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#1 |
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Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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Anyone interested in an analysis of Frodo's experience of PTSD/survivor guilt might want to read Karen Milos' essay 'Too Deeply Hurt:Understanding Frodo's Decision to Depart:
http://www.geocities.com/karynmilos/toodeeplyhurt.html |
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#2 |
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A Mere Boggart
Join Date: Mar 2004
Location: under the bed
Posts: 4,737
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That is an excellent article, davem. It confirms what I had been thinking about Frodo's suffering. What interests me is that at the end he feels he must sail to the Undying Lands, this is his only hope of recovery, yet away from ME there are no Undying Lands and we must seek our own recovery in other ways, one of which may be seeking solace in LOTR itself. Frodo finds no recovery that we can see (he may find this in the West, but we don't know this), and this is one of the saddest elements of the story, that we do not know if Frodo achieved 'closure' as the counsellors call it.
In the article it raised the poisonous words of Saruman who tells Frodo that there will be no rest for him - is this Saruman's wisdom or Saruman displaying the lack of understanding which sufferers experience from other people? I was also thinking about the Black Breath and whether this might be an emblem or symbol for depression. Certainly, I have heard people talk of depressive episodes as 'black moods' or 'black holes', and wondered if the Ringwaraiths' infliction of 'Black Breath' on others could be a symbol of people inflicting sorrow or heartache upon other people? |
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#3 | ||
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Spirit of the Lonely Star
Join Date: Mar 2002
Posts: 5,133
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Davem, Lalwende and all....
As a point of information, and to suggest other viewpoints on this essay.....there were two earlier threads on the Downs where this article was briefly discussed: Here. Also here... The link to the original article is broken, since it has moved to a new address, but this was definitely the essay under consideration. My own feelings, then and now, are more mixed than yours. I feel the author has done valuable work in pointing to the clear evidence that some of Frodo's feelings and actions can be better explained if we view these in terms of post traumatic stress disorder (and I would say survivor guilt as well). Moreover, what we've learned from Garth's book reinforces the possibility that Tolkien's World War I experiences and feelings crept into his depiction of Frodo. However, I am not willing to go as far as the essay suggests. I can't help but feel that she essentially portrays PTSD as the sole factor, a wholly negative one, in Frodo's decision to leave the Shire. This is too simplistic. All through the book, Tolkien delineated two sides of Frodo's persona: the "shadowed" side, which was growing under the influence of the Ring, but also the side inclined to good, that which led to mercy, his deepening relationship with Sam, and, most critically, the drive towards inner Elvish things (what we might term 'spirituality' or faerie depending on how we define things). The latter elements did not simply vanish with the failure at Sammath Naur. They may have been submerged under guilt and pain, but they still remained part of Frodo and, as such, had to play some role in his decision to leave the Shire. There was an element of longing in Frodo, longing for the Sea and what lay beyond, that not even the slopes of Mordor could totally erase. And this essay does not address or acknowledge this possibilty. ***************** I would voice similar caution when looking at this chapter. Davem - I think it's a gem of insight to view this chapter as a foretaste or modelling of what is to come at the end of the book. And part of what comes about is Frodo's inability to accept his limitations, instead focusing exclusively on how he has failed, according himself an importance no mortal should take on. In addition to what you've cited, I would add martyr complex to that list! Yet, having said that, I think we are in danger (like the author of the essay) in reducing Frodo to an equation, one in which we've left out essential parts. For example, you raised this question: Quote:
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I don't think so. I would rather accept the author's statement, as given through Gandalf's mouth: he describes Frodo as the 'finest' Hobbit in the Shire. In one Letter, JRRT also says that these particular Hobbits (including Frodo) were "extraordinarily gifted". By these terms, whatever is happening to Frodo is the effect of the Ring, rather than a prior condition. Admittedly, the Ring has a different impact on each individual: Frodo does not turn power hungry or end up killing someone in the way that Smeagol did. Those are not his potential shortcomings: they are instead the ones you list. The potential for his particular kind of corruption was always there in Frodo (in the same way that human limitations exist in all of us), but it is only with the Ring that we actually see it coming out and influencing his thoughts and behavior. My own reading of the chapter is somewhat different: The Ring is working on Frodo and you have pointed to instances where the Hobbit exhibits self doubt, something that will occur more than once. Yet, this is only a single piece of the puzzle. In this chapter, Tolkien continually stresses that it is a miracle Frodo even survived such a wound. It is the heaviness of the burden that is emphasized as much as Frodo's limitations. If Frodo had already been so heavily under the influence of PTSD or the Ring that it dominated his every inner thought, he would never have managed to get to Mount Doom. The doubt and self incrimination is there, but it must be read in the context of his whole personality and actions and the dire situation he was in. Strangely enough, my hesitations with the essay and even with stressing the inner self doubt of the chapter are similar to the way I feel about Peter Jackson's Frodo. Others on this thread have pointed out how Jackson changed the depiction of Frodo at Weathertop with sad results, but I think it is wider than that. In the movie, Frodo is portrayed almost from the start as a victim. The dilemma with Frodo is to keep the two sides in balance: victim he was, and with grave limitations and self doubt, but also an extraordinary Hobbit, likely the only one in Middle-earth who could have done what he did. It is the challenge of balancing these images that makes any interpretation of Frodo challengingly complex.
