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#1 | |
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Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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The problem here is this Aunt Sally you keep setting up, in order to knock down & thus feel you have won the argument. I am not suggesting that Tolkien should have have depicted death in battle in the way you accuse me of. I am stating that Tolkien's depiction of death in battle is not true.
If I may quote LadyBrooke form an earlier post: Quote:
And that's the aspect Tolkien doesn't deal with at all. Its equally true. The horror, the reduction of human to animal is absent. Is Tolkien's depiction of battle honest is the question, & if not, should it be? Also, of not, what is lost by that lack of honesty? In LotR it simply is seen as a 'brave & glorious thing' to die in battle against Sauron - or in other words Tolkien has written a tale which 'justifies' war by writing about a justifiable war. The uncomfortable questions - about the morality of killing for a cause, about whether 'Jaw-Jaw is better than War War', about whether pacifism is a more, or a less, morally justifiable philosophical position, are all neatly avoided by giving us a war that no 'decent' person could have any objection to fighting. So, we have a war that the decent 'have' to fight & which is then depicted in a way that avoids any mention of the dirty, animal horror of real war. You cannot question the need to fight it, & you don't need to fret over being maimed, blinded or sent crazy as a result of fighting it, cos the worst that will happen is that you'll suffer a quick, clean death & then a minstrel will compose a verse in your memory which will be sung in the mead hall while maidens weep for you. The best is that you will return a great hero, to the acclamation of your family & friends. Apart fromFrodo, of course - but then he gets to travel with the Elves to the West rather than passing into a lonely, frightened & forgotten old age. These might not have been the issues Tolkien wished to deal with in his book, they may not be as important as the ones he did choose to deal with, either, but they are real, war related, issues, & I can't see that its somehow unacceptable to ask about them.
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“Everything was an object. If you killed a dwarf you could use it as a weapon – it was no different to other large heavy objects." Last edited by davem; 02-08-2009 at 08:41 AM. |
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#2 |
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Ghost Prince of Cardolan
Join Date: Jun 2007
Location: The Deepest Forges of Ered Luin
Posts: 733
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Again, I ask, "So, what?"
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Even as fog continues to lie in the valleys, so does ancient sin cling to the low places, the depression in the world consciousness. |
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#3 |
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Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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Its called having a discussion about an aspect of Tolkien's work/thought. That's what we're here for. I state that Tolkien's depiction of war is 'false', & present my reasons for that statement, you then come back & either refute those reasons, or offer support for my position. When we've taken the discussion as far as we can, or reach agreement, or just get bored with it we hope someone will come up with another topic. Some times we adopt a position in a debate which we may not personally agree with 100% ourselves in order to explore the implications of a certain idea & see what comes of it.
What do you want to discuss instead? Have a look at the Books page & see how many views this topic has garnered so far in comparison to the other discussions.....
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“Everything was an object. If you killed a dwarf you could use it as a weapon – it was no different to other large heavy objects." Last edited by davem; 02-08-2009 at 08:59 AM. |
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#4 | |
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Ghost Prince of Cardolan
Join Date: Jun 2007
Location: The Deepest Forges of Ered Luin
Posts: 733
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Quote:
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Even as fog continues to lie in the valleys, so does ancient sin cling to the low places, the depression in the world consciousness. Last edited by Andsigil; 02-08-2009 at 09:39 AM. |
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#5 | ||
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Curmudgeonly Wordwraith
Join Date: Jun 2007
Location: Ensconced in curmudgeonly pursuits
Posts: 2,515
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But my last point, Auntie Sal (where that came from, I have no idea), is that the lack of sex, mention of sex, or even allusion to sex is not true in a real sense either. For instance, there are no blatant rapes in Lord of the Rings, and one would think that the vengeful Dunlenders' burning of the Westfold would include some rapine along with the pillaging. The sack of Minas Tirith should have mirrored the bestial sack of Rome by Charles V's troops in 1527. Of course, such rape should be described if one seeks a 'real testament' of war, shouldn't it? War would not be true without massacres of innocents, disembowlments and brutal interrogations, but some good ol' graphic rape scenes should be required as well (the history of war, particularly medieval war and earlier, is chock full of 'em). Quote:
I am not being flippant here, just asking the same questions you are. Where exactly do you wish to cut off the depictment of reality in a 'fantasy' book meant for a wide demographic and not just for adults, davem? Must we stop at how an axe pierces a helm, or how a soldier with bloody stumps helps a disemboweled comrade gather up his intestines? Why not bowel movements? Sex scenes? How about child pornography? How ugly does the story need to get to please you? And would it serve the story any better than its original presentation? But davem, the amount of views this topic has garnered has nothing to do with the subject matter. No, it is because of our witty repartee and our stellar proficiency in grammar and syntax.
