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#1 |
A Mere Boggart
Join Date: Mar 2004
Location: under the bed
Posts: 4,737
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Re-reading this chapter again it became clear that throughout chapters 4 to 8, we see some interesting contrasts made between Elves and Dwarves. We see differences in the construction of their realms, of the cultures, and also in symbolism. This is cleverly done, as on the surface we read several chapters filled with exciting action, but also we read essential background information and gain food for thought about both races. I’ve described a few of the differences I picked up on below:
The realm of Lothlorien is constructed upwards, out of the ground by making use of the trees and building within them; the elves use flets and live up high in the treetops as the ground is not a safe place to be. In Moria, the realm is built downwards, into the very roots of the earth. While the Elves are made safer by going upwards, towards the heavens as it were, the Dwarves are endangered by delving too deeply. At the centre of Lothlorien is the Mirror of Galadriel which is a magical scrying or visualisation tool, to which water must be added in order for it to be used. It appears to reflect time in several dimensions. Outside Moria there is the Mirrormere, Kheled-Zaram – we do not know if this possesses any powers like those of Galadriel’s mirror, but it is interesting that it too reflects something – not time, but the heavens. This is saying something to me about the importance of the concept of time to an immortal, but at this stage of the afternoon I am unable to fully get my head around that sudden thought – might come back to it later. ![]() The waning of the power of Moria is symbolised by the tomb of Balin, while the eventual waning of Lothlorien will be marked by the final resting place of Arwen on Cerin Amroth; one tomb is of stone, the other of earth. In both Moria and Lothlorien, perilous crossings must be made. In Moria, the crossing is over a seemingly bottomless chasm, on a narrow bridge of stone; in Lothlorien the crossing is over water, on a rope bridge. Interestingly, it is the second crossing which is presented as giving the Hobbits more fear. Another contrast is that the Fellowship do not willingly enter Moria and are forced to make their journey through the darkness which effectively blinds them. The trip into Lothlorien is on the whole willingly taken, and when Gimli is threatened with being blindfolded, Aragorn elects for the whole company to be blinded for a time. The Lord of Moria is now the Balrog; contrast this with Galadriel, the Lady of Lothlorien. His (is it a he?) power comes from a dark flame and shadow, whereas the power of Galadriel comes from both Nenya, and from the fact that she has been blessed with living beneath the light of the trees in Valinor. We can also see the relationship between Elves and Dwarves reflected here. The gates of Moria have been constructed with the use of Elvish art and part of the Book of Mazarbul is written in Elvish, demonstrating that at least one of the Dwarves had taken time to learn the language, but actually seemed to prefer using it to his own - or did he intend that Elves may later find this book? In Lothlorien, Gimli is by law blindfolded, and there are clear tensions between the two races, but then we see Galadriel's acceptance of Gimli, and his admiration for her possibly prompting his friendship with Legolas. It appears that there are but remnants of any close relationship between the two races, and that it takes one as long-lived and wise as Galadriel to bridge the gap between the races. One final thought - just like Jerry Springer ![]()
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#2 | |||
Stormdancer of Doom
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Durin, water, and Cerin Amroth
During the last Chapter, Gimli sang about Durin rising and walking alone, naming nameless hills and dells, and sang that the stars wait in Mirrormere til he wakes again from sleep.The story of a resurrection & return is told from the dwarvish perspective in the halls of Khazad-dum, not long before Gandalf's fall, battle with Durin's Bane, and death.
