![]() |
![]() |
Visit The *EVEN NEWER* Barrow-Downs Photo Page |
|
![]() |
#1 | |
Wight
Join Date: Apr 2011
Location: Settling down in Bree for the winter.
Posts: 208
![]() |
![]() Quote:
Not that a beginning character had enough skill points to build a Queen / Princess / Demi goddess, but I tried to build someone who could grow in that direction. To do less didn't seem to honor the spirit of the world. Pure? Perfect? Innocent? Mary Sue? As a player character, having a good deal of script immunity in her pocket? Sure. Boring? If one stays at home by the fire, singing and being beautiful, protected by mighty warriors, sure. Joining a fellowship and rubbing all that purity and idealism against wargs in the dark, not so boring. Spending all those skill points on beauty, song and social skills is all well and good, but one ends up without the same sword and archery skills as the guys. I learned why the guys want to keep women in their place at home rather than taking them out on quest. It's hard enough to triumph over Great Evil without constantly looking over one's shoulder to make sure Mary Sue isn't in over her head again. But having someone who could Sing with a bit of Power came in handy on occasion. Yes, Tolkien tended to place his imaginary womenfolk up on pedestals. I for one was not content with that. At least Eowyn and Luthien got to have a few adventures, as did my character. The male characters in the game were protective. When it was their place to travel underground to slay the vile monster, it was Aerlinn's place to stand guard at the door to the cavern. This was very chivalrous of them. Very noble, at least until the vile monster decided to run away and it became Aerlinn's job to hold the door to prevent escape. Fortunately, she didn't have to hold her ground long. Mary Sue? Somewhat. But Tolkien's ladies were part of the vision. Their presence was and remains a part of the whole. When one reads modern urban romance fantasy, where the lead character is apt to be an oversexed female vampire, werewolf, angel or demon, Tokien's idea of fantasy womankind seems really dated. But this makes me no less fond of them. |
|
![]() |
![]() |
![]() |
#2 | |
Haunting Spirit
Join Date: May 2010
Posts: 69
![]() |
Quote:
In modern world Luthien would be a mother and housewife (which is not bad, I don´t want to be disrespectful), while Galadriel would be politican ;-) Last edited by elbenprincess; 02-07-2013 at 12:13 AM. |
|
![]() |
![]() |
![]() |
#3 | |
Shade of Carn Dûm
Join Date: Dec 2012
Posts: 276
![]() |
Quote:
I don't see the problem in doing something for love. Earendil sailed to Valinor for love of elves and men. This is precisely why they are the greatest and most beloved Children of Illuvatar. |
|
![]() |
![]() |
![]() |
#4 | ||
Haunting Spirit
Join Date: May 2010
Posts: 69
![]() |
Quote:
Quote:
|
||
![]() |
![]() |
![]() |
#5 |
Loremaster of Annúminas
Join Date: Oct 2006
Posts: 2,330
![]() ![]() ![]() |
You're still a bit off the mark. A "Mary Sue" is not a goody-two-shoes, but a character the author has become excessively fond of and consequently makes too omnicompetent and perfect. They tend to be characterised not by not taking part in "action," but by being preposterously good at it. I think, for example, in later Discworld books Pratchett made Sam Vimes a bit of a Mary Sue. (See also, Yoda in the prequels.)
__________________
The entire plot of The Lord of the Rings could be said to turn on what Sauron didn’t know, and when he didn’t know it. |
![]() |
![]() |
![]() |
#6 | ||
Haunting Spirit
Join Date: May 2010
Posts: 69
![]() |
Quote:
![]() Quote:
|
||
![]() |
![]() |
![]() |
#7 |
Loremaster of Annúminas
Join Date: Oct 2006
Posts: 2,330
![]() ![]() ![]() |
while Galadriel would be politican
No, that's what happens if she takes the Ring.
__________________
The entire plot of The Lord of the Rings could be said to turn on what Sauron didn’t know, and when he didn’t know it. |
![]() |
![]() |
![]() |
#8 | |
Wight
Join Date: Jan 2009
Posts: 247
![]() |
Hello, I discovered this section yesterday, because I was only "absorbed" with the new Silmarillion section, but this thread is for me related, and i want to contribute to it.
