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#13 | |
Scent of Simbelmynë
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What good timing Alak, for digging up this thread, I was plotting to start one on Leaf by Niggle myself. [img]smilies/wink.gif[/img]
What I was going to say revolves somewhat around what Amarie of the Vanyar said: Quote:
The comparison between his histories and Niggle's tree seems blaring to me, but I've never seen it discussed anywhere. I wonder if he thought of it as he portrayed Niggle's great painting; as pieced together scraps of things, looking overall slightly warped and off kilter, though in details meticulously lovely. I wonder what the final bit signifies then? The destruction of the entire tree and the preservation of just one leaf- LoTR? Has most of Tolkien's 'tree' been underappreciated? Or did he mean to say that the work was truly better in snapshots than as a whole (honestly I find it much better as a whole...)? As a sidenote, why, davem, do you say that about the allegorical content of Leaf by Niggle? Personal distaste for allegory? I wonder, because I see a lot of fellow Tolkien fans (whom I know in real life) throw out Leaf by Niggle because it is allegorical, placing it as a secondary work because of Tolkien's avowed dislike of allegory. I don't think it's "allegorical-ness" lessens its value at all, and there are other instances of Tolkien using allegory (Monsters and Critics). [img]smilies/smile.gif[/img] Just wondering, I haven't gotten my hands on Smith of Wooton Major yet, but very few things touch me as deeply as Leaf by Niggle... A few thoughts for the general consumption. Sophia
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The seasons fall like silver swords, the years rush ever onward; and soon I sail, to leave this world, these lands where I have wander'd. O Elbereth! O Queen who dwells beyond the Western Seas, spare me yet a little time 'ere white ships come for me! |
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