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#1 |
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Ghost Prince of Cardolan
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Correct me if I am wrong, but the Hobbit was written as a children's book. After reading it, fans wrote to Tolkien asking for a sequel, which became LotR. I believe Tolkien's experience in the war led him to write LotR as a darker book. I love how once in a while Tolkien lets humor slide in though.
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*.:A friend is someone who reaches for your hand and touches your heart:.*
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#2 |
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Ghost Prince of Cardolan
Join Date: Oct 2003
Location: Essex, England
Posts: 886
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it depends on what you all mean by children's book. When did the majority of us actually read LOTR? I put it to you that most of us were Children at the time. So, to me, LOTR is also a Children's book. The only difference to me is that the Hobbit can be seen as meant for a slightly younger audience of children, for example those at their primary school.
We just need to ask if lotr is not a Children's book, then why did so many of us read it when we were young? |
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#3 |
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Animated Skeleton
Join Date: Nov 2004
Location: Birmingham, England
Posts: 37
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It is true that it is more difficult to place LoTR into a particular category, since its "style" is accessible to people of most ages, whereas TH is primarily a children's book and probably only adult fans of JRRT would probably want to read it as they get older.
The Hobbit was only published accidently; JRRT had (I believe) lent it to someone who knew someone.. etc). Therefore, when he wrote it, he didn't really have a clear thought in his mind about his reading audience, since he was writing purely for pleasure with the view to entertain his children. Of course, the LoTR was created from a direct result of the unexpected popularity of TH. Therefore, JRRT had a purpose in mind: to write a sequel (supposedly another children's book) for an anticipating audience. Indeed, as others have mentioned, the initial style that JRRT used was similar to the style of TH. However, he soon became inspired and suddenly the sequel took a different path. As a perfectionist, Tolkien realised that with the type of story that he had in mind would reqiure a different strategy. LoTR was to be bigger, more character-centred, more plot driven, more detailed, more serious etc. It was to encompass the simplistic "hobbit-like" style of TH, with the more "adult" style from his own private mythology.
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Master of Doom!!! |
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#4 |
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Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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I think the most interesting thing to consider in this context is the way that as LotR took on its own more adult style Tolkien went back & changed The Hobbit - I'm talking about the revision of Riddles in the Dark, which is much darker & more filled with 'pathos' in the later version. So we have LotR starting out a children's story but growing into an 'adult' story which feeds back into The Hobbit & leads that to become more 'adult'.
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#5 | |
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Cryptic Aura
Join Date: May 2002
Posts: 6,003
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Quote:
Well, it seems to me that we have more than enough evidence of how Tolkien was constantly rewriting and revising to create internal consistency in both the legendarium itself (as mythology) and in the written texts themselves. Perhaps as a philologist dedicated to the concept of consistent historical development, he could not bear the idea of evolutionary jumps, leaps, and gaps in the 'fossil' records, so to speak, so that he worked to provide plausible consistency. This is certainly how he handled his elven names, isn't it? He simply treated story with a similar 'backward revision', so that even the initial "children's story" idea was reworked to fit in better with where that story lead. Thus, we have this flow from one text to the other, not seamless by any means, but made more coherent by the author's professional habits.
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I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away. |
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#6 | |
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Etheral Enchantress
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Quote:
Meanwhile, in The Lord of the Rings, the Fellowship has the fate of all of Middle Earth resting in their hands. They were trying to protect a far more precious thing: freedom. The tale as a whole encompassed far more land, time, races, and points of view than The Hobbit. In The Hobbit, we're only given the views of Bilbo and the Dwarves, while we achieve at least a general understanding of the motives behind basically every race in The Lord of the Rings. The slightly more simple view in The Hobbit was, as we said, obviously intentional, as it was intended to be more suitable for a younger crowd than The Lord of the Rings. This is not to say that adults cannot enjoy The Hobbit and younger children The Lord of the Rings, but, to reiterate, the main crowd was different. I think that - having read The Lord of the Rings first when I was eight and nine, then having reread it a few times subsequently, there are certainly dark themes that I - and many I know who read them at about the same age - did not quite pick up on until we were older. Meanwhile, as a seventeen-year old, I am by no means "an adult", but I still enjoy The Hobbit as much as I did when I was young.
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"I think we dream so we don't have to be apart so long. If we're in each others dreams, we can be together all the time." - Hobbes of Calvin and Hobbes |
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