As the New Silmarillion posters know i have constructed A Complete Silmarillion in Spanish, in my way. And of course the history of Galadriel and Celeborn was "reconstructed". As Findegil I also am a combiner but in other way. In general I am agreed with Galin (with some differences) but for example: Quote:
Then after the sack of Doriath we could think, but only think, that Elwing and the people of Doriath perhaps were guided by Galadriel and Celeborn. Greetings |
|
![]() |
![]() |
![]() |
#9 | ||||
Shade of Carn Dûm
Join Date: Feb 2014
Posts: 430
![]() |
It's a very complex history, and the materials about what the prof said at his death bed were definitely for a headache.
http://forum.barrowdowns.com/showpos...2&postcount=49 Some of the] materials about Galadriel were amongst the last JRRT worked on. Chris also notes in UT that his dad wrote some stuff about Galadriel a month before his death. Seems to me that meant that Tolkien had some new thoughts about Galadriel that were missed by older materials. For example, the stuff he wrote a month before his death was the materials quarantining her from responsibility of Feanor's lead on the kinslaying, her and Celeborn (Teleporno) fighting valiantly with the Teleri (though Celeborn's lineage, elsewhere places him as a descendent of Elmo, bro to Elwe and Olwe, and this lineage links Dior, by marriage, to Elmo's brood, and so to Elwing, meaning Celebrian and Celeborn were related to Aragron (Elros) and also Arwen (Elrond). So, Gala and Celeb snatch a Telerin boat, and wander off to Middle Earth, roped in to the Ban thing, by implication, but arrived ahead of her "...unfriends forever..." Feanor (I had to say, I always chuckle when I re-read that stuff about Galadriel snubbing relative Feanor, and so the two were "unfriends forever". Lineage matters shunted sideways, Chris notes that Galadriel's stuff is amongst the latest emendations to other materials and in fact, post dates LotR. There is the implication that Amroth is Galadriel's son (as you noted), for example, which post dates LotR. Quote:
Galadriel and Celeborn had in their company a Noldorin craftsman named Celebrimbor. [He is here said to have been one of the survivors of Gondolin, who had been among Turgon's greatest artificers; but the text is emended to the later story that made him a descendant of Feanor, as is mentioned in Appendix B to The Lord of the Rings …and more fully detailed in the Silmarillion (pp. 176, 276" (p. 235, Unfinished Tales, 1980, Allen & Unwen , Hardback Ed)That quote more goes to why version I of the Elessar, Enerdhil and all that don't square well with later emendations. Chris notes that Galadriel and Celeborn were not mentioned in founding of Ost-In-Edhil but--the (late) essay on Galadriel and Celeborn states Quote:
Bad boi Annatar comes in and stirs the pot around 1200 then But in the meantime the power of Galadriel and Celeborn had grown, and Galadriel, assisted in this by her friendship with the Dwarves of Moria, had come into contact with the Nandorin realm of Lorinand on the other side of the Misty Mountains (p. 236)So, the founding of Laurelindorenan and all that appears to have happened some time after 1200 and before 1695 SA (Because it was Gil Galad that gives her Mallorn seeds, gifted to him from Numenor [The seeds wouldn't grow in Lindon], this also implies a second-age-ish concept for the founding of Lorien, after Lorinand). I note that materials about Amroth and Nimrodel place Amroth as ruler of Lorien until -- much later -- (I have a headache ![]() Quote:
Quote:
__________________
A call to my lost pals. Dine, Orcy_The_Green_Wonder, Droga, Lady Rolindin. Gellion, Thasis, Tenzhi. I was Silmarien Aldalome. Candlekeep. WotC. Can anyone help? Last edited by Ivriniel; 12-27-2015 at 02:32 AM. |
||||
![]() |
![]() |
![]() |
#10 |
Wight
Join Date: Apr 2011
Location: Settling down in Bree for the winter.
Posts: 208
![]() |
![]() |
![]() |
![]() |
![]() |
#11 | |
Shade of Carn Dûm
Join Date: Sep 2010
Location: Tol Morwen
Posts: 369
![]() |
![]()
To start off...I don't understand this drive to put The Lord of the Rings as the pinnacle of J.R.R. Tolkien's works; and an unchanging zealous commitment to it.
Why not make a few (relatively) minor changes to the LOTR to conform with Tolkien's latest ideas - to put this frankly - ...you are basically starting to look like fundamental christians/muslims/etc. I think that this notion of The Lord of the Rings and to a lesser extent The Hobbit (and, of course, The Road Goes Ever On) as the "ultimate truth" which none should contest has many flaws - and an almost fanatical disregard for the revision of LOTR and The Hobbit (and RGEO). The published books (during Tolkien's lifetime) - The Lord of the Rings, The Hobbit, The Road Goes Ever On, etc. should NOT be set in stone. To finish my post, I think that Tolkien's LATEST ideas (contradictions aside) should have a higher priority to the published material. Respectfully, Arvegil145
__________________
Quote:
|
|
![]() |
![]() |
![]() |
#12 | ||
Haunting Spirit
Join Date: Jun 2014
Posts: 87
![]() |
Quote:
Quote:
Last edited by Leaf; 01-07-2016 at 09:32 AM. |
||
![]() |
![]() |
![]() |
#13 |
Loremaster of Annúminas
Join Date: Oct 2006
Posts: 2,330
![]() ![]() ![]() |
+1. Tolkien himself wouldn't have been happy with pigeon-holing and petty "consistency" - or even a definition of "canon." He was after all a man who spent his professional life with inconsistent and often contradictory medieval material, and its fuzziness and ambiguity was to him part of the charm and texture of ancientry.