Durin's Bane killed Durin and Gandalf, and Gimil grieves for Gandalf as he looks on Mirrormere: ‘There lies the Mirrormere, deep Kheled-zâram!’ said Gimli sadly. ‘I remember that he said: “May you have joy of the sight! But we cannot linger there.” Now long shall I journey ere I have joy again. It is I that must hasten away, and he that must remain.’ Gandalf stays near Durin? Killed, as they suppose (and indeed, he eventually is killed) by the same Bane? Quite a link between the two. So in Gimli's tale of Durin's early history and the promise of his resurrection, in the last chapter and in this, we have a foreshadowing of Gandalf's resurrection. One theme in the Lothlorien chapter is water, which they encounter all along their way to Lothlorien. The descriptions are gorgeous, evocative, haunting. I wanted to quote the descriptions here but it makes the post far too large... I'll leave in a few snippets. Dimrill Stair and the torrent beside it "like a white lace over an endless ladder of short falls". Mirrormere, Khelen Zaram: "Yet its waters were dark: a deep blue like clear evening sky seen from a lamp-lit room." The well "clear as crystal"and the first Stream, "glistening and gurgling", and the second: "...plunged over a fall of green-hued stone, and foamed down into a dell. " In this dell, Aragorn tends to Frodo and Sam (interesting that they carry the only wounds from Moria.) The third stream is Nimrodel, soothing, cold, healing, musical. Legolas sings to them "in the Westron speech, as some in Rivendell now sing it." Legolas paid attention in Rivendell! The legend continues: "But in the spring when the wind is in the new leaves the echo of her voice may still be heard by the falls that bear her name. And when the wind is in the South the voice of Amroth comes up from the sea; for Nimrodel flows into Silverlode, that Elves call Celebrant, and Celebrant into Anduin the Great, and Anduin flows into the Bay of Belfalas whence the Elves of Lórien set sail." That the history/legend/ myth of Amroth and Nimrodel is well-known to the Mirkwood elves is significant. This also is significant: Quote:
Aragorn backs this: Quote:
It is at Cerin Amroth that Frodo touches the mallorn-bark, and has his mystical encounters with time and timelessnes, and with the elvish past; and even with the Sea: Quote:
EDIT: More ragged thoughts regarding Cerin Amroth: Nimrodel had her house in the trees as did Amroth. In HoME, the debate continues as to which of them chose this mode of living first, Nimrodel or Amroth, but the talan is credited to one or the other (hence both). For the past thousand years, the lifestyle of the Lorien elves has had its roots (and branches) in that tradition and even Celeborn and Galadriel follow it. Nimrodel represents the little stream and the silver waterfall. (I am rather tempted to include with that all the minor waters that the fellowship encountered on their way down from the mountains: the cascading waterfall of lace, the well with thestone lip over which a waterfall bubbled.) Amroth represents the Sea; yet though they plighted their troth, they never reached the Undying lands where they were to be wed. So Cerin Amroth (the heart of Elvendom on earth) represents trees and what they are, time and timelessness, memory, long-lost shores. But it also represents the longing of the Stream for the Sea, and the call of the Sea to the Stream. Even the elves of Rivendell and Mirkwood sing about the sundered lovers-- and about Nimrodel's stream and waterfall. The tale of Nimrodel and Amroth (as Legolas knows it) ends in sadness and separation and unfulfilled longing. Yet more; if one reads further in HoME, Amroth waited at the havens til a storm took the ship. Nimrodel, lost in the White Mountains, slept by a stream in the white mountains that reminded her of her own. In this tale of two lovers (known and retold in three major elf-settlements) that sets the flet-lifestyle for all the elves of Lorien, and represents 'the heart of elvendom on earth'-- the stream never met the sea; that desire is unfulfilled in Middle-Earth.
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...down to the water to see the elves dance and sing upon the midsummer's eve. Last edited by mark12_30; 10-20-2004 at 05:52 AM. Reason: Added three paragraphs. (plus some tidy-up.) |
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#3 | ||||||||
Corpus Cacophonous
Join Date: Jan 2003
Location: A green and pleasant land
Posts: 8,390
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While, as others have noted, there are a number of themes here, it seems to me that, to a large extent, this Chapter concerns Dwarves and Elves: their cultural identities and the relationship between them. We start the Chapter at the Eastern Gate of the ancient and culturally significant Dwarven realm of Moria and we end it at the heart of Elvendom on earth. And more specifically, the Chapter largely concerns Gimli and Legolas. I have on other threads observed that these two are the least developed, in terms of the complexity of their characters, out of the Fellowship. I stand by that view. But this Chapter helps to build their cultural identity and give them a history. In the previous Chapter, we were given an insight into Dwarven culture with the descriptions of Moria and Gimli's reaction to it. In this regard, this Chapter picks up where the previous one left off. We see that the former Dwarven realm extended beyond the caverns of Moria into the Dimrill Dale: Quote:
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Similarly, with Legolas we gain an insight into the importance of Lothlorien within Elven culture. Just as Gimli marvelled at the workings of Moria, Legolas marvels at the wonder and beauty of Lothlorien: Quote:
And, in addition to gaining an insight into their history, we learn more of Gimli and Legolas as characters. Both feature far more prominently in the dialogue than they have in previous Chapters. Gimli shares a moment with the Frodo as they stand at the Mirrormere together (and also later as they walk together). And it is Frodo who Legolas first introduces to Haldir and his companions. So both characters are closely linked with the Ringbearer, the central figure in the Quest, in this Chapter. (Notably, on both occasions Sam follows Frodo unbidden, almost automatically. Clearly, Sam is going to honour his commitment to stick with Frodo through thick and thin.) But this Chapter does not simply concern Gimli and Legolas as individuals. It also concerns the nature of their relationship and (as Lalwendë has noted) the nature of the relationship between Dwarves and Elves generally. The tension between the races is reflected in Haldir's reaction to the presence of a Dwarf in the party and in the heated discussions which lead to the entire party being blindfolded. The stark difference between the modes of living favoured by the two races, which reflects their differing natures, has been commented on by Lalwendë, and this can also be seen in two comments made by their representatives within the Fellowship. In response to Frodo's indication that he has heard footfalls following the party, Gimili stoops low to the ground and comments that he can hear "nothing but the night-speech of plant and stone". In contrast to these earthy images, Legolas observes later in the Chapter that he is "at home among the trees". It is the uneasy relationship between Dwarves and Elves and the differences between them that form the backdrop to the firm bond which subsequently develops between Gimli and Legolas. And there are hints here that foreshadow that friendship. The road that the Fellowship has followed leads from a (former) Elven realm (Eregion) through a (former) Dwarven realm (Moria) to another Elven realm (Lothlorien), providing a direct link between these three lands. Historically, there was friendship and co-operation between Dwarves and the Elves, and we are reminded of that here when Aragorn tends to Frodo's wounds and discovers the Mithril shirt: a mail corselet made by Dwarves for an Elven princeling. It is also interesting that Haldir makes Legolas directly responsible for Gimli during their passage through Lothlorien. Indeed, he makes Legolas responsible for the entire Fellowship, but he specifically refers to the Elf's responsibility for the Dwarf. However grudging it may be at first, there is the beginning of a bond between the two of them here. Some further observations: Quote:
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Finally, when the Fellowship stand on the edge of Lothlorien, Boromir comments that it is perilous (the perilous realm). In response, Aragorn says: Quote:
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Do you mind? I'm busy doing the fishstick. It's a very delicate state of mind! Last edited by The Saucepan Man; 10-19-2004 at 06:55 PM. |
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#4 | ||
Cryptic Aura
Join Date: May 2002
Posts: 6,003
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I fear to make a rather short and unsubstantial post after so many thoughtful and perceptive posts. I particularly like Mark12_30's point about the importance of water and the observation that only Frodo and Sam are injured in Moria (aside from Gandalf, of course).
Esty, Sam is also able to make jokes at his own expense: Quote:
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The point which struck me forcibly on rereading this chapter is the relative absence of Boromir. I think it is quite right to say the chapter focusses upon Gimli and Legolas as part of the developing them of rapproachment between their races. However, I am getting very much the sense that Tolkien has marked Boromir from the start, so to speak, for failure; he is in fact a foil who helps us see better Aragorn's honour. Boromir is rather a vain , perhaps even petulant and limited man. As others of you have discussed very ably previously, in the Council of Elrond, Boromir appears proud, even conceited. I have the sense that, even though he is noble and bold, his attitude is presumptuous and hollow even. He lacks self-knowledge. He has had his role as heir to the Stewardship of Gondor given to him; he has not had to struggle to learn about that role, as Aragorn has had to struggle to learn how to perfect himself for Kingship. In Moria, while Boromir fights valiantly, none of his actions provide substantial defense. He jimmies shut doors which ultimately are forced open. He is thrust down by an orc. It is Aragorn, with Andúril, who splits an orc's head, not Boromir. His horn only temporarily puts fear into the hearts of the orcs. Now, in Lothlorien, Boromir's only role is to be, well, perhaps querulous is unfair. Maybe call it obstreperous. He seems to be placed in the position of always arguing the limited point of view where Aragorn is given the broader perspective. His knowledge is shown to be limited. It is possible I am reading too much into the contrast between Aragorn and Boromir, but I cannot help but think that Tolkien cleverly has each man act out very different qualities in the heroic ideal, even from the beginning. One is the hollow pretender who lacks substance while the other is tested and being found true. It is a very subtle depiction which contrasts the male boaster with the man of true worth. Vainglory versus true glory.