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And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision. Last edited by Morthoron; 02-08-2009 at 10:44 AM. |
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#6 | ||
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Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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Your 'demands' for gratuitous sex/sexual violence in Tolkien's work is, again, a pretty Aunt Sally (http://en.wikipedia.org/wiki/Aunt_Sally if you don't get the reference)
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I would expect him not to present either rape or child abuse in a positive light, as exciting or glorious, or quickly over & forgotten about as if it had never happened. I would expect an acknowledgement of the ugly, brutal & inhuman truth. If he had included those things without acknowledging that ugly, brutal & inhuman truth, I would be on here stating very clearly that his depiction of them was false, untrue & dangerously misleading to his readers. In all this I am simply asking why, when an activity is depicted it is not depicted honestly, warts & all, & whether it should be. No, Quote:
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#7 | |||
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Curmudgeonly Wordwraith
Join Date: Jun 2007
Location: Ensconced in curmudgeonly pursuits
Posts: 2,515
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I was referring to serial and large-scale rape attendant in war. It was and is a regular occurence in war right down to the WWII war crime trials of Nuremberg and Tokyo, and presently in several African countries. It was considered a 'spoil of victory' in Rome, among the Vikings, throughout the Middle-ages, and up until the 19th century in Europe. Even the vaguest codification of rape as a crime in the 'rules of war' in international law did not appear until the 18th century. Quote:
And there is the vaguest intimation of something untoward and unsavory in regards to 'Half-orcs' and 'Goblin-men' isn't there? One doesn't get the feeling that woman submitted willingly to the sexual whims of brute Orcs; therefore, rape seemingly is implied and should be brought forward with pronounced clarity, in keeping with your need for 'real war'. Quote:
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And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision. |
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#8 | |
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Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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So, to reiterate, we're discussing how Tolkien deals with what he does put into his story (ie, the way he depicts battle, & specifically the way people kill each other & how they die on the field), we aren't discussing why things that aren't part of the story haven't been included. People are being killed in battle & I'm questioning how that is depicted - because it is depicted, but not in a realistic way. There is no mention of rape taking place - it isn't depicted in any way at all so its not possible to discuss how Tolkien deals with rape as a weapon of war, because he doesn't deal with it at all. |
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#9 | ||
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Curmudgeonly Wordwraith
Join Date: Jun 2007
Location: Ensconced in curmudgeonly pursuits
Posts: 2,515
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It is not that I miss any point, but thanks for the constant reminders; rather, I refuse to discuss the subject in the manner you demand, as is my preorogative. Others in the discussion seem to follow their own way as well, however limited and irrelevant you deem their replies.
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There is a near complete reliance on chain mail in Middle-earth (save for a brief mention of Imrahil's pauldrons), and the use of mail has been in constant use in Arda for several thousand years with no real technological advance into plate. This in no way is historically factual, nor does it make much sense when comparing real-world precedents. There isn't even an advance from bronze to iron to steel in any consistent manner. On the other hand, we have clocks and other oddities like tea, tobacco, potatoes, umbrellas, etc., readily available in homes in the Shire (these were emended in part by Tolkien, but the anachronistic flavor remains). So Tolkien eschewed rape as a weapon of war even though it was a primary tactic of fear, even a right of the victors, in European wars, just as he neglected the mention of culverins, which were at the battles of Crecy and Poitiers, or crossbows which were available in Europe at a far earlier date. This makes his depiction of war follow a more classical or legendary mode of storytelling not necessarily reliant on factual data which he would clearly possess, as steeped in history and philology as he was; therefore, this need of yours to castigate Tolkien for being unfactual in his depiction of war is unfounded, as his emphasis was never to present a carbon-copy historical document based on medieval warfare. Quote:
I know, I know, I miss the point. Whatever.
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And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision. Last edited by Morthoron; 02-08-2009 at 05:46 PM. |
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#10 | |
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Wight of the Old Forest
Join Date: Dec 2008
Location: Unattended on the railway station, in the litter at the dancehall
Posts: 3,329
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Morthoron -
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"Never mind the reasons why he didn't do this, do we (21st century readers) think he should have?" To which there would be two kinds of possible answers: 1. Yes, I think he should have done it, because... 2. No, I'm fine with the job he did, because... Unfortunately, I'm too tired right now to dig into this any more than I've already tried to (I should have been in bed an hour ago). But I've got a feeling that this thread will be going on for another couple of days (unless you two get tired of playing ping-pong )...
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Und aus dem Erebos kamen viele seelen herauf der abgeschiedenen toten.- Homer, Odyssey, Canto XI |
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#11 |
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Ghost Prince of Cardolan
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Well fought, Morth.