__________________
The entire plot of The Lord of the Rings could be said to turn on what Sauron didn’t know, and when he didn’t know it. |
![]() |
![]() |
![]() |
#14 |
Ghost Prince of Cardolan
Join Date: May 2007
Posts: 1,036
![]() ![]() |
But WCH, we have examples illustrating that Tolkien was very much concerned with consistency, and in the general sphere of world building and story telling, he has to be obviously.
I would say that what Tolkien's work with "Primary World" texts helped teach him was that his tales didn't have to be perfectly consistent, and that a measure of inconsistency could actually help his cause. This led to The Drowning of Anadune, the Mannish Silmarillion, the two internal versions of the Elessar tale... ... but not to early versions of the Fall of Numenor, or three versions of the Elessar stone's history (the one in QS being a rejected draft). These are but draft versions that don't really count as purposed Secondary World inconsistencies, and in a sense, are not inconsitencies at all, no more than Trotter the Hobbit is inconsistent with Strider the Dunadan. But once again, the measure is Tolkien's. Too much pepper (or salt, or what have you) spoils the soup. You can't just toss ingredients in willy nilly because there is inconsistency in the Primary World, generally speaking. |
![]() |
![]() |
![]() |
#15 | ||||
Ghost Prince of Cardolan
Join Date: May 2007
Posts: 1,036
![]() ![]() |
Quote:
Quote:
Quote:
Of course not! He rather tries to maintain the inner consistency of reality for the reader, part of the "spell", and to my mind an important part of crafting stories, as noted in On Fairy Stories, and in measure, in The Notion Club Papers as well. Gollum wasn't "really" ready to give his Ring to Bilbo, but yet the first edition merely reflects one, purposely not wholly accurate version of how Bilbo got the One. People accept this, and that's fine. Very inventive and sits well enough within the context of the new story. But how often, and about what, is the author himself willing to do this sort of thing? In my opinion it's up to him, not us, in any case. The adumbrated tale that I reject is no small detail of inconsistency, and to my mind by far outshines the inconsistency of ros being a Beorian word where it had been Sindarin in The Lord of the Rings -- how many readers would even have noticed that, but Tolkien still felt bound to reject his later idea. The adumbrated text is also so unfinished that it needed to be paraphrased in Unfinished Tales, and I think notably, nowhere does Tolkien even mention the difficulty so obvious to Christopher Tolkien, that it contradicts a major, already published historical fact about a character that had become important to his father. For all we know this text remained unfinished because Tolkien himself realized it wouldn't do. And we certainly cannot tell if he would have revised what he had set out in RGEO for "once and future readers", or if he had even realized the inconsistency at the time of writing it. If and when he published the revision however, then we could say otherwise. I don't think this is a "fanatical" view at all but represents something rather basic about Secondary World-building and telling stories, even in consideration of an author sometimes forgetting what he had written. If Tolkien forgets Feanor had seven sons and writes about five in the last year of his life, I'm perfectly happy to accept five. For all I know he didn't forget, for all I know he did... but if he had already published a reference to the seven sons of Feanor, and then he later publishes a new version with five, now the "man behind the curtain" might be revealed. The reader will naturally go: hmmm. Error, or something else? As an author you don't want to break the spell unless you want to. Quote:
RGEO is text the author finished and knowingly published for his readers, taking into account certain statements from The Lord of the Rings. Does Tolkien's world contain inconsistencies within the author-published corpus? Yes. These even he cannot cast lightly aside however, and I think we can see this in his answer (The Letters of JRR Tolkien) about Asfaloth wearing bridle and bit, for example (concerning which he did revise, by publication, to help his case). On the other hand, no one even knows whether or not Tolkien simply wrote the adumbrated tale "just to write it". I would accept that JRRT had now imagined an "unstained" Galadriel and perhaps wanted her to be more easily associated with the Virgin Mary, an idea arguably helped by a chat with Lord Halsbury... ... not that I think this is a better story, I don't, but Tolkien may have thought so at the time. He also may have thought, both before or after writing the tale, that his new idea could never be published in any case. Writers sometimes write just to see where it takes them on the day. In any case the only reason we know about all this draft text is through Christopher Tolkien letting us in to view his father's private material, but I doubt he did so to undermine the inner consistency of reality of Tolkien's world, even if the Master sometimes did so himself... ... by publishing certain changes when Ace Books provided him with the chance, for example. Last edited by Galin; 01-07-2016 at 12:11 PM. |
||||
![]() |
![]() |
![]() |
Thread Tools | |
Display Modes | |
|
|
![]() |