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Visit The *EVEN NEWER* Barrow-Downs Photo Page |
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#1 | |
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Curmudgeonly Wordwraith
Join Date: Jun 2007
Location: Ensconced in curmudgeonly pursuits
Posts: 2,515
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And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision. |
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#2 | |
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Auspicious Wraith
Join Date: May 2002
Location: The Netherlands
Posts: 4,859
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If we talk Kalevala, I can 'believe' in many of the characters and the struggles they encountered; however I wouldn't believe the talking sword scene actually happened. Same with Tolkien's myths. It might be a bit odd to divide a fiction into parts you believe and parts you don't, but there you go.
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Los Ingobernables de Harlond |
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#3 |
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Stormdancer of Doom
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Morth, I'm glad that you brought that up. Sil is so heavily mythical, that seems to me to be the heart of this whole discussion; what works in the myth and what might not. LittleManPoet describes it as "what breaks the enchantment." Apparently for some on this thread, too much magic breaks the enchantment. Odd, but there it is.
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...down to the water to see the elves dance and sing upon the midsummer's eve. |
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#4 | |
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Curmudgeonly Wordwraith
Join Date: Jun 2007
Location: Ensconced in curmudgeonly pursuits
Posts: 2,515
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So, along comes a poster -- who I am sure is an affable, logical and decent person -- and mistakes a metaphor for actual magic in the Shire. A speaking horn? What exactly is the point? Why not just scream "Fear, Fire, Foes"? Unless, of course, the magic horn had a clip-on microphone running through a Marshall Stack and was blown at 120 decibels like a Who concert. Maybe magic Hobbit amplifiers go up to 11. I am being facetious. Only the lead guitarist of Spinal Tap has an amp that goes up to 11.
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And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision. |
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#5 | |
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Stormdancer of Doom
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I like loud amplifiers, though. When I am in the mood for them.
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...down to the water to see the elves dance and sing upon the midsummer's eve. |
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#6 |
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shadow of a doubt
Join Date: Jan 2008
Location: Back on the streets
Posts: 1,125
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But surely you can see where we are coming from though? I mean, there's no reason why the talking purse would bother a casual reader of the Hobbit and it does add some fun to the story. But many of us here are übernerds who have even ploughed through various volumes of HoME (and that ain't always easy) in order to better understand the metaphysics of this fictional world, and from this perspective the idea of cockney Trolls with talking purses fits poorly into the later, more elaborate world of Arda that Tolkien develoved.
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"You can always come back, but you can't come back all the way" ~ Bob Dylan |
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#7 | |
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Stormdancer of Doom
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Skip, I can definitely see where you are coming from. I have ploughed through a fair amount of HoME myself. I am very intense about canonicity (reference the thread of that name) and, now that I think about it in this vein, if I were writing a fanfic (or an RPG) and a cockney troll's talking purse entered the scene, my red pen would be out in a flash. Ditto for a talking sword. However, and on the other hand-- I personally do not choose to criticise the professor for indulging his whimsy in a children's tale nor for introducing something uber-mytological into his mythology. He has that right. Farmer Giles of Ham does not stand well beside Elrond of Rivendell, but that doesn't mean I would edit either one. In case you have not yet guessed, my canonicity vote goes heartily towards "the author".
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...down to the water to see the elves dance and sing upon the midsummer's eve. |
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#8 |
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Newly Deceased
Join Date: Sep 2010
Posts: 10
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Thank you all for the intellegent replies to my question. After reading the replies, and some other reading on horns as suggested, i agree that the sounds were just sounding like or stood for words. This, i think, was difficult for me due to the fact that these first chapters have a different feel that the rest of the book. They are a bridge from the hobbit to the bigger world, from a childrens story to a more grown up version. the locomotion , talking fox, fireworks, multiple magical presents from Dale, and some Dwarf make ones(dwarves make magic toys?!) and the strangeness/childlikeness of ol Tom B.
These lighter elements helped enable my belief in the horn. that was how my 12y.o. brain saw it, and I never questoned it in my multiple re-reads over the years. Also, the way most hobbits are described as not getting involved, and adventures making one late for dinner, and not into reading mostly, unless it was bout a family tree, that training alerts on a horn was very out of character. I suppose this is only the norm in Buckland, where invasions from the Old Forrest, or other gates and borders (being on the edge of the Shire) were a bit more of a problem than in Hobbiton. I do recall reading that the borders were more active in the years leading up to the leaving of the ring. I suppose the Bucklanders had retrained in the years of intruders on the borders. |
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