Peter Jackson Explains Why the ‘Hobbit’ Movies Are Such a Huge Mess

[Morthoron]

While I do appreciate the honesty, I suppose, I don't at all appreciate the travesty they made of The Hobbit - a genuinely wonderful story for all ages that generations of readers have passed down to their sons and daughters in turn like a family heirloom (or mathom, if you wish).

Offering what amounts to a half-arsed apology afterwards rings quite hollow, and it is disheartening. They didn't know what the hell they were doing and it shows. They slapped a bunch of disparate elements together, made up or transported characters and put them where they didn't belong, and generally made a CGI molehill out of a mountain of a tale.

I hope to Eru no one makes another damned Middle-earth movie ever again.

[Faramir Jones]

Thanks for that link, Michael!

This information is already known to people on the Downs; and I fully understand your point of view, Morthron. An 'apology' isn't much if it was only made in the extended edition DVD of the last film.

What annoys me is knowing that far younger and far more inexperienced people, given a fraction of the money that was spent here, could have produced something far better...

[Morthoron]

Originally Posted by Faramir Jones

What annoys me is knowing that far younger and far more inexperienced people, given a fraction of the money that was spent here, could have produced something far better...

Which is something PJ was at the time he directed the LotR trilogy: relatively unknown outside of cheap horror films, and certainly untried when it came to serious or big-budget films (the two terms not necessarily being synonymous).

He strayed here and there, but his hubris was often reined in by cooler heads ("No, Pete, Arwen should not be cutting off orc heads in Helms Deep!"), but much of the esthetic of the film, the cinematography and a greater part of the dialogue (whether or not the original character voiced the lines) was basically true to Tolkien's Middle-earth. Certainly, one can be annoyed at the character assassinations of Denethor and Faramir, the whole wasted 15 minutes of Aragorn falling off a cliff, then frenching his horse, or the entire "Arwen is dying" idiocy, but, for the most part, one got a sense of the depth and breadth of Middle-earth. If anything, his energy was commendable.

However, ten Oscars later, PJ was a different sort of director. Whether or not he forced out Guillermo del Toro (and the conspiracy theorist in me thinks he did, and GdT was simply too much of a gentleman to say what really happened), PJ decided that he alone should direct the films.

Again, hubris overpowered common sense: he ignored all the genuine humor and quaintness of Tolkien's tale, and in its place threw in troll snot, a diva operatic GoblinKing, unendurably long chutes 'n' ladders chases, sophomoric elf/dwarf sexual jokes, and bird-droppings on the hat of a psychedelicized wizard; admitting he had little time, he ignored the bigatures and extensive modeling and rendering that lent a sense of realism to the films, and instead opted for overbearing CGI that basically sucked the life out of Middle-earth; and worst of all, he absconded with the original plot and dialogue and threw it in the garbage, choosing in his pomposity and appalling effrontery to create characters and write the script with merely a nod to the original.

To quote Christopher Tolkien: "They eviscerated the book by making it an action movie for young people aged 15 to 25."

[Zigûr]

Originally Posted by Morthoron

However, ten Oscars later, PJ was a different sort of director. Whether or not he forced out Guillermo del Toro (and the conspiracy theorist in me thinks he did, and GdT was simply too much of a gentleman to say what really happened), PJ decided that he alone should direct the films.

Again, hubris overpowered common sense: he ignored all the genuine humor and quaintness of Tolkien's tale, and in its place threw in troll snot, a diva operatic GoblinKing, unendurably long chutes 'n' ladders chases, sophomoric elf/dwarf sexual jokes, and bird-droppings on the hat of a psychedelicized wizard; admitting he had little time, he ignored the bigatures and extensive modeling and rendering that lent a sense of realism to the films, and instead opted for overbearing CGI that basically sucked the life out of Middle-earth; and worst of all, he absconded with the original plot and dialogue and threw it in the garbage, choosing in his pomposity and appalling effrontery to create characters and write the script with merely a nod to the original.

I've read other sources which blame executive interference rather than Peter Jackson, claiming that he didn't want to add many of these things in and was forced to do so by Warner Bros. This wouldn't surprise me if it was true, but who knows who to believe in these situations.

I find it odd that it seems like the narrative adaptation involved far less focus-tested corporate box-ticking mandated into it for The Lord of the Rings than for The Hobbit considering that it was on the former that Jackson was the much less tested director. Perhaps it already ticked enough boxes on its own so less needed to be added/exaggerated. For whatever reason New Line on its own seems to have been far less controlling than WB.

[Nerwen]

Originally Posted by Zigûr

I've read other sources which blame executive interference rather than Peter Jackson, claiming that he didn't want to add many of these things in and was forced to do so by Warner Bros. This wouldn't surprise me if it was true, but who knows who to believe in these situations.

I find it odd that it seems like the narrative adaptation involved far less focus-tested corporate box-ticking mandated into it for The Lord of the Rings than for The Hobbit considering that it was on the former that Jackson was the much less tested director. Perhaps it already ticked enough boxes on its own so less needed to be added/exaggerated. For whatever reason New Line on its own seems to have been far less controlling than WB.

I heard New Line also pushed the "Hollywood" treatment, but Jackson stood up to them. I'm sure he could have done so this time, had he wanted to.

[Faramir Jones]

To what you mentioned earlier about Jackson's LotR films, Morthoron, I would add: reducing Sauron to a disembodied eye on top of a tower; making Saruman turn evil and produce urks at very short notice; making Gandalf's removing evil influences from Theoden resemble something from The Exorcist; sending Elves to Helm's Deep; using the Dead to win the Battle of the Pelennor Fields; and having Gollum succeed in turning Frodo against Sam.

I read with interest what you had to say, Zigûr and Nerwen. The problem is that only later will we know the truth about whether 'pressure' or 'interference' from the studio, whatever one calls it, was a factor in what appeared as Jackson's Hobbit films.

I agree with you, Nerwen, if it was true that Jackson stood up to New Line regarding the first set of films, but did not to Warner for the second. It stands to reason that a director with a commercially successful set of films under his belt would have been better able to stand up to the relevant studio when filming another set.

[Zigûr]

Originally Posted by Nerwen

I heard New Line also pushed the "Hollywood" treatment, but Jackson stood up to them. I'm sure he could have done so this time, had he wanted to.

I suspect the reason is probably that either they were more stubborn or he simply didn't care as much. It might be a combination of the two, of course. Hadn't he said in the past that he wasn't as interested in The Hobbit as he was in The Lord of the Rings?

It's also probably the fact that, to my knowledge, he never wanted to direct the film(s) in the first place. These things seem to combine to form a director who simply isn't going to go to the trouble of putting up much of a fight with the studio.

[Kuruharan]

I lay most of the blame for things on Jackson and not the studio. No doubt the studio was a baleful influence, but I've seen too much about how the execrable deviations in the LOTR trilogy were mostly Jackson's doing to cut him any kind of slack when it comes to the mess that was The Hobbit.