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#1 |
Laconic Loreman
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Well, I saw it...initial thoughts are it's a lot better as a film than DoS. I think the big part is because the storyline gets resolved where DoS just felt like it was 3 hours that solved nothing and nothing actually happened except stretching out the story as much as possible.
But I enjoyed most of the characters and even most of the action sequences. Anything with Legolas and Tauriel was terrible, not necessarily their faults though that their story and purpose in the movie stunk. The slow-mo voices was overdone and too much cheese for me taste. The best parts are obviously with Bilbo and Gandalf and Bilbo and Thorin, which is a positive in my opinion that the movies didn't lose sight of The Hobbit being a tale about...erm the Hobbit who comes into his own while on a grand adventure. I also quite liked Elrond and Saruman showing up in Dol Guldur, as far as action sequences probably one of the best done in a film in recent memory. I just wish they didn't leave us with the cliffhanger of Saruman saying "Leave Sauron to me" and then the White Council drops out completely. Elrond in armor is a magnificent sight and overall I like The Hobbit Elrond much more than LOTR Elrond. It just proves Hugo Weaving can play the part, if the direction and writing was better in LOTR. I actually did not think of "Agent Smith" once during The Hobbit movies. More to come later probably.
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#2 | |
Wight
Join Date: Aug 2014
Location: Armenelos, Númenor
Posts: 205
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![]() Quote:
The 'leave Sauron to me' bit sounds like it's very misleading, as that is not how Saruman betrayed the White Council, nor when. His treachery was quite a while before that, and a lot of people are going to get confused, or mislead by such a thing. I do like the sound of Elrond in armour, as I always wished that the defeat of Sauron at the beginning of the Fellowship was extended, and we got to see more. |
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#3 | |
Loremaster of Annúminas
Join Date: Oct 2006
Posts: 2,330
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Ahh, sanity:
http://www.theatlantic.com/entertain...er-now/383876/ Quote:
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The entire plot of The Lord of the Rings could be said to turn on what Sauron didn’t know, and when he didn’t know it. |
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#4 |
Princess of Skwerlz
Join Date: Jan 2002
Location: where the Sea is eastwards (WtR: 6060 miles)
Posts: 7,500
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You know what says the most about the value of the Hobbit movies? The lack of discussion. Obviously very few people are interested enough to post about them. Well do I remember the olden days of multiple LotR threads on this forum...
Despite all of the complaints we had, those look pretty good compared to the new "trilogy".
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'Mercy!' cried Gandalf. 'If the giving of information is to be the cure of your inquisitiveness, I shall spend all the rest of my days in answering you. What more do you want to know?' 'The whole history of Middle-earth...' |
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#5 | |
Wight
Join Date: Aug 2014
Location: Armenelos, Númenor
Posts: 205
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The Hobbit, on the other hand, isn't even particularly good as a movie, let alone an adaptation. |
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#6 |
Ghost Prince of Cardolan
Join Date: Aug 2012
Posts: 785
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Yes I think there is a sense of exhaustion, although once I've seen the final instalment (I suppose I will at some point) I wouldn't mind writing how perhaps they could have taken their rather 'jazzed up' take on the story while remaining more true to the source material.
Funnily enough I'm currently watching last year's QI Christmas Special and Stephen Fry was discussing the fictional 'Rich List.' Number one (Smaug) is teased out as "played by Benedict Cumberbatch" and Stephen Fry says "Sixty-two billion dollars worth of gold he sits upon, until of course he - well, I'm not going to tell you the ending." It's just a little joke of course, but it's sad that we can't even assume that people have read and know the ending of The Hobbit anymore ![]() Then again the other day I was speaking to a well-educated artistic and professional person who'd never heard of Lord Byron so I suppose you can never be sure of what people know these days.
