Would Tolkien have accepted the films?

[Lalwendë]

Tolkien is not alone. Alan Moore never watches the adaptations of his work. Even though some of them are awesome. That's just how it is when someone else's mind is putting their vision of the world and characters you created into another format. If writers were unhappy with this prospect they would not sell the film rights, and the end result is we would probably have half as many films to watch. The problem with Tolkien being involved is to put it bluntly, he was dead.

There are some notable writers who have been fully engaged in adaptations of their SF novels/stories/comics. JK Rowling is one, who though she hasn't written the scripts for the Harry Potter films, she has appeared at premieres and been involved in promotional work. George RR Martin even went so far as to write one of the episodes of HBO's A Game Of Thrones (and it was a superb episode, too) - though in fairness, he is also an expereinced scriptwriter and it's as specialised a skill as writing a novel. Davem tells me that Pullman also wrote a new scene for the film of Northern Lights (which goes by the name of The Golden Compass but I can't bring myself to call it that....).

Anne Rice wrote the script for Interview With A Vampire. Stan Lee appears in most of the modern Marvel films. Neil Gaiman writes scripts and novels, and his work has also been adapted, notably by Jane Goldman who rewrote the whole tone of Stardust into something much lighter and created a wonderful film. Gaiman says:

Originally Posted by USA Today

"You have to find someone you trust and let them go on with it. The alternative is 'give me a check, and do whatever you want.' But the pain, if that goes wrong, is too great," he says.

Though many writers try to reassure themselves by divorcing themselves entirely from the film adaptations, Gaiman says the reach of movies is too powerful to ignore.

"On the one hand, it's very easy for a writer to say, 'Oh, they didn't destroy my book. Here's my book right here, and it's just fine.'

"But the truth is, maybe 2 million people have read Stardust. But 2 million people would see the Stardust movie if it was playing on TV during a wet afternoon in Germany," he says.

There's the rub. Tolkien sold the rights and was unable to be involved (just as Austen, Dickens and Shakespeare are unable to be involved in hundreds of adaptations), but what about his heirs?

The estate are not at all opposed to adaptation. Christopher Tolkien has said nothing derogatory about the films and helped with the radio version, and Tolkien himself helped with one adaptation of The Hobbit (of which there are many). Royd Tolkien also appeared in Jackson's RotK. And Joanna Tolkien approved of the Bakshi animation. I note - davem also told me about this, so any credit/brickbats to him please

As has been discussed many times on here, there are many things in the films which messed about with the story, but whether you accept and enjoy them as something fun to watch while lolling on the sofa is a different matter. I take them as highly enjoyable films which though they make me go "TCH!" quite a bit, do capture quite a lot of my own imaginings well (the Hobbits in particular) and which also have added something (my own mental picture of Saruman is something like a cross between The Master in late 70s Doctor Who and Ming the Merciless from Flash Gordon, but Christopher Lee's vision added another idea I liked).

My ideal would have been several series of BBC adaptations, complete with weird depictions of Tom Bombadil and a Faramir that was like Robin Hood, but that wasn't ever going to happen. And even if it was, then no doubt Moffat would have got hold of it and ruined it.

I think that you cannot be driven by what any deceased writer would make of an adaptation because you simply cannot ever know what they would think. It's what you think that's important. Even your own vision that you gain from reading the books is wholly different to what Tolkien himself will have seen while writing late at night in his study - it's the nature of subcreation.

Yes, some fools will forever think that Legolas is a himbo who skateboards and Arwen is Xena-lite, but if they don't care to pick up the books then I don't much care what they think, either. They are probably the kind of people I spend my life avoiding. The good thing is we have lots of members on here who did see the films and did pick up the books and did form their own visions. Before the films (and the internet), being a Tolkien fan was a decidedly lonely thing.

Maybe it's just me being positive...

[Inziladun]

Originally Posted by Lalwendë

Tolkien is not alone. Alan Moore never watches the adaptations of his work. Even though some of them are awesome. That's just how it is when someone else's mind is putting their vision of the world and characters you created into another format. If writers were unhappy with this prospect they would not sell the film rights, and the end result is we would probably have half as many films to watch. The problem with Tolkien being involved is to put it bluntly, he was dead.

I don't necessarily disagree with you, but I think the issue lies with the question of how the original authors viewed their product to start with.

Did they see their work as a primarily a commercial product in itself, a means to a living? If so, they probably wouldn't be all that fussed about a muffed adaptation that misses the mark of the source material completely.
Is that what Tolkien had in mind when he wrote his books?

