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#41 |
Doubting Dwimmerlaik
Join Date: Dec 2004
Location: Heaven's basement
Posts: 2,466
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Great posts! Glad that I stumbled upon this thread. Anyway...
- The dream has no sender. It's possible that Númenórean blood imparts a sensitivity to the Music. Persons can 'hear' bits and bars of the history of Arda being (re)played out. But, you may say, this dream of Faramir's includes a 'do this' phrase that wouldn't come from just passively receiving the Music (like in Frodo's dreams). However, if the Steward's sons are hearing the Music, and seeing what is to come, they would see that one of the two of them will be 'seeking' Imladris, and so interpret (maybe fuzzily) what they hear as a command. - The dream has a sender. I believe that Eru or one of the Valar have sent the dream, and earlier posters have made my argument. That said, if there is a sender, do you think that the sender hit his/her/its target? Did the 'intended' brother go north? If so, then why was Faramir so inundated with it? If not, then what does that say about the dream-sending mechanism?
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There is naught that you can do, other than to resist, with hope or without it.
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#42 | ||
Gruesome Spectre
Join Date: Dec 2000
Location: Heaven's doorstep
Posts: 8,038
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Boromir, on the other hand, wanted only to destroy the immediate threat, Sauron, and wasn't really all that interested in the King coming back. I think he only went to Rivendell because Faramir was set on doing so.
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Music alone proves the existence of God. |
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#43 |
Wight
Join Date: Dec 2009
Posts: 129
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It looks, Denethor at some point came to the idea that the treacherous Grey Wizard was the sender of the dream... And I please myself thinking he was correct.
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#44 | |
Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,454
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I don't really think that Bilbo composed the lyrics and Gandaf sent them to the brothers.
The dream was a prophecy. Bilbo, as good a poet as he was, did not make prophecies. He based some of his poems (like the Aragorn one) on existing prophecies, but he was no diviner. If Gandalf indeed sent the dream, I don't think he even thought of the lyrics. He sent the idea, the purpose, you name it. The words came out because Elves and Men of high descent in ME happen to be poetic/musical. But even that seems unlikely. The Gandalf that "ruthelessly persuaded" Thorin and Bilbo is only half-canonical, if you get my meaning. This was the same Gandalf who was afraid of wolves and threw pinecones at them from the top of a tree. Is it the same Gandalf who defeated the Balrog? TH is a bit of a different story, separate from the rest of ME... And anyways, I don't think Gandalf is that much into intrigue and politics to try to convert one of Denethor's sons so that he'd put pressure on his father. I like what Alatar proposed: Quote:
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#45 | |
Gruesome Spectre
Join Date: Dec 2000
Location: Heaven's doorstep
Posts: 8,038
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For me, it strains credibility to think that both sons of the Ruling Steward of Gondor would just happen to have the dream at just the right moment: not long before the Halfling in question set out for Imladris on his own. Even Michael Bay wouldn't film such a contrived plot. Well, ok. He would. ![]()
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Music alone proves the existence of God. |
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#46 | |
Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,454
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I do not have FOTR with me to quote, bt I think Elrond says it himself - they all came though none were called. They were all gathered by some force (call it "fate" if you prefer) to decide on the Ring and form a Fellowship.
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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#47 | |
Gruesome Spectre
Join Date: Dec 2000
Location: Heaven's doorstep
Posts: 8,038
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Music alone proves the existence of God. |
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#48 | ||
Doubting Dwimmerlaik
Join Date: Dec 2004
Location: Heaven's basement
Posts: 2,466
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I finally found my Sil...sometimes I swear it disappears into some other dimension, only to reappear when I'm looking for something else.
Anyway, maybe it's Gandalf implanting dreams... Quote:
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There is naught that you can do, other than to resist, with hope or without it.
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#49 | |
A Voice That Gainsayeth
Join Date: Nov 2006
Location: In that far land beyond the Sea
Posts: 7,431
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Just as a remark to the idea of Gandalf being the sender, let me requote something I have said earlier here:
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Also, I believe that the talk about Olórin's "power" refers to him talking to the people and "inspiring" them, not sending them dreams (although of course such a "power" could have had different manifestations inside M-E, but still, we see Gandalf "boosting the morale" of people, talking Hobbits into going for adventures, stuff like that, but he does that by subtleties in his talking, not by sending visions).
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"Should the story say 'he ate bread,' the dramatic producer can only show 'a piece of bread' according to his taste or fancy, but the hearer of the story will think of bread in general and picture it in some form of his own." -On Fairy-Stories |
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#50 |
Pile O'Bones
Join Date: Aug 2011
Posts: 25
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Galadriel55 spoke: They were all gathered by some force (call it "fate" if you prefer) to decide on the Ring and form a Fellowship.
