![]() |
![]() |
Visit The *EVEN NEWER* Barrow-Downs Photo Page |
![]() |
#15 | |
Cryptic Aura
Join Date: May 2002
Posts: 6,003
![]() ![]() ![]() ![]() |
![]()
Well, much as I would like to quote Fordim's excellent post, I see several have already beat me to the idea, so I will limit my comments.
Quote:
But my main question takes us slightly off topic, and in some manner is speculative. Fordim. why do you think Tolkien chose to be this indirect? Your comment here suggests your believe he was leaving open an aspect of the mythology for readers to develop. We know he wanted people to take up the mythology and run with it, so to speak. Do you think he worked this into his narrative, specifically creating "narrative spaces" or "gaps" for readers to fill in? Or was there some other purpose served? Once several years ago I was discussing the nature of good and evil in LotR with someone who shared Tolkien's religous beliefs and for her this matter of indirection was a moral directive. To speak of evil openly and directly would be, according to her, tantamount to promulagating the evil. "Speak no evil", quite literally. If this is the case, then quite sadly, the silence works against its purpose by inspiring readers with curiousity about the event. I'm not sure how to make a definite determination here, but I think the writerly question is interesting: where, when and how to "withhold information" in order to stimulate in readers that ole "RPG" or fanfiction urge to ponder more aspects of Middle earth.
__________________
I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away. |
|
![]() |
![]() |
|
|
![]() |