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Multitasking women are never too busy to vote. Last edited by Child of the 7th Age; 09-09-2004 at 11:38 AM. |
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Gibbering Gibbet
Join Date: Feb 2004
Location: Beyond cloud nine
Posts: 1,844
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D-words
Very interesting discussion of Frodo here. I think that I would like to add into the mix a different D-word from the two already being tossed around (doubt and depression) -- I would like to think about what happens to Frodo at the Ford in relation to despair.
Not despair in the sense of simple unhappiness, but despair as pertains to the loss of hope or faith. Hope is central to the story, and more often than not a character's moral fibre is defined largely in terms of how well he or she keeps hope or faith. Frodo in this chapter is having a very complex reaction/relation to hope that sets up the rest of his journey. On the one hand, after the attack at Weathertop he loses faith in himself insofar as he despairs of his own ability to resist the Ring. On the other hand, at the Ford he demnstrates a remarkable sense of hope insofar as he resists the Nazgul -- interestingly though, he does not have hope in his own abilty to resist them (his defiance is empty and he knows it, and just to make the point the Wraiths break his sword from a distance), but he obviously has hope that something will defeat the Nazgul. He is lost (to the Ring) but the cause is not. As will happen at the Cracks of Doom, this hope is justified as Frodo is saved -- well, no he isn't, Frodo is 'doomed' to the other d-words, doubt and depression, but the cause is not. Frodo's life is already over, but the quest will go on. So I think the ambivalence of this moment can be read in this way. On the one hand is the doubt and depression that is overcoming and claiming Frodo; on the other hand is the despair that he manages to keep at bay throughout his life. He is the victim of the former, and the heroic conqueror of the latter. In fact, his heroism only grows as his doubt and depression deepen (alliterative! ) -- the fact that he can plod on and hold to his faith, that he can not despair utterly of the quest despite the terrible toll it is exacting on his faith in himself is remarkable.Frodo is beginning in this chapter to learn the hard lesson that will guarantee the success of the quest -- that the success and well-being of the hero is not always the same as the success of the hero's mission.
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Scribbling scrabbling. |
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#5 | |
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Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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I wouldn't deny Child's points regarding Frodo, but I think we have to take Milos' points on board regarding Frodo's mental state, because I think they're valid. How much hope does Frodo actually have, & how much is he simply grasping at straws? To what extent is his decision to go based more on faith than on hope?