For fun, count the number of times "fate", "destiny", "chance" and other such synonyms appear in Lord of the Rings. Inziladun was, I believe, more on the nose than many gave credit for when he mentioned the connection with Bombadil. Bombadil and Goldberry (the River-woman and others) are physical manifestations of Gaia (the Greek Titan mother of all--or if you prefer, THE ONE). It is probably no coincidence that Maia is related to Gaia linguistically, even though the term does not appear in Lord of the Rings. The term "The Powers" does. Note also Gandalf's parting words to Frodo and company before he visits Bombadil. The inclusion of Eru as an outside all-knowing God is a corruption to the mythologies of the region from which these elements are derived--namely pict/wode, norse, celtic, anglo-saxon and others. It is an admitted authorial forced inclusion of a christian/catholic layer, which includes angels, devils and saints--Earendil as a chief example of Sainthood. It does not belong. One of my problems with... other texts, and those that came after. I would use an analogy here that may help. The Silmarillion and other unfinished tales/brief essays and written letters to fans and other people is like Cooking oil. The Lord of the Rings is like Motor oil. The Hobbit is like Baby oil. Just because they all contain the word "oil" does not mean that they belong together. Putting motor oil into your cooking oil gets you things like Myths Transformed and others of that ilk. Putting motor oil into your baby oil gets you things like the aborted 1960 rewrite attempt of The Hobbit. Galadriel55 mentioned the severe recasting of The Quest of Erebor--this is more a result of putting both cooking and motor oil in the baby oil. That said... Returning to what the Lord of the Rings itself presents: The earth itself speaks quite often in Lord of the Rings. The ents and other living things draw their power (for even MORE fun, check the number of times the word "power" comes up in relation to inhabitants and locales) from the earth--like Old-man Willow for example. The earth is an active participant in events, and is seemingly the source guiding them though visions and dreams as the hand of fate, as all living things are part of the earth and connected to it. Dust to dust as they say. Note the Arthurian connection between Gandalf/Aragorn and Merlin/Arthur. You can go even further with the Lady of the Lake (another manifestation of Gaia) and Excalibur. The mysterious appearance of the seedling of the white tree found on Mindolluin presages any of the incidents leading up to the war of the ring. Checking the Tale of Years shows no event that would account for the emergence of the seedling, not even the presence of Gandalf, yet Gandalf knows it will be present and why he takes Aragorn to that spot. Attribute it to Eru if you like, but once you look at the whole picture that explanation falls flat on its face. The symbols of the reigns of both Arthur and Aragorn are derived from the earth. Excalibur is drawn from the earth (the stone) and returned to the earth (via the Lady of the Lake) at the end of Arthur's reign. Aragorn obtains the seedling at the beginning of his reign (Narsil as well if you care to continue the Excalibur connection). They are gifts, from the earth. As an amusing aside; Gandalf is twice obliquely compared to Merlin in Lord of the Rings as aging backwards. Once in Shadow of the Past and once in Voice of Saruman. In Shadow, he recalls his appearance 90 years previous where his hair was whiter, his beard and eyebrows longer, and his face more lined with care and wisdom. Curious statement, no? In Voice, Treebeard has a joke with Gandalf concerning haste and how he feels he is growing backwards towards youth. While this statement seems innocuous, notice that "hasty" is exactly what Gandalf is after his "renewal". In fact, just about every second sentence out of his mouth concerns haste and his need of it, and he constantly berates others for their lack of it. How does he "heal" Theoden? He basically tells the old fart to get up off his arse, go outside and DO SOMETHING. Be hasty. Renew. Theoden Ednew. Old Gandalf--pretty much just farts around, mostly. Oh he does stuff, but not in haste. While the Arthurian connection is not terribly important to the overall discussion, the fact that "renewal" is a product of change, not idleness. Mother Nature (or Gaia) is not idle. Howerver it does also serve to illustrate the connections to the regional mythologies drawn upon, and is not christian/catholic in origin. Another connection to the Gaia earth theme is the five wizards themselves. They are elemental. Earth (Radagast), Fire (Gandalf), Air and Water (the Blue wizards) with Saruman representing the fifth element--Man, and Man's tendancy to be either corrupted or exalted. Exalted, the head of the order commanding all the other elements. Corrupted, cast out. The earth themes flowing though the book are strong once you recognize them for what they are. Just look at the level of detail regarding descriptive nature elements in the book if you doubt nature is a heavy authorial theme. Remember, oils do not all mix. Doing so leads to alchemical frustrations as the author (and myself) belatedly discovered. Keep the ingredients pure. |
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#51 | |
Wight
Join Date: Apr 2011
Location: Settling down in Bree for the winter.
