![]() |
![]() |
Visit The *EVEN NEWER* Barrow-Downs Photo Page |
|
![]() |
#1 | |
Overshadowed Eagle
Join Date: Nov 2017
Location: The north-west of the Old World, east of the Sea
Posts: 3,971
![]() ![]() |
Quote:
~ Overall I'm not 100% convinced by that twitter account's claims. They're sourcing from this one, and things like... the absolutely covered-in-gold character is Gil-Galad, whose whole theme is silver? Are you sure? But that's fandom rumours for you. Probably some are true, some are not. We will all find out in - cripes - seven months. ![]() If they are right, then we seem to have three timeframes represented in the posters: - The First Age. They're claiming Galadriel on the Helkaraxe, and I've seen a very plausible theory that the broken sword could be Gurthang. Also, y'know, Two Trees image. - The War of the Elves and Sauron. Celebrimbor, and potentially Durin. - The Akallabeth. This is most of them. ^_^ They've namedropped Elendil, Pharazon, and a surprisingly-scruffy Isildur (and his sister Carine*). (*Which would be Ca-ri-në, not Ca-reen. Plausibly Quenya but without any obvious derivation.) I've seen suggestions that the First Age material is limited to the first episode; whether that means it's just a prologue, or whether they're devoting an entire episode to Beleriand, I can't even speculate. (I was gonna start posting theories about the posters, but a) lots of work, and b) if there's official rumours, there's not a lot of point.) hS
__________________
Have you burned the ships that could bear you back again? ~Finrod: The Rock Opera |
|
![]() |
![]() |
![]() |
#2 | |
Loremaster of Annúminas
Join Date: Oct 2006
Posts: 2,330
![]() ![]() ![]() |
Quote:
But more than that, there is the aesthetic objection to everything in pop culture being arbitrarily sploodged in Diversity Ketchup, the universal condiment of the 2020s. This is not casting-Sidney-Poitier-in-the-Sixties social courage; it's just more pumpkin spice product. Does it represent an artistic improvement? No. It is an entirely political superimposition; and its defenders tend to react to artistic objections in (insulting) political terms. Would it be "racist" to object to an adaptation of Things Fall Apart including white and Asian and Latino actors, because "diversity?" Should Crouching Tiger, Hidden Dragon be castigated because there isn't a single non-Chinese character anywhere? Should Moby-Dick (which always had a racially diverse crew) be re-shot with women whalers interjected, and would objections thereto be "sexist?"
__________________
The entire plot of The Lord of the Rings could be said to turn on what Sauron didn’t know, and when he didn’t know it. |
|
![]() |
![]() |
![]() |
#3 | |
Overshadowed Eagle
Join Date: Nov 2017
Location: The north-west of the Old World, east of the Sea
Posts: 3,971
![]() ![]() |
You take exception? I rather take exception to the claim that seeing any non-white characters in a story that spans thousands of miles of fictional terrain, and runs from the Arctic to nearly the equator, is "arbitrarily sploodged in Diversity Ketchup", "more pumpkin spice product", and "an entirely political superimposition". I take exception to the insistence that every Good character in Tolkien must be white, because... well, because they must be, right? Tolkien would never have imagined that the Good races could include non-white people, right? Because...?
"Racism" is not a political term. It is a matter of fundamental ethics. Treating people who look different as lesser or unwanted, especially when you have social or political power over them (which answers most-to-all of your "scare-quoted" questions at the end, by the way), is wrong. Excluding them from things - yes, including playing characters in an adaptation of Tolkien - for no more reason than that you're comfortable with the way things are is wrong. And I firmly believe Tolkien would agree with me. Quote:
hS
__________________
Have you burned the ships that could bear you back again? ~Finrod: The Rock Opera |
|
![]() |
![]() |
![]() |
#4 | |||
Curmudgeonly Wordwraith
Join Date: Jun 2007
Location: Ensconced in curmudgeonly pursuits
Posts: 2,515
![]() ![]() ![]() ![]() ![]() |
Quote:
Greek mythology has a lot of Greeks in it -- their gods and heroes. This may be distracting or absurd to you, I know, but it suited the Greeks. Did you get indignant when decidedly non-Greek Brad Pitt played Achilles -- other than the bad acting, of course? Quote:
The refined and perhaps debauched Gondorions probably viewed these proto-Goths in much the same way.
__________________
And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision. |
|||
![]() |
![]() |
![]() |
#5 | |
Loremaster of Annúminas
Join Date: Oct 2006
Posts: 2,330
![]() ![]() ![]() |
Quote:
Yes, it absolutely is political. One confusion of our confused and angry age seems to be the conflation of the two, the (intentional?) obfuscation of the difference between the political and the moral- because it seems more suited to the censorious contemporary mindset to say not "I disagree with you" but "I condemn you;" not "You are wrong" but "You are evil." And so the denial that the entirely political decision that People of Color need representation injected into in a work written in the 1940s by a middle-aged Englishmen is political, and is instead (and inaccurately) recast as "ethical." Could you explain to me exactly what artistic or aesthetic enhancement is involved here? It certainly has nothing to do with "Treating people who look different as lesser or unwanted, especially when you have social or political power over them" Nobody is treating POC as "lesser or unwanted" by observing that they simply weren't there. Would you make the same argument with regard to an adaptation of David Copperfield or Pride and Prejudice or (ha!) Vanity Fair? These were books written in England from an English perspective featuring Englishmen (and -women). Tolkien was writing from the perspective of an England where just about nobody, unless they had been out to the Empire, had so much as seen a black person in the flesh until American GIs started coming over. Tolkien was writing about "the North-West of the Old World." A place which, as he understood it (long before the Nationalities Act), was populated by Europeans. To the extent POC stepped on the stage they were, like the Easterlings and Haradrim, the Other, the hostile invaders from south and east. Now, it would be entirely one thing If you were to come back with "You are wrong; Tolkien did not envision his world as being all-white," and argue from there. You could even attempt an argument that the work is somehow artistically improved by a multiracial cast. What you cannot legitimately do is play lazy ad hominem games and accuse me of racism (which I am not) because I do hold that opinion- nor, frankly, for mocking the current rather silly fashion for Diversity Ketchup, especially its empty claims to moral imperative.
