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#1 |
Loremaster of Annúminas
Join Date: Oct 2006
Posts: 2,330
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It's not unlike Gen. Omar Bradley's status as "advisor" on the biopic Patton. Coppola got a very big-name endorsement; Bradley got a pot o' cash and a glowing, almost saintly portrayal onscreen.
What was never in play was anything resembling historical accuracy.
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The entire plot of The Lord of the Rings could be said to turn on what Sauron didn’t know, and when he didn’t know it. |
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#2 |
Ghost Prince of Cardolan
Join Date: Mar 2007
Posts: 903
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Well, having just returned from a week of fun in the sunny climes of the Florida Keys, I must say that not one thing has been cleared up in my absence. I do find it interesting that the complaint filed is now available online and has been extensively quoted here and elsewhere, but the key elements have not been disclosed. And what are those?
The most important things as I see them is the definition of income, expenses and what is allowable and what is not. If NL is going to claim that their expenses times the 2.6 multiplier factor yield a number that denies the Estate any revenues at this time, then the important thing is to determine how that series of numbers is put together. A week ago I wrote that we need to know how the contract defines the permissable expenses that the filmmaker is allowed to use before determining if the 2.6 multiplier goes into effect. AS OF TODAY, WE DO NOT KNOW THAT. A week ago I wrote that we need to know how the contract defines the monies that amount to gross receipts or income. AS OF TODAY, WE DO NOT KNOW THAT. Until we know those things, we are just running all our collective mouths as we attempt to discuss this suit without proper evidence. Of course, that has never stopped anyone here before. I hesitate to get into a discussion about the motives of the filmmakers and if they should have, or if they did, consult Christopher Tolkien. Some here have floated the idea that if they - Jackson and company- would have given CT a veto over the scripts they maybe he would have helped. That is simply something that no filmmaker would want to do unless they had absolutely no other way of obtaining the rights. You are giving a veto to somebody who may not know beans about the filmmaking process, script writing, directing or anything else asociated with films. Ernest Hemmingway said the best thing a author and producer could do was to meet on a deserted beach at midnight and toss the book and a briefcase filled with money to each other and never see or talk to each other again. Hemingway knew what he was talking about. And it looks like JRR Tolkien took Hemingways advice because his agreement with UA gave him not even the merest suggestion of a whisper of influence. And he was happy with enough with that to sign the contract. If the Estate wants fans to be informed about this lawsuit and wants fan support for their position, they would do well to release the important language defining the items I have mentioned here. Without that, we are only getting very spotty information which in the end is like trying to read so many tea leaves. |
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#3 |
Princess of Skwerlz
Join Date: Jan 2002
Location: where the Sea is eastwards (WtR: 6060 miles)
Posts: 7,500
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As I see it, our purpose in discussions here at the Downs is to talk about content, not about finances. So unless there is something really important that needs to be said about this issue, let's chill it. There's no sense in getting hot and bothered over an issue that concerns none of us directly and that cannot be influenced by any of us.
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'Mercy!' cried Gandalf. 'If the giving of information is to be the cure of your inquisitiveness, I shall spend all the rest of my days in answering you. What more do you want to know?' 'The whole history of Middle-earth...' |
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#4 | |
Loremaster of Annúminas
Join Date: Oct 2006
Posts: 2,330
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Quote:
The Estate's *lawyers* have not yet filed the original contracts. Eventually they will. That's the way litigation works.
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The entire plot of The Lord of the Rings could be said to turn on what Sauron didn’t know, and when he didn’t know it. |
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#5 | |||
Ghost Prince of Cardolan
Join Date: Mar 2007
Posts: 903
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from Estelyn
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However, I do think that this entire situation could have impact upon all of us who have an interest in future films about Middle-earth particularly the announced HOBBIT film and a bridge film. Since the Estate has announced that part of their suit is to explore the idea that NL can be stripped of rights to make these films, and many of us want these films, there is a very direct effect upon us. That is what makes this an interesting topic for discussion here and a very much on topic subject for discussion. from WCH Quote:
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I totally agree that the Estate should get every dollar owed to them under the contract. NL has a terrible record of paying off profit sharing partners so it would not surprise me at all if the Estate is just the latest in that line. However, the deal the Estate has if far different than simple profit sharing becauses of this expenses times 2.6 multiplier. That makes their profit sharing far different than Saul Zaentz, Peter Jackson or anyone else. JRR Tolkien may have made the best deal in the history of selling film rights. Or he may have made a terrible deal. We will not know that until these facts come out. I suspect that even when they do, they will be less than crystal clear and offer much wiggle room for accountants and attorneys to earn their princely salaries in court for the next couple of years. Last edited by Sauron the White; 02-22-2008 at 12:06 PM. Reason: typo |
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#6 |
Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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Re 'Fan support": Ace Books anyone?
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#7 | ||||
Laconic Loreman
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If New Line did cheat the Estate out of the money owed to them (which seeing the complaint by the Estate it sounds identical to what NL has done to the actors, Peter Jackson, and Saul Zaentz - this "creative hollywood accounting" crap). What New Line has attempted to do is cheat, and profit, off an author's hard earned work, that he spent years to write for our enjoyment: Quote:
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New Line is facing a public relations disaster, and I may not get a dime out of it, but I can try to make sure New Line doesn't make another dime off someone else's years of work and get away without paying for it. This doesn't effect the fans? It certainly does. As fans we must sit and merely watch like little children as the "adults" duke it out, powerless to effect anything? No. I can make sure New Line doesn't get another cent from me, and I can try to persuade other effected fans to do the same; hoping New Line pays so dearly for a problem they brought upon themselves that they are never able to recover. Now, that is power.
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Fenris Penguin
Last edited by Boromir88; 02-22-2008 at 12:11 PM. |
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