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#1 |
Pile O'Bones
Join Date: Oct 2012
Posts: 19
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In some ways I prefer COH-it feels more like a story (rather than the 'Heroic Romance' of LOTR), the characters aren't the clean cut larger than live heroes of LOTR, and it seems more 'real' in some regards. The combination of tragedy, greed, violence and terror for me make for a more interesting story (not necessarily a better one) and the short length is a bonus (I haven't had the time to read lotr in ages), but I can't really quailfy COH itself as being better-I like all the versions of Turin Turambar's story, though I'm still annoyed The Wanderings of Hurin (or something similar) wasn't included-crosscutting Turin tragedy with his fathers story would have made the story even more epic and tragic in my mind.
Beleg Strongbow is one rather awesome Elf as well. |
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#2 | |
Ghost Prince of Cardolan
Join Date: Jan 2010
Location: In Eldamar beside the walls of Elven Tirion
Posts: 551
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Quote:
![]() I don't particularly agree with LOTR's heroes being 'clean cut larger than life'. Take, for instance, Boromir, Frodo (who submitted to the Ring's power, even if it was inevitable), Galadriel (who, despite her strength and apparent holiness was tempted by the Ring), Gollum, etc. May I ask in what regards COH seems more 'real'? A tragedy is not necessarily any more 'real' than a story with a happy or a bittersweet ending (unless you were referring to the mere fact that COH is not of the heroic romance class). Also, the qualities of COH you mentioned are all present in LOTR, and possibly not to a much lesser extent. And yes, Beleg is awesome. ![]()
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"Hey! Come derry dol! Can you hear me singing?" – Tom Bombadil Last edited by Galadriel; 11-28-2013 at 06:18 AM. |
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#3 | |
Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,495
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Quote:
What I do like is very intense emotion in both the quality and the conciceness. LOTR is good, but the emotion is scattered over the storyline. In COH, everything is one big emotion (most of it can be summorized with one word: NOOOOOOO!!! ![]()
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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#4 |
Spirit of Mist
Join Date: Jul 2000
Location: Tol Eressea
Posts: 3,394
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I agree with those who commented above that LoTR and CoH are very different and cannot be compared directly with one another. If I had to choose, my vote would go to LoTR.
I also agree that CoH is Christopher's interpretation of what this piece of the Silmarillion might have looked like upon completion. It is a synthesis of the various versions of this tale found in HoME. However, in my view, as the Silmarillion evolved, it seems that Tolkien's intent was to make Beren and Luthien, Hurin and Turin, and Tuor the centerpieces of the eventual completed story, almost as if they were a trilogy of sorts. This makes me appreciate CoH more, even though you can read most of it in Unfinished Tales and the Silmarillion.
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Beleriand, Beleriand, the borders of the Elven-land. |
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#5 |
Gruesome Spectre
Join Date: Dec 2000
Location: Heaven's doorstep
Posts: 8,039
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Hm, I like that idea. The Tale of the Children of Húrin, in all its tragedy, bookended by the other two that have their share of sorrow, but ultimately end in hope. It seems fitting.
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Music alone proves the existence of God. |
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#6 |
Spirit of Mist
Join Date: Jul 2000
Location: Tol Eressea
Posts: 3,394
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In the Introduction to Unfinished Tales, CT dates the narrative Of Tuor and His Coming to Gondolin to around 1951, shortly before LoTR was published. There is no specific date for the crafting of Narn i Hin Hurin given in UT, but Scull and Hammond's Companion and Guide date it to around the same time. Tolkien unfortunately never really returned to a full-blown effort to write Beren in the same manner as Tuor and Hurin. However, it seems clear that he intended, at that point, to complete a lengthy version of at least these "mannish" tales.
Whether he intended a similar treatment of the entire Silmarillion is unknown. Based upon the length of the Narn and CoH and extrapolating from the length of the Tuor fragment, these stories together, even without Beren, would likely have been longer than the entire Silmarillion as published. A full treatment of the Silmarillion, in the same style of narrative, would have likely have rivalled LoTR in length.
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Beleriand, Beleriand, the borders of the Elven-land. |
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#7 |
Loremaster of Annúminas
Join Date: Oct 2006
Posts: 2,330
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Tolkien, I think it is fairly clear, intended the Three (or Four) Great Tales* to exist in both long, detailed forms as independent works, as well as in compressed versions within the Silmarillion proper (compare "Of the Rings and the Third Age" with TLOTR). Unfortunately, the forward progress of the Quenta Silmarillion narrative halted with Beren and Luthien, and so nothing of the 'short' versions of the later Tales was ever done in that tradition, although Turin was covered in the Grey Annals (from which most of the chapter in the published Sil derives).
It appears, as close as CT can estimate, that the Narn/CoH wasn't all written at one time, and that moreover the end of the story (Turin in Brethil) was written first. *Beren, Turin and Tuor plus Earendil (never written at all).
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The entire plot of The Lord of the Rings could be said to turn on what Sauron didn’t know, and when he didn’t know it. |
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#8 |
Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,495
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To me, it doesn't really make a difference what order and in what format JRRT wanted to write / wrote the books in. I'm not so concerned with the process of their creation as I am with the final product. So I can't really see how JRRT's plans or CJRT's editing really have an effect on your take on the books. It's the final product that matters at the end of the day, not the way it got there.
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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