Posts: 208
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Tolkien grew as an author and a scholar. He did not retain the same perspective and values in his art over his entire life. As he grew, his highest priority was not to go back and rewrite his older stuff so that all his works are nitpick consistent. His newer works borrowed depth and flavor from the older, but fans expecting all the works to be entirely in agreement with one another are… Hmm. In the interests of keeping things friendly, I guess I’ll not say explicitly what they are. If you are encountering ‘alchemical frustrations,’ I suspect the problem is with you rather than Tolkien. You are demanding of The Master more than he was interested in giving. As for your elemental interpretation, it seems sort of plausible, but hardly the only possible view. I would, for example, associate Radagast with Beasts rather than Earth. I would call Saruman an Artificer, rather than associating him with Man. (And, yes, I am using Ambar Quenta’s perspective on Middle Earth again, but I reject an argument that AQ must be wrong because it was created for role playing. Radagast is a specialist in beasts, while Saruman works with machines and artifacts. In this case, AQ’s system of realms is just more comprehensive and true to Tolkien than an elemental approach.) Is there any source for a claim that the blue wizards are associated with air and water? I also just have a gut feeling that Middle Earth and the Arthur mythos are sort of like two different types of oil. |
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#52 | |
Sage & Onions
Join Date: Aug 2002
Location: Britain
Posts: 894
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Interesting points FlimFlamSam, though I'd disagree about Gandalf aging backwards.
In the Shadow of the Past, Frodo notes that Gandalf appears older and more careworn. Then Gandalf thinks back to Bilbo's day with Quote:
Though agree that after his renewal there was considerably more spring in the step of Gandalf the White. Meanwhile on the dream, why was it sent to Boromir at all if Faramir was supposed to go, on the other hand why bother with Faramir if Boromir was supposed to go all along? (I'd subscribe to the Eru/Valar/outside fatey sort of thing interpretation by the way.) Was the dream sent to Boromir to increase Denethor's belief in it? Otherwise it could just be interpreted by Denethor as that ditzy wizard's pupil younger son off chasing fairy tales again. Was Boromir lying when he claimed to have had the same dream. Unlikely I think, but perhaps worth considering. Motivation - I'm the elder, so all the important stuff should be done myself. Or - I don't think Faramir's up to the job, it'd be better for me to do it. Or - Dad wants me to go instead so I'll play along. What was the job? If you put yourself in Denethor's position, then the mention of the Sword that was Broken and Rivendell, on the border of Arnor, should make you put two-and-two together and come up with an heir, real or pretended. If you're Denethor, should you send the 'weaker' son who might end up with the wool pulled over his eyes and support the 'heir', or should you send the stronger son, who's more likely to have the interests of Gondor, ie the Stewards, at heart? Bear in mind the risks of them being lost en route, or even suffering some 'accident' at the hands of this unknown 'heir'.
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#53 | ||||||
Wight of the Old Forest
Join Date: Dec 2008
Location: Unattended on the railway station, in the litter at the dancehall
Posts: 3,329
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Quite clearly the comparison is exactly the other way round than you were suggesting. Quote:
It's not like I don't sympathize to a degree with your championing Gaia, and focussing on the meaning generated by the text over the author's intention is of course a legitimate method of literary criticism; but in general, your arguments look to me like you're bringing your own agenda to the text and trying to make the two agree willy-nilly. No. Writing, like cooking, is all about blending ingredients; it's the proportional mixture of the ingredients that makes a book or a meal interesting. Purity is boring. Quote:
I have a gut feeling that you're in good company there.
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Und aus dem Erebos kamen viele seelen herauf der abgeschiedenen toten.- Homer, Odyssey, Canto XI |
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#54 | ||
Wight
Join Date: Apr 2011
Location: Settling down in Bree for the winter.
Posts: 208
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Reviewing the Valar, I’m not sure anyone is associated with the element Earth as clearly, for example, as Ulmo is to the sea. Even there, Ulmo is of the sea rather than of all water. If one was determined to dwell on an elemental theme, one might say Elbereth is associated with air, but she is better associated with the stars and protection from Shadow. Anyway, there are too many Valar for the four elements to be the major theme. If elements were the major theme, the four most potent Valar ought to be clearly associated with the elements. This doesn’t feel right to me. Quote:
AQ does have a filter. Trying to be detailed enough for a set of role playing rules means a lot of gaps have to be filled with extrapolation and guesswork. Still, it seems like everyone has some sort of filter, for example filtering Middle Earth through the lens of the Arthur mythos and elements. Others seem to believe all of Tolkien’s works ought to be consistent, and find themselves hacking away at bits and pieces of various stories in an attempt to remove conflict with other stories. I would rather let each work stand on its own. |
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#55 | |
Ghost Prince of Cardolan
Join Date: Jan 2010
Location: In Eldamar beside the walls of Elven Tirion
Posts: 551
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