__________________
The entire plot of The Lord of the Rings could be said to turn on what Sauron didn’t know, and when he didn’t know it. |
|
![]() |
![]() |
![]() |
#6 |
Ghost Prince of Cardolan
Join Date: Aug 2012
Posts: 785
![]() ![]() |
I don't see how any of it matters at this point. If it isn't true to the source material (which it clearly isn't) then that's simply the way it is. There's nothing any of us can do about it except to not watch the show; I don't intend on watching it. I already don't have an Amazon Prime subscription and this isn't going to get me to pay for one. I already avoid buying books from them except where they've monopolised the market for something that I need for my academic research (into Tolkien).
And I say all this as someone who couldn't care less if there are more roles for women and non-white people in the show. That was inevitable and it doesn't bother me in the slightest. I simply don't care if Elves or Dwarves aren't all white. I don't think they need to be for an adaptation to work; personally I don't think you need an all white and predominantly male cast to still have the same tone as Professor Tolkien's work. But the tone will be the thing they almost certainly don't capture because audiences wouldn't get it, and they probably don't get it themselves. I can't help but feel as if Amazon wants these arguments about diversity and "politics" to be happening to create more conversation around their show. It just remains to be seen whether it's successful with their core audience or not; Tolkien fans aren't exactly going to be making up a majority of their market share at the end of the day.
__________________
"Since the evening of that day we have journeyed from the shadow of Tol Brandir." "On foot?" cried Éomer. Last edited by Zigûr; 02-22-2022 at 05:18 PM. |
![]() |
![]() |
![]() |
#7 |
Dead Serious
|
This is the truest statement on this thread, I think, and it is arguable that they're getting what they want, if so. If even the Huorns have been roused on the 'Downs, there is conversation aplenty!
__________________
I prefer history, true or feigned.
|
![]() |
![]() |
![]() |
#8 | |
Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,512
![]() ![]() ![]() ![]() |
Quote:
![]()
__________________
You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
|
![]() |
![]() |
![]() |
#9 | |
Loremaster of Annúminas
Join Date: Oct 2006
Posts: 2,330
![]() ![]() ![]() |
Quote:
__________________
The entire plot of The Lord of the Rings could be said to turn on what Sauron didn’t know, and when he didn’t know it. |
|
![]() |
![]() |
![]() |
#10 | |
A Voice That Gainsayeth
Join Date: Nov 2006
Location: In that far land beyond the Sea
Posts: 7,431
![]() ![]() ![]() ![]() ![]() ![]() |
Quote:
1) Of course what matters is "the core", i.e. the spirit, whether this is Tolkien or just a bad generic fantasy. However, many fans seem to be pre-decided that this is going to be bad, so bad, already before seeing very much and ignoring the signs that might (potentially) also point to the contrary (e.g. the facts that the authors seem to be honestly trying, that there are "real fans" among them, that they have been reading Tolkien every morning before filming and so on). (Sidenote, before anyone shelves me as a defender, let me restate that I am against all and any adaptations including this one, but I am trying to be objective!) 2) Which is directly connected to the next one, where I would ask everyone (does not necessarily apply to members of this forum of all things, but everyone try to discern about yourselves) to try to examine their own thoughts and feelings about the topic, and tell to themselves TRUTHFULLY what does your negative feeling about the show truly depend on and where does it come from. I mean: often human mind works the way that once you decide that something is bad (or good), then you just keep looking for more proofs for that things are the way you see them. But what was the first trigger, and what was the first major "proof" that solidified your belief? Were you the most annoyed by that Galadriel was wearing armour, or was it by that there was a non-white-skinned Dwarf or Elf? And are all your subsequent arguments only addendums, while your issue with the show lies in this? Or are you jumping on some train of thought that may be built on false dependency? ("If they cast dark-skinned Elves, it means they are not treating Tolkien canon with enough respect, or are not trying to be true to the spirit." - That for example would absolutely be false dependency, as that's an aesthetic choice about the same weight of deciding whether Númenor has statues that are inspired by Greek, Egyptian, Roman or Aztec art.) To sum it up: I don't think we have enough details to say with certainty that there is a "rotten non-Tolkienian chancre". There definitely are "scabs on the surface", and then the question is, how much weight we give to them - and to which ones, and for what reasons. I very much wish all the fans to be honest to ourselves about it.
__________________
"Should the story say 'he ate bread,' the dramatic producer can only show 'a piece of bread' according to his taste or fancy, but the hearer of the story will think of bread in general and picture it in some form of his own." -On Fairy-Stories |
|
![]() |
![]() |
![]() |
Thread Tools | |
Display Modes | |
|
|
![]() |