Even your eloquent defense is unnecessary, I think, since davem's problem is entirely invented. He bemoans the dishonesty of depicting battle without its more horrible details, but Tolkien does not actually conceal the reality with some sanitizing miracle of the Valar--i.e. a description of the bloodless withering to dust of those slain as a special provision of Manwe. We know that these myths are written as some fantastical epoch of our own history, so the Men of Middle-earth are us, and supposably will gush blood and fall apart in exactly the same ways men do today--and do in George R.R. Martin novels*. Elves are physiologically identical to Men, and while there is perhaps more reason to expect with elves a magical fading in place of gory slaughter, Tolkien makes no such provision explicit. They, too, bleed red. So, in answer once again to the question which davem has asked repeatedly, Yes, things (slaughter, sex, elimination, etc.) occur identically in Middle-earth despite that Tolkien omitted their details. When a person takes a wife, certain details of the next couple days are implied; when a person is smashed with a mace or slashed with a sword, other details are similarly implied; when a person so much as exists, still more very basic details are implied. None of these details need to be explicated for us to know that they occur. Further, unless some agenda is served by doing so, one might even expect an author to spare his readers such descriptions. This decision can only be called dishonest if one claims that Tolkien intended his audience to get some idea of the harsh reality of life and war. Instead, it seems apparent that while Tolkien did not deny the baser realities of the world, he chose rather to emphasize the potential for nobility and beauty. *Had Tolkien chosen the tack of Martin, not only would there be plenty of guts, but surely Aragorn would have been the first character to be beheaded. How much different would LotR have been if gritty realism had been a part of the formula? |
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#12 |
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Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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Only if he had not gone to such lengths to play up the 'positives' of battle - the honour, self-sacrifice, glory, excitement. That's the point - that Tolkien is showing the light without pointing up the dark as well, so that the depiction of battle become a caricature of reality. I'm asking why Tolkien decided not to give us a balanced depiction of battle, which included the nasty, brutal, inhuman side alongside the poetic/elegiac, & what the effect of that decision is, & whether that depiction is dishonest (which I think it is)
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#13 |
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Loremaster of Annúminas
Join Date: Oct 2006
Posts: 2,330
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Davem, your position would have more force if there were some existing tradition of gore, screams and viscera which Tolkien presumptuously violated. But the contrary is true: eliding over the blood 'n guts was the established literary mode: are you therefore condemning Tolstoy and Hugo and the on and on? It's really inaccurate and unfair to dismiss this convention as "Boys' Own Paper" when it was in fact the dominant mode of Western war fiction up until Tolkien's age.
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The entire plot of The Lord of the Rings could be said to turn on what Sauron didn’t know, and when he didn’t know it. |
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#14 | |||||||
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Ghost Prince of Cardolan
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Just some quick thoughts about various posts and quotes from Letters. This is not a short post though, just to warn you.
Actually when I start to read a book I try to expect nothing, for I too often find that having prior expectations keeps me from enjoying the book itself. To answer the question of realistic or unrealistic view of war, from Tolkien I did (by the time I reached the battles) expect the battles to be around the same as those in Greek epics or French Medieval Romances. Also, it’s not that like Tolkien wrote anything along the lines of people being killed by firey demons and then coming back to life or an entire species that can’t really be killed. Nothing at all that unrealistic in his books. Quote:
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Escapism - the seeking of distraction from reality by engaging in entertainment or fantasy: this is the definition from my dictionary. So he was using his writing to escape the reality of war and become emerged in a fantasy world where everybody is noble and righteous. Quote:
So horrifying one is stunned; utter folly of these lunatic physicists; while their moral and intellectual status is declining: all quotes that say to me that even in his worst nightmares Tolkien could not imagine what modern man is capable of. So obviously the characters in his books can not do anything approaching the utter horror of our current warfare meaning that trying to use his books to educate people about the horrors of modern day warfare is about as useful as using an original car to educate somebody about how to take care of a Porsche. Quote:
Meaning that ‘true’ and ‘noble’ beings such as the forces of good in Tolkien’s books will not gloat or punish a criminal’s family for being related to him. This is despicable to Tolkien (and personally to me as well.) Quote:
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So, basically what is my entire point that I’ve been trying to express in every post I’ve made on this thread? War is traumatic. I know of many veterans who have turned their trauma into activism - good for them, that they can stand up for what they believe in. I also know many veterans who for them it is too traumatic. They repress their memories of the bad things that happened. They refuse to speak about it. If they do it is only to close family members. They use escapism - whether that escapism takes the form of alcohol, drugs, the arts, extreme sports, whatever. And I believe that Tolkien belongs firmly in the second group. His form of escapism is writing, he purged all of the bad memories from his public thoughts (in this case TH and LotR), and only spoke of the reality in his private thoughts (in this case the writings of his that were only published after his death). It has nothing to do with misleading the public, and everything to do with his own personal reaction to a tramatic event in his own life. I don’t know if any of you have ever truly been traumatized. I do know that in the aftermath of 9/11, I developed an anxiety disorder that has lasting affects. Sometimes it’s not a matter of if somebody should have done something, but a matter of they could have done it.
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Busy, Busy, Busy...hoping for more free time soon. |
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#15 | |
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A Voice That Gainsayeth
Join Date: Nov 2006
Location: In that far land beyond the Sea
Posts: 7,431
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Not having time to meddle into untangible chains of posts, so just one direct reply
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"Should the story say 'he ate bread,' the dramatic producer can only show 'a piece of bread' according to his taste or fancy, but the hearer of the story will think of bread in general and picture it in some form of his own." -On Fairy-Stories |
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