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Old 12-18-2004, 03:37 AM   #1
Estelyn Telcontar
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What an interesting connection, LMP! I haven't read Sylvie and Bruno yet, but I just dug out my Complete Illustrated Lewis Carroll (I'm assuming you mean the same illustrations, by John Tenniel; mine's a paperback edition though.) and will start reading them as soon as I can. Half a yard is shorter than the average Hobbit, of course, but perhaps this is part of the "leaf-mould" that went into the fertile creative soil of The Hobbit and LotR.

It's an interesting coincidence that has been noted before, that two Oxford dons should write such popular children's books!
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Old 12-18-2004, 10:27 AM   #2
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Very fascinating observation, lmp and a wonderful example of how to use the Letters and other of Tolkien's writing for fruitful consideration which extends our understand of him.

As with Estelyn, I also have not read the Sylvie and Bruno stories, but will immediately add them to my list of definite reads over the holidays, so I have nothing substantive to add at this time to your hypothetical.

I would, however, caution against too thoroughly applying the name of children's literature to either Carroll's work or TH, although there are valid points which can be made under that rubric. I remember a very erudite Tolkien fan on another site once engaging in the activity of crossing out all the "children's lines' in TH to discover a more serious vein running through the story.

Also, the Victorians did not, as we do, have a hard and fast division between them and some Victorian (and Edwardian) writing for children likely strikes us these days as shocking--Christina Rossetti's Goblin Market being one example. Another is Beatrice Potter's tales, which incorporate logic puzzles and conundrums for adults--or so I've been told by a colleague who teaches children's literature. And then there is J.M. Barrie's Peter Pan.

Perhaps only under the relentless pressure of a culture and literature which prioritised logic and rationality and empiricism would writers turn to find the value of fantasy and fairie in children's psyches.
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Old 12-18-2004, 02:46 PM   #3
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lmp, a nice find, you might want to check out this thread , it discusses a lot of other Tolkien influences.
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Old 12-18-2004, 10:58 PM   #4
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What an interesting idea! I have not read Sylvie and Bruno but am wondering if this is the story you are referring to..... Click here for text. Here is the same book for sale (new and used) on Amazon.

I assume this book is out of copyright since it was first published in 1893, just a year or so after Tolkien was born.

I do have some general thoughts on hobbits and where they came from in terms of JRRT’s mind, but will try to post later on that.
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Old 12-18-2004, 11:48 PM   #5
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Yes, that's the one, Child.

Thanks for the link, Boromir88. Pretty deep stuff! I'll have to put on my snorkle suit for that one!

Thanks for the high compliment, Bethberry! I'm humbled!

By the way, Estelyn, the illustrator of Sylvie and Bruno is Harry Furniss, whereas John Tenniel illustrated Alice.

In the preface to the second half, Carroll writes his rationale for the story.. in part:

Quote:
It may interest some of my readers to know the theory on which this sotry is constructed. It is an attempt to show what might possibly happen, supposing that Fairies really existed; and that they were sometimes visible to us, and we to them; and that they were sometimes able to assume human form: and supposing, also, that human beings might sometimes become conscious of what goes on in the Fairy-world -- by actual transference of their immaterial essence, such as we meet with in "Esoteric Buddhism". [reminds me of astral projection]

I have supposed a Human being to be capable of various physical states, with varying degrees of consciousness, as follows:

(a) the ordinary state, wiht no consciousness of the presence of Fairies;
(b) the "eerie" state, in which, while conscious of actual surroundings, he is also conscious of the presence of Fairies;
(c) a form of trance, in which, while unconscious of actual surroundings, and apparently asleep, he (i.e. his immaterial essence) migrates to other scenes, in the actual world, or in Fairyland, and is conscious of the persence of Fairies.

I have also supposed a Fairy to be capable of migrating from Fairyland into the actual world, and of assuming, at pleasure, a Human form; and also to be capable of various psychical states, viz.

(a) the ordinary state, with no consciousness of the presence of Human beings;
(b) a sort of "eerie" state, in which he is conscious, if in the actual world, of the presence of actual Human beings; if in Fairyland, of the presence of the immaterial essences of Human beings.
He proceeds to tabulate the passages as to what is which.

