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#11 | |
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Cryptic Aura
Join Date: May 2002
Posts: 6,003
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Quote:
Compare these literary battle epics with Tolkien and consider how different or similar is his use of graphic detail to what they enlist: The Battle of Maldon (Modern translation) Selections from Sheamus Heaney's translation of Beowulf This link is particularly interesting as it is devoted to translations of the ancient poem from 1805/1826 to the present. I haven't read them all as I think Heaney's translation gives a good general sense of the epic style. The point you are harping on, in a different context, would be well worth thinking about, the difference between historical war accounts and literary genres, or the difference between twentieth century attitudes towards war and those of earlier centuries. However, your bloody insistence that Tolkien's personal experience of war must necessarily trump his literary experience of war is a travesty of imaginative creativity as well as of psychology. We might well ask why Tolkien did not indulge in the modern style as the other war poets did (Sassoon etc), but that only shows again how his work is not "modern." Tolkien hated modern literature for its language style and loved old literature, for its language's sake. We can read his own acknowledgement that he sought a release from the personal imperative in the old epics. But you haven't simply asked about the difference. You have couched it in a demand that Tolkien's work follow a different drummer, one whose beat you have measured. I suppose you think that's what makes this thread interesting, but like the straw man in The Wizard of Oz, it lacks real fibre--a spark or tinder ends it all. But since you enjoy smoking so much--or at least defend it so often, here's some to enjoy
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I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away. Last edited by Bêthberry; 02-09-2009 at 05:59 PM. |
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