![]() |
![]() |
Visit The *EVEN NEWER* Barrow-Downs Photo Page |
|
![]() |
#1 | ||
Cryptic Aura
Join Date: May 2002
Posts: 6,003
![]() ![]() ![]() ![]() |
Quote:
![]() Quote:
In an interview, Jackson says, in discussing Del Toro's influence, that he can't work from someone else's script. It's an interesting comment on his own creative efforts but I can't help but also wonder if he can't work from someone else's book. The interview is available here: Peter Jackson talks to fans about The Hobbit
__________________
I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away. |
||
![]() |
![]() |
![]() |
#2 | ||||
Woman of Secret Shadow
Join Date: Oct 2006
Location: in hollow halls beneath the fells
Posts: 4,511
![]() ![]() ![]() ![]() |
Quote:
![]() Quote:
Quote:
Quote:
![]() I remember looking forward to the Hobbit when Del Toro was still in for directing it, and the profound disappointment when I heard it was to be Peter Jackson after all...
__________________
He bit me, and I was not gentle. |
||||
![]() |
![]() |
![]() |
#3 |
Wisest of the Noldor
|
Hmmn. I really don’t know if I’m going to bother with “Desolation” when it does get released here. Not just because of what you lot are saying, but because though it’s been getting better reviews from critics than the last, so many of them seem to be wearing their hearts on their sleeves it’s hard to take them very seriously: “Sure, the film has a laundry list of flaws, but hey, it looks pretty and it’s made by PJ! 10/10!"
And what’s with the weird “please kick me” title, anyway? Didn’t anyone put any thought into that at all?
__________________
"Even Nerwen wasn't evil in the beginning." –Elmo. |
![]() |
![]() |
![]() |
#4 | |||
A Mere Boggart
Join Date: Mar 2004
Location: under the bed
Posts: 4,737
![]() ![]() |
Quote:
![]() And with that I will add again, it is an improvement because Jackson stopped worrying about being faithful to the books, stopped worrying about us, and just made the film he wanted to make. If that is going to upset anyone then don't go and see the film. It does raise interesting questions about Directors and their creative vision though. Quote:
Quote:
__________________
Gordon's alive!
|
|||
![]() |
![]() |
![]() |
#5 |
Leaf-clad Lady
|
Eurgh. Looking back, I think there were two major things that ruined the thing for me: the almost complete lack of character development and the amount (and style) of violence.
I loved Balin, Bard and Bilbo, Smaug was nice, and I thought Thranduil, Legolas and Tauriel were OK. But other than that - where were the relationships between the dwarves, for example? Apart from a ten-second scene of Thorin and Balin, and maybe a minute of Thorin-Fili-Kili drama, those guys could have been chance acquaintances for all the notice they took of each other. Their relationships didn't deepen or develop at all, which is an impressive feat for a two-and-a-half-hour film. Also, the general level of dialogue in the script was abysmal; it was like copy-pasted from a manual called 101 Emptiest Action Movie One-Liners. And all this is a shame, because the casting is mostly very good and they would actually have potential for great characterisation! And why was there no time for character development and dialogue? Because they were busy killing something or other 90% of the time. I tend to dislike on-screen violence in general and I already thought it was getting out of hand in the first Hobbit film, but that was nothing on this one. It's not only the amount of it that I find disturbing; it's the way it's depicted. Violence is portrayed as fun and entertaining, something to laugh at. I've come to accept that as a part of today's cinema, but in this film it was just too much. The fighting scenes were there to entertain, not to show what danger the characters were in or to make the audience fear for them. Indeed, the characters didn't, at any point, seem to be in any danger at all, let alone frightened for themselves or the other characters. During the action scenes (ie. for most of the film) they were inventive, funny killing machines without any real emotion. So small wonder I had trouble relating to them, or believing they have any real relationships with each other.
__________________
"But some stories, small, simple ones about setting out on adventures or people doing wonders, tales of miracles and monsters, have outlasted all the people who told them, and some of them have outlasted the lands in which they were created." |
![]() |
![]() |
![]() |
#6 |
Regal Dwarven Shade
Join Date: Jan 2002
Location: A Remote Dwarven Hold
Posts: 3,593
![]() ![]() ![]() |
![]()
Given the fact that Jackson is using the title and name of another artist as his supposed topic, I don't think it is unreasonable to believe that his film should indeed reflect said story.
__________________
...finding a path that cannot be found, walking a road that cannot be seen, climbing a ladder that was never placed, or reading a paragraph that has no... |
![]() |
![]() |
![]() |
#7 | |
A Mere Boggart
Join Date: Mar 2004
Location: under the bed
Posts: 4,737
![]() ![]() |
Quote:
It does reflect the story. It has all the major plot points. And the story arc. The characterisation is perfect too, and we can't criticise that (no changed Faramir in this film). It's the additional storylines and characters that are the change. And they are a big change.
__________________
Gordon's alive!
|
|
![]() |
![]() |
![]() |
#8 | |||
Regal Dwarven Shade
Join Date: Jan 2002
Location: A Remote Dwarven Hold
Posts: 3,593
![]() ![]() ![]() |
![]() Quote:
Quote:
Quote:
__________________
...finding a path that cannot be found, walking a road that cannot be seen, climbing a ladder that was never placed, or reading a paragraph that has no... |
|||
![]() |
![]() |
![]() |
#9 |
Woman of Secret Shadow
Join Date: Oct 2006
Location: in hollow halls beneath the fells
Posts: 4,511
![]() ![]() ![]() ![]() |
Here I would ask: what characterisation? They did a decent job with the children of Ilúvatar, but the dwarves were virtually dummies who had no interpersonal relationships and who delivered cheesy one-liners.