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"Since the evening of that day we have journeyed from the shadow of Tol Brandir." "On foot?" cried Éomer. |
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#7 | |
Gruesome Spectre
Join Date: Dec 2000
Location: Heaven's doorstep
Posts: 8,039
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Quote:
I don't think the Hobbit films necessary, any more than their predecessors, and I can't attribute to PJ or the Hollywood moguls any noble goal of bringing Tolkien to the huddled masses: the motivation is dollar signs. I dislike the merchandising. And yes: I'm already this curmudgeonly at middle age, so pity my poor wife. ![]()
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Music alone proves the existence of God. |
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#8 | |
Laconic Loreman
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Quote:
The previous two movies the dwarves just keep escaping danger upon danger and orc attacks after orc attack. I am able to suspend belief and reality in watching films (I always roll my eyes when my dad comments something along the lines of "he would be out of bullets") but it just appeared like there was no attempt to be realistic. Battle of 5 armies I did feel for the dwarves and get teary-eyed on a few occasions. The main occasion being Thorin's final words to Bilbo which is why I'm probably able to be a little more forgiving. Thorin's final words in the book are my all-time favorite and I was frightened Jackson and co. would mangle it. They didn't and that made me super happy. ![]() The main problem for me with The Hobbit trilogy is the 2nd film. I have no logical explanation for the reason the Desolation of Smaug exists. I got around to watching it the 2nd time about a week before the last film and I still feel the same. It's only purpose was to make more money, which in and of itself more power to you if you're successful, but at least put together some semblance of a story. (Basically I agree with Lommy, it would have made much more sense if Azog was killed in AUJ and Smaug in DoS...then we might have a passable trilogy. As it stands though, DoS' sole purpose was to throw up some cool CGI, some more elf-ninja tricks, and a massive "tune in next time...same hobbit time! Same hobbit channel!" and not even bother providing a movie plot.) To me TTT was the weakest film in the LOTR trilogy but it was still passable as a film on it's own. Imagine if TTT ended with the Ents marching and Treebeard saying "the Ents are going to war", Faramir still holding Frodo captive in Osgiliath, and Helm's Deep gets cut off with the wall breach and Haldir's death. There is always going to be a feeling of a cliffhanger and "I can't wait for the final conclusion" in a trilogy...but at the same time DoS was exceptionally bad. It ends in a cliffhanger with Smaug flying off, and a literal cliffhanger as Gandalf is suspended off a cliff. Going back to Thorin's death, which was a highlight...I wish Fili and Kili would have died desperately defending their cousin. I set my mind to The Hobbit films weren't going to be a good adaptation several years ago, but to have Fili captured by Azog and thrown off some tower, and Kili dying to defend Tauriel... ![]()
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#9 |
Doubting Dwimmerlaik
Join Date: Dec 2004
Location: Heaven's basement
Posts: 2,466
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To add just a little to Boromir88's last comments, the issue, at the end of all things, is that I just don't care. Sure, the family wants to see the movie, and so we'll go, and they'll have fun going, but I'm completely indifferent.
As much as I nitpicked each LotR movie, I was still excited about seeing the next one and then getting the DVDs (extended versions) thereafter. Not so here, which is a shame. Maybe I'll feel differently after seeing B5A.
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There is naught that you can do, other than to resist, with hope or without it.
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#10 |
Blithe Spirit
Join Date: Jan 2003
Posts: 2,779
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Loving all your reviews and just a couple of things to add.
Moments I waited in vain to see - surely they would make fabulous cinema? "Suddenly out of the dark something fluttered to his shoulder. He started-but it was only an old thrush. Unafraid it perched by his ear and it brought him news. Marvelling, he found he could understand its tongue, for he was of the race of Dale. "Wait! Wait!" it said to him. "The moon is rising. Look for the hollow of the left breast as he flies and turns above you!" And while Bard paused in wonder it told him of tidings up in the Mountain and of all that it had heard." And: "In that last hour Beorn himself had appeared - no one knew how or from where. He came alone, and in bear's shape; and he seemed to have grown almost to giant-size in his wrath. The roar of his voice was like drums and guns; and he tossed wolves and goblins from his path like straws and feathers. He fell upon their rear, and broke like a clap of thunder through the ring. The dwarves were making a stand still about their lords upon a low rounded hill. Then Beorn stooped and lifted Thorin, who had fallen pierced with spears, and bore him out of the fray. Swiftly he returned and his wrath was redoubled, so that nothing could withstand him, and no weapon seemed to bite upon him. He scattered the bodyguard, and pulled down Bolg himself and crushed him." Most annoying thing in the film: a female fighter who spends her time distracting other fighters: "Yoo hoo! Kili my poppet, where are you?" and needing rescuing. Far worse than having no female fighters at all. Best bit: the dwarf testudo formation with elf lords-a-leaping. Worst line: Why does it hurt so much?
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Out went the candle, and we were left darkling |
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#11 |
Haunting Spirit
Join Date: Nov 2006
Location: England
Posts: 96
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In many ways, I feel my issue with the movie - and the prequels in general - comes from how Jackson regressed the Orcs and Goblins.
