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#1 |
Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,493
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Change one thing in the Hobbit trillogy? Easy. Don't make it a trilogy.
![]() But seriously - I'm with Nerwen. I don't think one aspect would make much difference in a sea of nonsense.
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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#2 |
Ghost Prince of Cardolan
Join Date: Aug 2012
Posts: 785
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Perhaps if a single change of "appropriate amount of focus on Bilbo" was made, that might have a ripple effect of bringing a lot of other things into line. If the films concentrated on Bilbo as the protagonist there'd be less opportunity for a lot of the extraneous nonsense that I think formed the most objectionable content of the trilogy.
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"Since the evening of that day we have journeyed from the shadow of Tol Brandir." "On foot?" cried Éomer. |
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#3 | |
Wight
Join Date: Jun 2016
Posts: 144
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But The Hobbit could very easily have been a Trilogy. The Hobbit has nineteen chapters. For a six hour Trilogy, that is an average of 20 minutes a chapter. And that is without adding a single thing to the story. MB |
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#4 |
Wisest of the Noldor
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Hmmn. I don't see how this could be done without drawing out each section interminably. And wouldn't that require adding things anyway? "The Hobbit" (the book, I mean) generally goes into much less detail than "The Lord of the Rings"- compare the first part of "Fellowship", where Frodo et al are essentially retracing Bilbo's journey from the Shire to the Misty Mountains. This is partly due to the books being written for different audiences, and partly because more *happens* to Frodo's party over the same period.
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"Even Nerwen wasn't evil in the beginning." –Elmo. |
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#5 |
Ghost Prince of Cardolan
Join Date: Jun 2007
Location: The Deepest Forges of Ered Luin
Posts: 733
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I'm surprised that I'm the first one to suggest: no Tauriel.
She is to "The Hobbit" as Jar-Jar Binks is to "Star Wars".
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Even as fog continues to lie in the valleys, so does ancient sin cling to the low places, the depression in the world consciousness. |
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#6 |
Ghost Prince of Cardolan
Join Date: Aug 2012
Posts: 785
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I was trying to imply that in my suggestion. I feel like if you make the films into actually the story of Bilbo, characters like Tauriel just naturally sort of evaporate.
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"Since the evening of that day we have journeyed from the shadow of Tol Brandir." "On foot?" cried Éomer. |
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#7 | |
Wisest of the Noldor
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Makes sense. After all, have not advanced Tolkien scholars conclusively proven Tom Bombadil to be the Witch-king? ![]()
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"Even Nerwen wasn't evil in the beginning." –Elmo. |
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#8 |
Curmudgeonly Wordwraith
Join Date: Jun 2007
Location: Ensconced in curmudgeonly pursuits
Posts: 2,515
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Hmmm....If you could change ONE thing in The Hobbit triology?
I would change the title header from The Hobbit to something more appropriate. Like Peter Jackson's Amok I, II and III. That way, I wouldn't have even paid attention that the movies were made.
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And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision. |
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#9 | |
Wight
Join Date: Jun 2016
Posts: 144
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Quote:
If these movies weren't Marketed as "Tolkien" they could have been pretty fun. The Analogy I tend to use is: Jackson has taken three guys in Black Robes, handing out Pizza and Beer in an auditorium, and told us that it is a Catholic Mass in a Gothic Cathedral. There are some elements of this that are shared with a "Catholic Mass in a Gothic Cathedral." But the claim that this is what it really is really begs the question of understanding anything about Catholic Masses, or Gothic Cathedrals. One can say the same about Jackson's "interpretation" of Middle-earth. MB |
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#10 | |
Wight
Join Date: Jun 2016
Posts: 144
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Quote:
By the rules of Screenplay writing, and alteration to a script, The Hobbit should technically be a 9 to 12-hour set of movies (That is: Using the usual formulae for turning a Novel into a Screenplay, and then a Screenplay to a Script, and then the translation of the Script -> Movie, and how much time is generally given per-page of script). Jackson did turn The Hobbit into a disastrous set of movies. But that doesn't mean that The Hobbit as a set of movies is necessarily a disaster. It just means that Jackson had no clue how to properly translate the Novel to the screen, as he turned it into a travesty whose inclusion of all manner of idiocy obscured the greater sum of material that he cut out, which should have been left in. MB |
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#11 | |
Wisest of the Noldor
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Now, there *is* a formula for predicting film length from the number of pages in the script- but that's because scripts do have standard formatting. In fact that's *why* they have it. Are you sure that's not what you were thinking of? This is not to say that you're wrong and I'm right about whether a faithful "Hobbit" Trilogy would be viable, just that I don't believe that an appeal to abstract "rules" and "formulae" is particularly useful here. Understand that I am not dismissing your idea out of hand, either- I'm actually curious. How would you go about this? Where do you think each installment should start and end? EDIT: But this should probably have its own thread, so we don't hijack Aaron's.