__________________
He bit me, and I was not gentle. |
![]() |
![]() |
![]() |
#10 | ||
A Mere Boggart
Join Date: Mar 2004
Location: under the bed
Posts: 4,737
![]() ![]() |
Quote:
Quote:
![]()
__________________
Gordon's alive!
|
||
![]() |
![]() |
![]() |
#11 |
Laconic Loreman
|
A couple things I wanted to comment on...
I whole heartedly agree with Greenie's point about how violence gets depicted in this film. I think the LOTR films (most noticeably in ROTK) started portraying violence as some sort of glorious fun game, but you still get a sense of loss, death, and ugliness as some of the movies' heroes get killed and the whole war seems in vain unless Frodo can manage to destroy the Ring. Desolation of Smaug...the way violence is depicted is honestly disturbing. The parts that got the most applause and laughs were Legolas going on one of his many orc-sliding killing sprees and I can't be mad at the audience, because it's honestly the way Jackson decided to glorify violence. It's a spectacle, it's for oohs and ahhs as Legolas and Tauriel show all the ways to spin around and decapitate something. Watch the Deathly Hallows Part II and watch Desolation of Smaug, maybe I shouldn't be surprised, but it's remarkable how different those two films depict war. I mean I don't expect The Hobbit movies to be as morbid and dark as Thrones where the Hound has his spat before the Blackwater about all the boys he's killed...but not depicting violence as a fun game with cool spinny moves would be appreciated. As far as character development in the 2nd movie...I watched Part I the night before going to the theaters and I remembered for the most part I enjoyed the movie as a whole. I think the reason Agan (myself and many others included) were hoping for more of the dwarves to be fleshed out is because that was one of the whole justifications for making it 3 films. We had to expect Jackson would have to make up and create a lot to fill 3 movies, but one of his excuses was to flesh out all 13 dwarves the way that really the book didn't accomplish. AUJ was done well with Thorin, Balin and Kili. There were smaller interesting moments where we got glimpses into Dori, Dwalin, and Bofur and I was expecting DoS to just keep going with some of the other dwarves (there is the moment where Gloin won't give his money and when Legolas sees a picture of Gloin's wife and Gimli), but it just doesn't happen. Thorin's development takes several steps back. Dori, Dwalin and Bofur stagnates. In nearly 6 hours of film Bombur and Nori have had no dialogue and all Bifur can do is inaudibly grunt because PJ wanted to have a funny pun with "Bifurcate." I'd say only Balin, Kili and one bit with Fili ("My place is with my brother") are done well amongst the dwarves. I will say Thorin's character starts getting developed better towards the end, but I'm not sure if it makes up for the aggrivating rinse and repeat lines that Agan brought up. Even if it was a major divurgence to have Kili injured with a morgul wound and stay behind in Lake-town it's a good moment to show Thorin's greed and "sickness." Thorin says something like "I will not let one dwarf risk the success of my quest" and makes Kili stay behind. Kili's actor plays his role well as he was just stabbed in the heart by Thorin and smashed to a pulp on the docks. Fili also has a wonderful moment running to Kili and defiantly telling Thorin his place is with his brother. But we start seeing some Denethor in Thorin. Denethor would use his sons as pawns if it meant keeping his seat of power in Gondor. Here, Thorin won't even let his family stop him from the riches under Erebor. And later, as Bilbo is trying to steal the arkenstone from Smaug, Smaug re-awakens. It cuts to Thorin and Balin. Balin says they have to go in after Bilbo and Thorin says "I will not let the loss of one burglar stop us now." Balin's actor delivers his line absolutely perfect: "It's Bilbo. His name is Bilbo." A simple reminder that he is not a nameless burglar to be used, it is Bilbo. His name is Bilbo. It was great and fitting for Balin's character, and towards the end was are seeing Thorin's greed affect his judgement. He will reclaim his "right" no matter the cost.
__________________
Fenris Penguin
|
![]() |
![]() |
![]() |
#12 |
Laconic Loreman
|
Bethberry, regarding the score for the movies. I found out that for both An Unexpected Journey and Desolation of Smaug, Shore composed a new fresh score for the films. However, unfortunately, Jackson decided to scrap most of it to put the recycled LOTR music in. I guess you have to buy the soundtrack to get Shore's score for The Hobbit movies.
__________________
Fenris Penguin
|
![]() |
![]() |
![]() |
#13 | |
Mischievous Candle
|
Quote:
Also, an orc attack is a plausible reason why Legolas and Tauriel can’t just bundle the darwes back into Thranduil’s dungeons from the barrels or from Laketown. Even though the attacks contained a lot of swashbuckling, I felt the action flowed quite nicely and was choreographed creatively. On anoter note, this thought came into my mind after watching Puccini’s Turandot the other day. The story is just several paragraphs long, there’s hardly any character development, the musical themes are repetitive and the whole thing lasts about 2,5 hours. Yet no-one seemed to complain that the opera was dragged out. I thought it was quite excellent, actually, but maybe I’m just easily entertained. ![]() ps. Hi, Kuru and other old friends as well! ![]()
__________________
Fenris Wolf
|
|
![]() |
![]() |
![]() |
|
|
![]() |