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Visit The *EVEN NEWER* Barrow-Downs Photo Page |
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#1 | |
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Shade with a Blade
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I do need to come up with a good, original topic that really matters, not only because it's a 400-level class, but also in order to keep me interested while I'm working on it.
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Stories and songs. |
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#2 |
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Ghost Prince of Cardolan
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Hmm. What about doing something that looks at LotR and the Silm? I know that some of this was mentioned in the original CbC threads, but I've always thought something dealing with parallel imagery in LotR and the Silm (and how that ties into the Great Stories Never Ending, etc.) would be really cool. Most obvious one I can think of off the top of my head is Sam singing to find Frodo vs. Fingon singing to find Maedhros.
Another good one I can think of off the top of my head from Downs topics was the notion of "other" and how characters who seem to work in pairs end up getting different, more fulfilling pairings by the end of the book--and how marriage seems to be more fulfilling than friendship, but the divine is even more fulfilling than that. I can scrounge around to try to find that old thread if you'd like. I'd say in order for it to interest you, though, it has to deal with themes and characters that you find really interesting. Though I have to admit, if you turn the C-thread into a paper... O_____O
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Got corsets? |
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#3 | |
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Cryptic Aura
Join Date: May 2002
Posts: 6,003
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I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away. |
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#4 | |
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Fair and Cold
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Mmmmmm.
I don't remember ever having written a paper on Tolkien (and if I had, it was probably so horrific that I most likely broke out the bleach and wiped it from my memory at a later date, to spare myself the recurring nightmares), but I keep going back to Tolkien even in my nonfiction writing - and I think it's always interesting to trace his influence upon the writers working today, and by that I don't just mean the straight-up rip-offs that line the Fantasy aisle like so much fluff from the dryer. Of course, that involves a whole lot of outside reading that you probably don't want to do if you're writing a short paper! Quote:
It can be pretty terrifying, when the people on the committee are very passionate about the work, and could possibly smite you.
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~The beginning is the word and the end is silence. And in between are all the stories. This is one of mine~ |
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#5 |
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Shade with a Blade
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Well, it looks like I'll be writing on the importance of the 3 Elven Rings to the story of LotR. This topic might be a little tricky because there isn't much explicit information given regarding the Three, but I think there are enough clues and hints for me to work up a doable outline.
There is a line in The Council of Elrond: "Those who made them did not desire strength or domination, but understanding, making, and healing, to preserve all things unstained." I think this is the key to understanding the Elven Rings - both how they work and their role in the story. I'd be very interested to hear your thoughts.
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Stories and songs. |
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#6 | |
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Ghost Prince of Cardolan
Join Date: Nov 2007
Location: Facing the world's troubles with Christ's hope!
Posts: 1,635
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I would really like to know how it turns out. Best of luck with it, Gwath.
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I heard the bells on Christmas Day. Their old, familiar carols play. And wild and sweet the words repeatof peace on earth, good-will to men! ~Henry Wadsworth Longfellow |
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#7 | |
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Pilgrim Soul
Join Date: May 2004
Location: watching the wonga-wonga birds circle...
Posts: 9,461
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“But Finrod walks with Finarfin his father beneath the trees in Eldamar.”
Christopher Tolkien, Requiescat in pace |
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#8 | |
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Shade with a Blade
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Quote:
![]() I am assuming that there is evidence in LotR of the power of Three Rings at work. My job is to find it, and then use it to demonstrate why the Rings and their Bearers are important are significant as part of the story, not just as figures. Some examples of the power of the Rings that have occurred to me are as follows: -Galadriel uses Nenya to construct/preserve Lothlorien. This is an example of the quality of making. -Elrond is referred to as the greatest healer in Middle-earth, an ability no doubt due in large part to his Ring. -Gandalf specializes in fire, and bears the Ring of Fire. -The power that Elrond is described as having over the valley of Rivendell is another example. -All three Bearers are very wise and form the core of the White Council. I think this shows the power of the Rings for understanding. -Elrond seems to have intuited Aragorn's wish when he summoned the Dunedain and sent them to Aragorn's aid. I can't remember whether Galadriel was involved in that, but could this kind of farseeing perception be another effect of the Ring? -Hmmm...Galadriel's Mirror is made of water and Nenya is the Ring of Water, sooo maybe there's a connection? I am sure there are others that I am missing. It might be a good idea to contrast the role that the Three Rings play in the story with the other Rings - the Nine, and maybe the One as well.
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Stories and songs. |
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#9 | |
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A Voice That Gainsayeth
Join Date: Nov 2006
Location: In that far land beyond the Sea
Posts: 7,431
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And of course, you can consult.I pretty much envy you (of course, like probably many of us do ) to write on such topic anyway.If I may suggest (if you wish me to, of course), I think you are right about the line - last year, I was actually also writing a paper on ethics where I discussed LotR and the problem of power, now it seems this concerns your topic as well - going around the quote you pointed out, that the Elven Rings, of all, were not supposed to dominate, but to preserve, and now you can link that perhaps to the overall decay of Arda (preservation, the "Long Defeat", whatever). Also, I'd perhaps think it worth considering to think of the scene(s) in Lórien - mainly what Galadriel says, including the fact that the Dark Lord suspects where the Ring is, but does not know - and the light sees into the heart of the darkness, but itself it remains hidden (cf. Frodo on Cerin Amroth). Well, just general ideas, perhaps it will spark some thoughts in your mind (unless you have already thought of that yourself, of course ).
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"Should the story say 'he ate bread,' the dramatic producer can only show 'a piece of bread' according to his taste or fancy, but the hearer of the story will think of bread in general and picture it in some form of his own." -On Fairy-Stories |
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#10 | |
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Wight
Join Date: Mar 2009
Location: USA
Posts: 240
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It took me a while to break the habit of coming up with the topic first, and then doing the research/writing the paper. You can get stuck on trying to figure out a topic, and then once you find that 'perfect' topic, you head out to find the info, but realize there's nothing there, or what you have is all over the place. I wrote a paper on the notion of privacy and what's ok to publicize, my prof said it was a great idea, bu there is so much on that topic, when I turned in my paper it was a mess. I had John Dewey, court cases, newspapers, everything, and I bombed it. I let my broad topic about "privacy" dictate my paper and it turned out to be a jumbled bunch of random stuff about privacy. And I never answered my question "what is acceptable to publicize?" Think what interests you about LOTR, read parts you really like, look through threads, write down anything that sticks out, and let the questions come from that. Let the "evidence" form the questions and dictate the topic, instead of being stuck on a topic and finding there's nothing you can write about it or your paper has no focus because the topic has led you all over the place.
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an eye for an eye leaves everyone blind |
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#11 | |
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Wight
Join Date: Feb 2003
Location: Australia
Posts: 150
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I once had a professor who was passionate about Tolkien and actually had a manuscript which he would pass reverently around the group. One of us was doing her Honours thesis on LOTR and he was her supervisor. I hope she did well, but I bet he put her through a lot!
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#12 |
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Shade with a Blade
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Thanks for the responses, everyone. You've given me some good ideas - but by all means keep the suggestions coming.
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Stories and songs. |
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