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"Even Nerwen wasn't evil in the beginning." –Elmo. Last edited by Nerwen; 07-10-2016 at 07:32 PM. |
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#12 |
Wight
Join Date: Jun 2016
Posts: 144
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You're not familiar with the 1 Page = 1 Minute rule?
That is for Screenplay/Script -> Screen-time. http://johnaugust.com/2006/how-accur...er-minute-rule And the heuristic can be googled, where you will see that there is a LOT of discussion on the issue, but that it remains a Heuristic (general rule-of-thumb). And for working from Novel -> Screenplay/Script, usually you translate roughly 3 - 5 pages to 1 page of Screenplay/Script. This is because most Novels run between 300 - 500 pages, and you want to wind up with a Screenplay that is roughly 100 - 120 Pages, to get a roughly two hour movie. But some Novels, or especially Comic, are shorter, and you can go on a 1:1 basis. One of my friends wrote the Screenplay for the movie The Crow, and that is the formula is basically described in creating the Screenplay, and the alterations he made from the basic Comic, since they had to provide an additional 60 pages of material. I have other friends who work in Production and Direction (most in video games - I went to High School with the owner and Founders of Ensemble Studios). And I've worked on the Talent side of Movie making for some time - I am in every Robocop movie, usually doing Stunt or Firearms work, but in two normal scenes as either extra (my first appearance in the first movie) or as Bit-Part work... And I've been in more TV than I can keep track of. One of these friends and I have a project planned for his Graduate School work on a documentary on the depiction of Tolkien's work in Popular Media (the various movies, influence in comics and games, etc.), as well as how these seem to relate to Tolkien's own conceptions of his work. In the course of doing that... We looked at what it would take to get The Hobbit Produced, and what a Screenplay would likely look like.* As a Single movie, cutting down about ⅓ of the content of the book (which is roughly 300 pages - the annotated version is 305 pages for the body of the story. The Non-Annotated version is significantly longer being on smaller page sizes than the A4 on which the annotated version is printed), you can get a normal 2 hour movie, but it is going to greatly abridge a lot of stuff. But... Looking at it as a Trilogy, you can go with a 1:1 transcription of the Book -> Screenplay to get a product that gives you 5 - 6 hours of Screen-time. Which breaks down into 20 minutes a chapter, on average. Which is really all that needs to be addressed, regardless of any heuristics used in the Film Industry regarding page count. 20 minutes a chapter isn't a lot of time to cover the events of a chapter, which tends to run between 15 and 40 pages each in The Hobbit. MB * in the course of doing this we decided that "Movies" was a bad way to go about producing Tolkien's works, and that it would be better produced as a Cable-TV series, where each episode is 55 minutes long. We found that we can squeeze just the main Canon into four - five "seasons," with each "Season" containing 13 - 18 episodes. Or we could do a greatly expanded mythology that includes everything we can make fit into ten seasons of roughly the same length each. The one thing we wanted to add, which Tolkien never wrote anything explicitly about was the First War between the Elves and Sauron in the Second Age. Considering that all we would have to do would be to avoid including anything or anyone that would contradict the established Canon, we thought it was do-able, even if fraught. Last edited by Marwhini; 07-10-2016 at 08:02 PM. |
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#13 |
Wight
Join Date: Jun 2016
Posts: 144
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Oh, and where each Installment should begin and End.