Tolkien was no fool. He knew that he needed a competent adversary to build the drama - and so the Goblins and Orcs within The Hobbit always seemed very competent to me, indicative of a wider civilization, capable of negotation and reason, which made them all the more dangerous to our heroes. I do not see the Orcs in Tolkien's story as being evil for the sake of evil. Bolg is attempting to avenge his father, and I think that's a wonderful motivation. We could have had more of him growing as a commander, seeing his genuine hurt and why it was so important to get his revenge. It would have hammered home the dual nature of Thorin, too. As both hero and plunderer. And been more faithful to the book, which almost seems to me to be reminiscent of morality plays - with a heroic King eventually being undone at the height of his triumph by his own hubris, whereas the humble Hobbit is graced with the right to go back home and enjoy the fruits of peace. There was simply so much more they could have done, but I fear that Jackson, whilst viewing his insertions as "padding out a children's story", actually underestimated the hidden depths of Tolkien's story. I take solace in the fact that one day it will probably be made again, and hope they have better luck the next time around!
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Remember, stranger, passing by: As you are now, so once was I. As I am now, so you shall be. Prepare thyself to follow me. |
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#12 |
Ghost Prince of Cardolan
Join Date: Oct 2008
Location: Lonely Isle
Posts: 706
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Aaron, I enjoyed your views on Peter Jackson's film adaptation of The Hobbit. I agreed with some and disagreed with others. In terms of 'how Jackson regressed the Orcs and Goblins':
Tolkien was no fool. He knew that he needed a competent adversary to build the drama - and so the Goblins and Orcs within The Hobbit always seemed very competent to me, indicative of a wider civilization, capable of negotiation and reason, which made them all the more dangerous to our heroes. I do not see the Orcs in Tolkien's story as being evil for the sake of evil. Bolg is attempting to avenge his father, and I think that's a wonderful motivation. We could have had more of him growing as a commander, seeing his genuine hurt and why it was so important to get his revenge. I agree completely with you here. Tolkien was clear at the start that while goblins made no beautiful things, they made many clever ones, and suspected that they designed later weaponry. In the book, they are clearly a threat. Despite the killing of the Great Goblin and others by Gandalf, they were able to quickly reorganise themselves, so as to chase after him, Bilbo and the dwarves. It's clear that the latter needed to get out of the Mountains quickly to survive. Even after that happened, the goblins and their warg allies trapped the fifteen, who were clearly going to be killed (even Gandalf), before being rescued by the eagles. Later still, the goblins plotted to try and grab the treasure in the Lonely Mountain, after hearing of Smaug's death, not to mention avenging the death of the Great Goblin. Also, Bolg wanted to avenge his father's death at the hands of Thorin's cousin, Dain. But what did the films give us? Azog, who was already dead. It would have been very simple to have had Bolg instead, who was at least in the book, and who had a comprehensible motive for revenge against the dwarves. 'Hello, my name is Bolg, son of Azog. Your cousin killed my father. Prepare to die'. It would have hammered home the dual nature of Thorin, too. As both hero and plunderer. And been more faithful to the book, which almost seems to me to be reminiscent of morality plays - with a heroic King eventually being undone at the height of his triumph by his own hubris, whereas the humble Hobbit is graced with the right to go back home and enjoy the fruits of peace. I disagree with you here. Thorin and the dwarves are presented for a long time as more merchants than warriors. It's only later, and increasingly after Thorin proudly proclaimed his identity to the Lake-men, that their warrior side became particularly evident, although to be fair to Tolkien, he never let the readers forget it. You're right about Thorin's hubris; but it was, I think, more complicated than it first looks. Tolkien wove a complex web of law and morality within which Thorin and the other characters operated. Yes, Thorin was affected by the dragon sickness. But also, we saw some Lake-men unfairly claiming that the dwarves deliberately stirred up Smaug against them. For Thorin and his people, who suffered at that dragon's hands, this must have been seen by them as a dreadful insult. ![]() This left the issue of their moral claim, which would also be politically expedient for Thorin to recognise, to ensure that the newly restored kingdom had good relations with its neighbours. But then Bard, also affected by the dragon sickness, insulted Thorin through his messenger, referring to him as 'calling himself' king, in other words being a so-called (i.e. illegitimate) king, provoking Thorin to attack the messenger, an assault on an ambassador being generally regarded as unacceptable behaviour. In short, Tolkien portrayed Thorin as being in the wrong, in refusing to admit the moral claim of the Lake-people. However, he showed that monarch acting the way he did due to two provocations, first he and his people being blamed for deliberately stirring up Smaug against the Lake; and second, his royal title being treated as illegitimate. How would one expect a monarch and people to so react, having recently taken back what was rightfully theirs? ![]() There was simply so much more they could have done, but I fear that Jackson, whilst viewing his insertions as "padding out a children's story", actually underestimated the hidden depths of Tolkien's story. This issue of law and morality I already mentioned is, I believe, a particular example of such 'hidden depths'. I take solace in the fact that one day it will probably be made again, and hope they have better luck the next time around! I certainly hope that this will be the case! ![]() Last edited by Faramir Jones; 10-02-2015 at 11:19 AM. |
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