Originally Posted by Lalwendë

I think that you cannot be driven by what any deceased writer would make of an adaptation because you simply cannot ever know what they would think. It's what you think that's important. Even your own vision that you gain from reading the books is wholly different to what Tolkien himself will have seen while writing late at night in his study - it's the nature of subcreation.

No, we here cannot know for a certainty what Tolkien would have thought. However, we do have things that he'd said and written before his death that may guide us. Those are, or course, open to interpretation, and in the end this is likely a never ending debate.

[Lalwendë]

Originally Posted by Inziladun

I don't necessarily disagree with you, but I think the issue lies with the question of how the original authors viewed their product to start with.

Did they see their work as a primarily a commercial product in itself, a means to a living? If so, they probably wouldn't be all that fussed about a muffed adaptation that misses the mark of the source material completely.
Is that what Tolkien had in mind when he wrote his books?

The boundaries are very blurred with Tolkien. He certainly didn't sit down with the intention of writing LotR as a money spinner, it was more the culmination of a lifetime's imaginings. And a little nudge from the publisher who wanted a sequel to The Hobbit. I think there may be a letter referring to how The Hobbit helped pay for medical bills in the days before the NHS. There's certainly something about how selling film rights helped pay for private school fees. And he enjoyed the money brought in from the books in his and Edith's old age. Academics in the UK have never become rich just from lecturing, sidelines are always necessary.

In any case, I doubt that whether the author enjoyed earning money from his/her work would have any bearing on whether they enjoyed any films. Alan Moore for example must have earnt a packet by now but he never watches the films of his stories.

And I don't think the films do miss the mark completely. They capture one person's vision, and it's not possible to capture everyone's.

[Inziladun]

Originally Posted by Lalwendë

The boundaries are very blurred with Tolkien. He certainly didn't sit down with the intention of writing LotR as a money spinner, it was more the culmination of a lifetime's imaginings. And a little nudge from the publisher who wanted a sequel to The Hobbit. I think there may be a letter referring to how The Hobbit helped pay for medical bills in the days before the NHS. There's certainly something about how selling film rights helped pay for private school fees. And he enjoyed the money brought in from the books in his and Edith's old age. Academics in the UK have never become rich just from lecturing, sidelines are always necessary.

The question would seem to be whether Tolkien envisioned other adaptations in the process of writing, and of that I have my doubts.

Originally Posted by Lalwendë

In any case, I doubt that whether the author enjoyed earning money from his/her work would have any bearing on whether they enjoyed any films. Alan Moore for example must have earnt a packet by now but he never watches the films of his stories.

Again, to me it goes back to how the author views the source work. Was Tolkien writing to live, or living to write?

Originally Posted by Lalwendë

And I don't think the films do miss the mark completely. They capture one person's vision, and it's not possible to capture everyone's.

I think the films do flounder in imparting the meaning of the story, but that's apparently because you and I have differing opinions of just what that meaning is.
Opinions are all we have, though.

[Morthoron]

No.

[Lalwendë]

Originally Posted by Inziladun

The question would seem to be whether Tolkien envisioned other adaptations in the process of writing, and of that I have my doubts.

I don't think he did, either. But then this tends to be something entirely limited to writers over the past ten years, when it seems anything committed to paper can be, and usually is, turned into a film, even a newspaper column.

Again, to me it goes back to how the author views the source work. Was Tolkien writing to live, or living to write?

He was a hobby writer. He never set out to write a blockbusting novel, never even set out to write novels. However, that wouldn't stop him from enjoying the proceeds! It's quite a dismal prospect, but Lord of the Rings could easily never have been completed due to the demands of his academic career. Tolkien did many other things in order to bring in extra cash to fund a large family - marking exam papers, recording a Linguaphone course, I think he also wrote exam papers for prisoners. That The Hobbit had made some money, both from the novel and from selling performance rights, we ought to be grateful as otherwise he'd have been even deeper in the mire of checking whether 16 year olds from Grimsby had correct spelling on their exam papers.

I think the films do flounder in imparting the meaning of the story, but that's apparently because you and I have differing opinions of just what that meaning is.
Opinions are all we have, though.

Well I argue that they don't have a 'meaning' at all, so make of that what you will If someone wants to find out for themselves what they think the meaning is, they can go and buy the books and read them - if they are that daft they think a film will convey it to them it's not in my heart to feel sorry for them