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I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away. |
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#5 | |
Stormdancer of Doom
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I'm behind in posting my notes and in reading the threads...but--
Saucie wrote: Quote:
(This for the esteemed H-I-- Just gave my water-post a major edit. See last three paragraphs. Yours, --"There's a Good Lassie")
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...down to the water to see the elves dance and sing upon the midsummer's eve. Last edited by mark12_30; 10-20-2004 at 12:22 PM. Reason: tidy-up |
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#6 | |
Haunting Spirit
Join Date: Jun 2003
Posts: 78
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![]() ![]() I also agree that Boromir doesn't possess the knowledge Aragorn does, and that his assessment of Lothlorien was at least incomplete. But Boromir was simply telling what he had been taught by the Gondorian loremasters, while Aragorn was tutored by the Elves of Rivendel. Boromir never had access to Elven knowledge and therefore had to rely on the faulty knowledge he had been supplied with. Therefore, while your assessment that Boromir's knowledge was limited is true, I disagree with the implied statement that this was somehow Boromir's fault. Indeed, Faramir also considers Lothlorien to be perilous as does Aragorn, though Aragorn refines Boromir's statement. Therefore Boromir's remark wasn't completely without merit, but simply needed refinement which Aragorn courteously provided. ![]() |
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#7 |
Stormdancer of Doom
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Yet another connection:
"Roads go ever ever on, Over rock and under tree By caves where never sun has shone by streams that never find the sea." By the time Bilbo sang this, he had been through Rivendell twice. Going East, he spent "fourteen days at least" in Rivendell, and "I wish I had time to tell you even a few of the tales or one or two of the songs that they heard in that house". During his westward return trip he spent a week there, "and he had many a merry jest and dance, early and late, with the elves of the valley." I wonder how much that influenced his song. Gollum's cave certainly fits the description "Caves where never sun has shone" (and I suppose one could also argue that in Gollum's cave are also found "streams that never find the sea." Nevertheles, to me, the third line says "Moria" and the fourth, "Nimrodel." The two are bound, because it was from the chaos caused by the awakening of Durin's Bane that Nimrodel fled, til Amroth proposed to her on the borders of Fangorn. I wonder; did he end up connecting his own story to the Greater Story, to the lasting themes beloved of the elves that he heard during his times in Rivendell?
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...down to the water to see the elves dance and sing upon the midsummer's eve. |
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#8 | ||||
Gibbering Gibbet
Join Date: Feb 2004
Location: Beyond cloud nine
Posts: 1,844
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So much to say, so much to read, so much to address in this wonderful chapter: *pant* *pant*.
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The word “perilous” is, of course, wonderful, for it sets up Lorien not as a dangerous place, but as one that is full of risks; it’s risky entering the Golden Woods, unlike going into Moria which is just downright dangerous. Like all risks, the dangers are offset by possible rewards. Nothing is given in Lorien without a commensurate price being paid (the Fellowship is admitted, but they must go blindfolded; they gain shelter for a time, but Gollum is now following them). This leads me into another important comparison that I think is taking place in the chapter. The comments so far on the relationship between Dwarves and Elves have been wonderful, but what about the connection being stated between Lorien and the Shire? Quote:
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Frodo makes the distinction between Rivendell as a land of “memory” and Lorien as a place where “the Elder Days” still exist. This is the continuation and perhaps the fulfilment of his move from the Shire, where he got his first real ‘history lesson’ – he’s moving from history (the distanced and objectified relation of the past) through memory (personal/individual apprehension of the past) to actually being in the past. davem has already magnificently addressed the nature of Lorien as a timeless realm so I shall not duplicate his points here. I will merely add to this point the observation that from this point of the narrative and following, the company will move away from this timeless ‘heart’ and into the realm of history once more. It’s almost as though, having moved from history to the personal experience of the past, the company is now fully prepared to participate in that continuing history. This chapter ends with one of the most affecting moments in the book; it gets me every time: Quote:
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