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Old 12-13-2007, 02:49 PM   #1
Sauron the White
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COMPASS & LOTR comparison

Film Journal has a good essay giving their review of THE GOLDEN COMPASS.
http://www.filmjournal.com/filmjourn..._id=1003682398

One of the more interesting things to Tolkien fans is the following key paragraph

Quote:
The Golden Compass is a textbook case of what can happen when an epic fantasy is put in the hands of a director with only a modicum of visual imagination. At one point during pre-production, Weitz himself sensed he wasn't up to the task of bringing the book to life and temporarily gave up the director's chair, only to be coaxed back after his replacement experienced "creative differences" with the studio and jumped ship. Cruel as this may sound, his first instincts were correct. Directing a film like The Golden Compass demands a strong, clear vision that Weitz—a smart guy and a talented writer—doesn't possess. Say what you will about Peter Jackson's occasional lapses into self-indulgence, he's a filmmaker who completely immerses himself in the worlds he's creating and his passion comes through onscreen.
I realize that there are times it seems like I am Don Quixote battling windmills here because so many Tolkien readers are characterized as print purists who hate the films. But I believe this paragraph, and the article will tend to show that the dominant opinion in the film industry is decidely in favor of the films and Jackson.
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Old 12-13-2007, 04:36 PM   #2
Aiwendil
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Say what you will about Peter Jackson's occasional lapses into self-indulgence, he's a filmmaker who completely immerses himself in the worlds he's creating and his passion comes through onscreen.
I doubt that many of Jackson's detractors would disagree with this. I don't think I've ever heard anyone criticize him for a lack of visual imagination.
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Old 12-13-2007, 04:52 PM   #3
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Should a director attempt to stamp his own vision on an adaptation, or submit to the author's?

Difficult. the main problem with Jackson as far as LotR goes was that he lost it too many times & just went too far. The Aragorn/Eowyn/Gimli episode in TT springs to mind - a perfect scene - till Gimli falls off the horse: one step too far. Same with the flaming Denethor 3 mile run. The main problem was that no-one seemed to be present to tell Jackson when enough was enough.

As to the Golden Compass - I haven't seen it yet, so I don't know how bad/good or average it is. It doesn't seem to be doing too well - though that could simply be down to the attempted boycott by various religious groups.

I know Jackson has earned a lot of praise for LotR, but looking at his other movies I suspect that's down to the material rather than his skill. His King Kong was as mind numbing as it was bum numbing....
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Old 12-13-2007, 06:41 PM   #4
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Davem, while I agree that Jackson's version tends to lack subtlety, I don't think you're being fair to him– he brought off some incredibly difficult things in the Lord of the Rings movies. I don't see a lack of skill there. You're talking about a lack of taste. (Well, I mean, he made a film called "Bad Taste"– what did you expect?)

I think this may be the reason some Tolkien fans can't reconcile themselves to the films, rather than because said films fail to adhere blindly to the text.

Myself, I just think it's a regrettable failing in an otherwise good movie trilogy.
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Old 12-13-2007, 07:14 PM   #5
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from davem

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Should a director attempt to stamp his own vision on an adaptation, or submit to the author's?
If you could make a list of the first few major responsibilities a filmmaker has, would a question such as this make that short list? As such, I think it is one of those esoteric exercises which has very little to do with the real task before a filmmaker.

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Difficult. the main problem with Jackson as far as LotR goes was that he lost it too many times & just went too far. The Aragorn/Eowyn/Gimli episode in TT springs to mind - a perfect scene - till Gimli falls off the horse: one step too far. Same with the flaming Denethor 3 mile run. The main problem was that no-one seemed to be present to tell Jackson when enough was enough.
Dwarves were suppose to be rather poor equestrians were they not? How is having one fall off a horse evidence of going too far when an event such as that was probably likely to happen if attempted? Later, the director does have a bit of redemption for Gimil's horseman skills when he mounts a steed and bravely attacks the warg riders on the way to Helms Deep.

The Denethor "3 mile run" lasted exactly ten seconds from start to finish. Time it. I have. The worlds fastest runner could do three miles in 12 minutes plus. I hardly think anyone was sitting there plugging all the distance together and coming up with three miles. ANd if they were Jackson had lost them a long way before that. How many times have audience members sees a flaming person in a previous movie and that lasted a similar time? Numerous I would think. So much so that some stuntmen now consider it a normal part of the job and there are industry standards for such a thing. I hardly think that particular scene tipped the balance.

There may have been people there to say when enough was enough. One of whom was Jackson himself. When he saw the early footage of Arwen at Helms Deep, he canned it saying it just did not work. It could be that even Jackson felt he had gone too far and could recognize it.

Quote:
I know Jackson has earned a lot of praise for LotR, but looking at his other movies I suspect that's down to the material rather than his skill.
Ah yes - the old claim raises its head once again. The Directors Guild - people who know a little bit more about film than most of us - obviously felt Jackson did a more than competent job when they gave him their top award. And its very difficult to compare two different films from the same man and judge one by the faults of the other. I probably share some objections about KONG with you, but as far as the quality of LOTR goes it is irrelevant.

Its interesting that anyone can claim the material was what made the films great when many of those same voices continuilly bemoan the near destruction of that same material. I have read where some purist critics claim its not JRR TOlkiens LOTR that is one the screen due to all the additions, subtractions and changes. They can hardly recognize the material. But now that same material came through enough to make the films successful and good? Its hard to have it both ways.

And the excellence of the source material (and I agree that it was excellent) did nothing to help poor Ralph Bakshi in his earlier effort at the first half of the book, nor the Rankin & Bass studio in filming the last part. Neither of those. based on the same excellent material, were hits with the audience or with critics. If LOTR is an excellent steak that anyone can cook, it ended up as a bad meal two out of three times when tackled by different chefs.

Last edited by Sauron the White; 12-13-2007 at 10:06 PM. Reason: typo
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Old 12-14-2007, 11:54 AM   #6
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Lord of the Rings is based on a christian perspective were good truimphs over evil.
The Golden Compass was written by an atheist, and, in the books, evil truimphs over good.

The two trilogies are completely opposite of each other!
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