I found it rather interesting, and thought I'd share it, especially since it might not make it into an online version of the story.
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Old 12-19-2004, 11:20 PM   #6
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Snerg relatives?

Imp –

Fascinating stuff!

Quote:
How likely to do think it is that Tolkien got his ideas for half-yard-high Hobbits from reading Sylvie and Bruno
Since I haven’t read this source, I can’t speak directly to your point. But I do have some general thoughts on hobbit origins and how JRRT’s mind worked.

As with most of the Legendarium, I don’t think we’ll ever nail the Professor down to a single source on the origin of Hobbits. His mind was too eclectic. Consciously or subconsciously, he likely drew ideas from a dozen different sources. And these sources, whatever their original form, were reshaped into something totally new. All we can do is identify interesting references, as you’ve done here, and speculate what the tie might be.

There are so many tales of ‘little folk’, but these are always faerie creatures. Michael Denham, a British folklorist in the mid-19th century, even included the word “Hobbit” amid a long list of brownies, fays, hobgoblins, boggarts and such. But, unlike Tolkien’s Hobbits, all of these were faerie folk. What makes your reference from Carroll interesting is that, like Tolkien, he was describing short manlike beings.

Imp - Hope you won’t mind if I mention another literary work that probably played a part in the origin of Hobbits: The Marvellous Land of Snergs by E. A. Wyke-Smith . Have you read it? With some difficulty, I managed to track down a copy and will likely add a review to Helen's thread. Douglas Anderson and other scholars have mentioned the tie-in before, but I don’t think we’ve ever discussed it on the Downs. (A search under ‘snergs’ and the author’s name only turned up a one-sentence reference from a post that Squatter did. ) Squatter's post on Snergs....

Wyke-Smith’s book was published in 1927, about three years before Tolkien began work on the The Hobbit. In his Letters, Tolkien acknowledges that this book may have had an influence on his concept of Hobbits. He had read it aloud to his children night after night. His son Michael even wrote stories with snerg-inspired characters (Wow, a fanfiction writer in the Tolkien family!).

In “On Fairy Stories” originally given as a lecture in 1939, a great deal of the material included in the notes never got into the version that was actually published in 1947. The omitted material included the following sentence:

Quote:
I should like to record my own love and my children’s love of E.A. Wyke Smiths’s [The] Marvellous Land of Snergs, at any rate of the snerg element in that tale, and of Gorbo, the gem of dunderheads, jewel of a companion in an escapade.
Interestingly, the last sentence echoes the very same language Tolkien later used in letter #76 written to his own son Christopher in 1944 where he describes Samwise as a “jewel among the hobbits.”

Despite the fact snergs were said to be distant offspring of the pixies, they don’t have a magical bone in their bodies. And like Carroll’s little folk, they don’t dwell in faerie or a dream realm; they live in a “real” place in the human world that is “set apart” (shades of the Shire!) and difficult to reach because of quirks of weather and navigation.

A snerg is a practical and prosaic creature who stands as tall as a table-top. His greatest joy in life is giving and attending feasts. The hero of Wyke’s book is a snerg named “Gorbo”. Some of this sounds familiar to me!

So I’m sure Tolkien had a lot of ideas percolating in his head when he sat down and told his children bedtimes stories. And some of these ideas eventually found their way into the printed manuscript of the Hobbit.
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Last edited by Child of the 7th Age; 12-19-2004 at 11:25 PM.
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Old 01-13-2005, 03:59 PM   #7
Estelyn Telcontar
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I've been reading Sylvie and Bruno, curious to see what their charm could have been for Tolkien. I must say, though I am not finished with the second book yet, I have yet to discover it. There are humorous moments and cute ideas, but I do not see the connection between Tolkien's noble and awe-inspiring Elves and the elfin children of Carroll. The latter seem much more conventional and their realm has little to do with Faery as shown to us in Smith of Wootton Major. I find that the back and forth between real life and fairy world feels too pieced, and some of the real life moralizing conversations detract from the imaginative parts. Carroll explains that he jotted down many things and combined them to a story, and it doesn't feel coherent to me.

As to the passage LMP quoted, I doubt that it has much to do with Hobbits - the context seems to be too different to me. However, it's possible, I suppose...

In addition to the online version, to which Child linked above, I found new stanzas for the Gardener's Song - anyone can add to that page - fun!
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