clothing match his environment. He is, after all, a metaphor for the old Oxfordshire countryside. And Tolkien's love of alliteration would certainly allow for a green girdle in much the same way as a "great green dragon".

Again, you've missed the symbolism of the green girdle in "Sir Gawain and the Green Knight" completely (not surprising, considering the Snark hunts you engage in).

Does the original author ever have Gawain actually use the green girdle of invincibility in battle against the Green Knight? No, because it is a badge of shame for Gawain to seek to cheat in order to defeat the Green Knight. He dons the girdle out of fear. In essence, the minute he puts it on he loses the valour and honour that were quintessential to the code of a chivalrous knight (and the tale itself is invested with that code of chivalry). Gawain wears it ever afterward as an act of atonement for his deceit.

Why would the scholar Tolkien equate a badge of shame to Bombadil, who neither cares for invincibility nor wants dominion over others? The symbolism does not in any way equate. Your house of cards is blown over by your own flatulence.
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