1st Movie: An Unexpected Party Roast Mutton A Short Rest Over Hill And Under Hill Riddles In The Dark Out Of The Frying-Pan Into The Fire 2nd Movie: Queer Lodgings Flies And Spiders Barrels Out Of Bond A Warm Welcome On The Doorstep Inside Information Not At Home 3rd Movie: Fire And Water The Gathering Of The Clouds A Thief In The Night The Clouds Burst The Return Journey The Last Stage Broken down, this is: 1st Movie: From Hobbiton to the rescue by the Eagles, and the stay in their Eyries. 2nd Movie: From the Party's delivery to the lands beside the Anduin to The Dwarves ransacking Erebor after Smaug flies off to attack Laketown. 3rd Movie: The attack of Smaug upon Laketown to the return of Bilbo to Hobbiton. And the songs can remain in the movies. They are a part-and-parcel of the story, and help give it much of its character, as well as the character of Dwarves and Hobbits. That Jackson left the many Songs out of the movies was one of the greatest crimes, since they nearly all carried with them an exposition of the Elder Days during the First Age. This is nearly identical to the breakdown we saw in the Jackson Movies. And this is because the book presents significant narrative shifts in scene, or point-of-view at each point. Also because that is a nearly symmetrical breakdown of the book into three equally sized portions. MB |
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#14 | ||
Ghost Prince of Cardolan
Join Date: Aug 2012
Posts: 785
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I must admit you make a good point about adapting The Hobbit, and I think this comes down to their efforts also to make it "more like The Lord of the Rings" by trying to turn it into an ensemble piece. Even though it's a trilogy of films which all go for well over two hours each, parts still feel rushed - usually the more sombre parts they gloss over so that they can get to more action...
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"Since the evening of that day we have journeyed from the shadow of Tol Brandir." "On foot?" cried Éomer. |
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#15 |
Curmudgeonly Wordwraith
Join Date: Jun 2007
Location: Ensconced in curmudgeonly pursuits
Posts: 2,515
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^ Gone With The Wind, often accorded as one of the top ten or twenty movies of all time, is 221 minutes long (3 hours, 41 minutes without intermissions and incidental music). The book is 63 chapters. According to your logic, the movie would be 21 hours long. The Grapes of Wrath had 27 chapters, but the movie run time is only 2 hours and 9 minutes (but should be 9 hours long, according to you). I could list several other great movies based on great books where your algorithm simply does not apply and borders on fantasy.
In any case, chapters are not regularly spaced and vastly different per author, some running a couple thousand words and others ten or more thousand words. Simply put, The Hobbit does not need to be three movies long (and I have seen ample evidence as to why it should not). It's absurd for how short the book is. Lord of the Rings made more sense as a trilogy, given its length.
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And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision. Last edited by Morthoron; 07-10-2016 at 08:30 PM. |
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#16 |
Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,493
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:d
[seriously, what's wrong with this smiley? Why doesn't the picture show up? I keep typing in : D, and it just reverts to lowercase. ![]()
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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#17 |
Wisest of the Noldor
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Let me try.
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"Even Nerwen wasn't evil in the beginning." –Elmo. |
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#18 |
Wisest of the Noldor
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As you see, it's working for me. Very odd.
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"Even Nerwen wasn't evil in the beginning." –Elmo. |
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#19 |
Curmudgeonly Wordwraith
Join Date: Jun 2007
Location: Ensconced in curmudgeonly pursuits
Posts: 2,515
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Your smiley is licking its nose. Which is kind of gross.
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And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision. |
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#20 |
Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,493
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But rather impressive.
![]() ![]() [It's working now --- weird.]
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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