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#1 |
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Guard of the Citadel
Join Date: Dec 2006
Location: Oxon
Posts: 2,205
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Of course this isn't really how M-e music would sound, except some parts, but still I think it goes well with the books, because it manages to transport the spirit the books also have, that mystical component.
As Tom Bombadil, the music doesn't come from M-e, but it is of M-e.
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“The invisible and the non-existent look very much alike.”
Delos B. McKown |
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#2 | |
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A Voice That Gainsayeth
Join Date: Nov 2006
Location: In that far land beyond the Sea
Posts: 7,431
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Quote:
But I believe most of the people who read the books prior to hearing the songs in any interpretation have imagined the songs to sound some way, no?); but also the music does not go together with the world for me. Not at all, not even as "background" music. When I'm imagining Isengard, Lórien or Mordor, there is not the movie music playing in the background. It would have to be totally different music (if there were to be any).
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"Should the story say 'he ate bread,' the dramatic producer can only show 'a piece of bread' according to his taste or fancy, but the hearer of the story will think of bread in general and picture it in some form of his own." -On Fairy-Stories |
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#3 |
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Ghost Prince of Cardolan
Join Date: Mar 2007
Posts: 903
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Having a copy of Poems and Songs from Middle-earth, I can say with utmost confidence that I am overjoyed the film soundtrack did not attempt to sound anything like that so-called authoritative music from the world of JRRT. Tolkien was a wonderful story teller with a tremendous imagination. He could create amazing characters, the most glorious settings, and give you everything you wanted in an epic tale. But music was not his speciality.
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#4 |
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Loremaster of Annúminas
Join Date: Oct 2006
Posts: 2,331
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I don't know if the Donald Swann settings can be termed "authoritative." They're, well, Donald Swann. Poppy Lieder-lite, just the sort of thing which might entertain an elderly man born in 1892 who even in his youth found ragtime distasteful!
However, the one really good piece in there, the haunting Namarie, is actually Tolkien. Or at least, he rejected Swann's original tune and hummed out the chant-like theme which Swann adopted- so the old Professor was not without his musical side. Most of the songs Tolkien put in the book (and, it's often forgotten, they're *songs*) are hobbit-songs, and so it seems to me that the ideal settings should be in the style of genuine English folksong- genuine, and English, not the rather bogus 'Celtic' stuff one so often hears. In fact Tolkien himself intended The Stone Troll to be sung to, and himself sang to, the tune of "The Fox Went Out."
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The entire plot of The Lord of the Rings could be said to turn on what Sauron didn’t know, and when he didn’t know it. |
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#5 |
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Wight
Join Date: Dec 2001
Posts: 101
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I wish I knew "The Fox Went Out."
![]() Merry
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"If I yawn again, I shall split at the ears!" |
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#6 |
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Loremaster of Annúminas
Join Date: Oct 2006
Posts: 2,331
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Ah, then hearken to the good Professor himself singing Sam's troll-song to that tune...
http://video.google.com/videoplay?do...arch&plindex=3 Notice BTW that JRRT slips easily into broad Brum instead of his normal Queen's English
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The entire plot of The Lord of the Rings could be said to turn on what Sauron didn’t know, and when he didn’t know it. |
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#7 |
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Messenger of Hope
Join Date: Jun 2005
Location: In a tiny, insignificant little town in one of the many States.
Posts: 5,076
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Shucks! I couldn't open it!
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A young man who wishes to remain a sound atheist cannot be too careful of his reading. - C.S. Lewis |
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#8 | |
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A Mere Boggart
Join Date: Mar 2004
Location: under the bed
Posts: 4,737
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Quote:
The tune is all English and I quite agree, Irish folk music is a very different thing and this is most definitely NOT Celtic! It's reminiscent of Martin Carthy's Rackabello too, which derives from a Hertfordshire tune. I'm amused because this is that rare thing to me, something Tolkien says (yes, I know, he's singing, before you point that out, pedants...) which I can understand! I've never been able to understand a word he says normally - I don't speak RP/Queens English and I can't usually understand it very well if it's too 'far back', which is what Tolkien is. Now there was a bit too much 'Celtic' stuff going on in the film soundtrack for my liking, although luckily Howard Shore mostly avoided it - it's in the songs that it happens sadly. My favourite song by a country mile was Gollum's Song (followed by the Billy Boyd one which was also decent), as I found the others a bit cheesy alas, a bit too much like that New Age stuff you hear in hippy shops The non-vocal tracks were splendid though and the soundtrack was one of my favourite things about the films. My personal favourite being Concerning Hobbits which seemed to pick up some of the English folk music phrasing you can hear in Vaughan-Willams's The Lark Ascending.
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