Nebulous "It" and Absolutes

[Child of the 7th Age]

Dininziniel,

This is an interesting thread but I think you've raised two related issues rather than simply one.

First, there is the general theme of "loss versus joy" in Tolkien's writing. You pose the question in these terms:

The question is: what does Tolkien tell us in his various stories, essays, and letters about the loss incurred through great and profound struggles--even when light triumphs over darkness. Is it possible to have the opposite outcome where "all is light and full of joy"?

Tolkien clearly thought there could be no joy that was pure and unblemished. At least three influences helped mold this view:

• Tolkien's personal experience as a child and young adult, namely the loss of both his parents, and his guardian's subsequent order to separate from Edith.
• His basic Catholic belief that the world is inherently flawed and there can be no real victory until the end of time
• The influence of the Northern epics and legends that were equally or even more somber in tone than his own writing

All of these influenced Tolkien's portrayal of loss, which is a consistent theme throughout his writing. Which of these had the greatest impact? We can only guess, but I would think his serious difficulties in childhood had a great deal to do with how he came to feel underneath. Perhaps the other two gave intellectual expression to what lay below.

Your second question centers on Frodo and the extent to which he personally suffered loss. I find myself in a strange position here. On the one hand, no one could possibly argue that Frodo was not profoundly affected by the Ring. What happened to him left a lasting mark, and Davem has summed up this idea very well.

Yet, I wonder whether Davem hasn't portrayed Frodo in too stark terms? He and I have had a similar discussion before on suffering, so I don't think he'll be too surprised at what I'm going to say.

First, here is what Davem wrote:

The state of despair he had entered into by the end of the story is one which probably none of us can truly understand. He had no hope - neither in life, or in death. There was no light & joy here in this world - not for Frodo, & one wonders if there was for Tolkien.

I would not say this, and I am not sure Tolkien would either.....Frodo being in a state of despair so extreme that he has no hope in life or death. That is further than I am willing to go. When I read Davem's post, I had a vivid image of the poem "Sea-Bell" in my head. There is no doubt that the nightmare Tolkien depicts in Sea-Bell was part of Frodo's experience when he returned to the Shire. But it was, in my estimation, only one part. There was more going on than that. Frodo acted as deputy mayor, and managed to live with Sam and his family.

For many years, I acted as a grief support counselor and briefly as a crisis counselor. Grief is very strange. One moment it can totally overwhelm you, and the next you manage to stagger on and go through the motions of living. I imagine Frodo's experience was similar to that: very, very bad times alternating with times where he felt empty and sad but was able to get through the day. This is how Tolkien depicts Frodo's periodic "episodes".

Strangely enough, one of the dominant expressions of ongoing grief and depression is not overt despair and reckless action but complete exhaustion and immobility. You feel as if you can't take another step forward. Because of this, it is difficult to make decisions or act in a concerted way. The fact that Frodo decided to go West in hope of finding help tells me that, as sick as he was, there was enough left inside him to try and seek a better path.

I do not see Frodo as totally devoid of hope. He still had feelings for Sam and the Shire. Because of this, Frodo was capable of recognizing that on a certain level the Shire had been saved and could even tell this to his friends. What he wasn't capable of doing was taking an active role in that saved Shire, or fitting in again.

Near the end of the book, we see the shores of Tol Eressea through Frodo's eyes:

Frodo smelled a sweet fragrance on the air and heard the sound of singing that came over the water. and then it seemed to him that is in the house of Bombadil, the grey rain-curtain turned all to silver glass and was rolled back, and he beheld a white shores and beyond thema far green country under a swift sunrise.

This verbal portrait suggests a tiny glimmer of light underneath all Frodo's grief and guilt. When a person is totally immersed in despair, they are incapable of appreciating either goodness or beauty. The fact that Frodo could look on those shores and sense their underlying purity suggests that something in him was still capable of responding to goodness.

This really brings us back to Din's initial post, how Tolkien saw joy and loss as intertwined. The feeling at the end of LotR is not utter despair but rather bittersweet loss. As hurt as Frodo was, I think that this was even true for him.


Frodo was hurt, terribly hurt, but I do not see it as a hurt without hope. We don't know what happens to Frodo in the end, perhaps because Tolkien himself did not know. Perhaps he found healing in this world, and perhaps he did not. But the way Frodo is depicted in the final chapter at least suggests to me that a tiny measure of hope was there and healing was still possible.