Clearly he doesn't see himself as naturally 'fortunate', a lucky soul. throughout he's taken chances on circumstances & on others around him, & he doesn't feel that he has been lucky in those chances. If Tolkien is correct in saying that at the end Frodo feels like a broken failure that must affect his expectations of the outcome of his journey West. In the end it will come down to how we read Frodo's acts & statements as to whether we see his taking Ship as the triumph of faith over hope, or vice versa. I am struck by his responses in this chapter to his wounding, because he expresses the extremes of both defiance & despair, hope & hopelessness. Yet the thing we have to bear in mind is that however he responds here he is responding in extremis - he doesn't have the luxury to stop & weigh up his situation calmly & objectively. He is dogmatic, judgemental & condemnatory - towards himself most of all. Once he is able to rest & make a decision he accepts the task of taking the Ring to the fire - but does he make that choice out of defiance or despair? Is there a point when he simply resigns himself to do the task at hand, because he believes it has been ordained that he will do it, &/or die in the attempt, but that either way he has no real say in the matter? I'm struck by something from an early draft of the meeting between Bingo & Gildor: Quote:
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#6 | |||||||
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Spirit of the Lonely Star
Join Date: Mar 2002
Posts: 5,133
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Davem
As I look at the chapter again, I see more of what you're referring to. I do still think we have to perform a balancing act in terms of Frodo. But I want to suggest one more angle that we can perhaps use for a slightly different perspective.... I'll warn you in advance that this is going to be long. I didn't know how else to get all this down. Question: What if Frodo’s self blame is not an isolated response of one individual but part of a larger pattern, with a number of characters displaying uncharacteristically ‘negative’ feelings? First, there’s Sam. No one mentioned the unusual scene at the beginning of the chapter. After Frodo was wounded and Strider briefly disappeared, Tolkien say this: Quote:
By the time Strider kneels down, Sam could not have mistaken him for a wraith, yet the Ranger feels compelled to provide an extended explanation of who he is and his loyalties. Strider reassures Sam that he is not “in league with them”. This goes beyond seeing people in the dark. Just two paragraphs later, we get another description of Sam's behavior: “Sam choked with tears.” The Hobbit fears his friend can't resist the wraiths. Yet, in sticky situations even in Mordor, Sam doesn’t normally cry. Nor are these the “good” tears Gandalf later mentions. Given their distressing situation, the tears can only be destructive and futile. Aragorn sees the real reason for the tears and implores Sam: “Don’t despair.” Despair is the last characteristic I normally associate with Sam. Yet here, Sam can not control his negativity. We get another uncharacteristic instance of self-doubt by Merry when he announces to Strider: Quote:
The companions as a whole “dreaded the dark hours” and imagined that the wraiths were “waiting to make some ambush in a narrow place.” Even Strider, though generally resourceful, “seemed tired and heavy-hearted”. Thus, Frodo’s is not an isolated response, but part of a pattern. One obvious cause for all this is the fear instilled by the wraiths: it hangs over everything in the chapter. Yet there is a second force at work: the land itself. Here it is not a beneficent force, but presents obstacles and reinforce fears. At every step, Tolkien uses phrases like “withered leaves and grass”, “sullen hills”, “somber country of dark trees”, and “the hills began to shut them in.” Later in the book we will encounter two “wastelands” created by the active hands of living beings – Mordor and Isengaard ( potentially the Shire as well, only the bad guys didn’t get that far.) These are wastelands like those in the modern world: fertile lands where technology and war actively mar and destroy the land. In this chapter, the fellowship is passing through a different kind of wasteland. It is the one we see in medieval literature: the empty place where no people live. The medieval wasteland usually has the ability to corrupt spirit and defeat the body. Thus, Strider uses the actual term “wilderness” to describe the land they are going through. He clearly sees the shadow that lies over the land, the shadow that is influencing Frodo and Sam to respond in negative ways: Quote:
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Of course, it’s possible to read all this literally – having to do with geography and such – and to understand everyone’s fears as simply a reaction to bad conditions. But it seems like there is another level of meaning here as well: the land has influenced how they react and feel and they must get back to their true selves if they are ever to break through to Rivendell. The final moment of joy, when the sun comes flooding in, literally and figuratively, is when they see those old stone trolls. For the first time in the whole chapter, they are able to laugh: Quote:
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In this chapter, Tolkien continues to play with concepts like “history”, the “past” and ‘remembrance” It is Frodo’s memory of his own past—Bilbo’s deeds—that helps defeat the wasteland in his own head and enables him to laugh. Even more striking is how Tolkien describes the wasteland as “empty and forgetful”: Strider says that even the hills have forgotten what happened here. But Strider then reassures the Hobbits with a statement that shows his own strength as a Dunedain: Quote:
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Multitasking women are never too busy to vote. Last edited by Child of the 7th Age; 09-09-2004 at 02:08 PM. |
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Late Istar
Join Date: Mar 2001
Posts: 2,224
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Two minor comments that can't pretend to fully address anything said above:
Davem wrote: Quote:
Child of the Seventh Age wrote: Quote:
He does not despair, but only because he can "postpone" it. Shippey cites this passage and argues that Sam is cheerful but not hopeful - one can be cheerful (outwardly agreeable, putting on a good face) with or without real inner hope or joy. |
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Stormdancer of Doom
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To quote another INFP. : I think Frodo is "Very I, very N, very F and very P..." Introvert, Intuitive, Feeler, Perceiver. At least, that's my guess. Quote:
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...down to the water to see the elves dance and sing upon the midsummer's eve. Last edited by mark12_30; 10-22-2004 at 10:34 AM. |
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Late Istar
Join Date: Mar 2001
Posts: 2,224
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Mark12_30 wrote:
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I suppose one could say that Frodo's character arc amounts to a movement to an even more extreme INFP. |
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