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#1 | ||
Curmudgeonly Wordwraith
Join Date: Jun 2007
Location: Ensconced in curmudgeonly pursuits
Posts: 2,515
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http://www.worldcrunch.com/culture-s.../#.UyjGfKhdXTp I don't agree with apologists who make the imbecilic claim that film is a different medium than books, and therefore license must be allowed for offering the story as a visual presentation. This half-hearted defense for making a mockery of a movie does not stand up to intelligent scrutiny. Time compression is a necessary fact of movie adaptations; one can't expect to cram all the minutiae from a book into a series of films (even with films bloated to 3+ hours). However, Jackson does not remove elements of the original story merely to offer a tighter plot, he adds inane fan-fiction in place of what was edited out, he amps up gratuitous violence and CGI effects to ludicrous levels, and, worst of all, demeans characters and dumbs down significant elements of the story so that only the oblivious would appreciate the obvious.
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And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision. |
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#2 | |
Ghost Prince of Cardolan
Join Date: Aug 2012
Posts: 785
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One might also consider the Facebook pages of The Hobbit and The Lord of the Rings for the books, the books mind you, which are currently asking fans trivia questions to advertise some smartphone app, and after a while the questions shifted to entirely being film-based questions, sometimes in complete contradiction of the books, e.g. what instrument does Bofur play? The clarinet of course, but the only correct answer is 'the flute' because that's what he plays in the films. This is on the book page, and there is no disclaimer that this is film material. The film adaptation in the minds of the mainstream audience pastes over the top of the book. It is a palimpsest effect. To return to the matter of the tone of the book versus the tone of the films, the idea which strikes me considering The Hobbit is the presentation of the narrative and design. I think that in the film adaptations of The Lord of the Rings, for all their numerous failings, we might just barely glimpse, through a glass, darkly, as it were, an image of the high seriousness of the original text. This is perhaps only something I feel in hindsight in contrast to the film adaptations of The Hobbit, which replace the arguably childish tone of the book with a bizarre sense of the grotesque. Everything in The Hobbit is overtly, whether pleasant or ugly, strange: the Dwarves (especially their bizarre attire and weapons), Radagast, Goblin-town, Dol Guldur, and Esgaroth come to mind. The narrative does the same thing, of course, with additions like Ringwraith-tombs and Orc hunts and stories of 'forbidden love'. Yet I think in the book that seriousness is there, and increases as the tale progresses. The films, to me, feel out of place in regards to both the book and Peter Jackson's earlier films.
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"Since the evening of that day we have journeyed from the shadow of Tol Brandir." "On foot?" cried Éomer. |
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#3 | |
Cryptic Aura
Join Date: May 2002
Posts: 6,003
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btw, do you know there is a Barrow Downs group of our dead wights on FB? Care to join?
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Ill sing his roots off. Ill sing a wind up and blow leaf and branch away. |
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#4 | |
Ghost Prince of Cardolan
Join Date: Aug 2012
Posts: 785
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I feel like I ought to emphasise in light of my comments that while I think the films are potentially damaging to the books, especially the long struggle to have Professor Tolkien taken seriously as one of the major authors of the twentieth century, my issue is largely not with appreciation of the film per se but rather that attitude which attacks the books to defend the films.
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"Since the evening of that day we have journeyed from the shadow of Tol Brandir." "On foot?" cried Éomer. |
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