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#1 |
Ghost Prince of Cardolan
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Actually, this would be a cinch. I'll see if I can wrangle it today, but it might have to wait until the weekend. You can help - go to YouTube and find an already-existing video of the Gandalf-Witchking encounter.
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Eagerly awaiting the REAL Return of the King - Jesus Christ! Revelation 19:11-16 |
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#2 |
Ghost Prince of Cardolan
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There's nothing wrong with this scene existing in the movie, as Gandalf's entire nature has been adapted for the film version. The scene plays out as it should.
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#3 |
Wight
Join Date: Sep 2003
Location: Crickhallow
Posts: 247
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I happen to like the scene as it is...I mean it can't be the exact same as it was in the book. After all, the movies are an adaptation of the books.
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King of the Dead: The dead do not suffer the living to pass. Aragorn: You will suffer me. |
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#4 |
Ghost Prince of Cardolan
Join Date: Mar 2007
Location: Home. Where rolling green hills and clear rivers are practically my backyard.
Posts: 595
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I don't like the scene, but I like your point. Would we really be happy if he didn't change anything? I mean, small surprises can be pleasent. Things like Boromir teaching Merry and Pip how to fight, Elves coming to Helms Deep(to show that the elves did help without having to explain border wars), and other various things.
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#5 |
Doubting Dwimmerlaik
Join Date: Dec 2004
Location: Heaven's basement
Posts: 2,466
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The scene makes sense as is if you chart the fall of Gandalf from leader to hanger on, and Aragorn from reluctant errand boy (bring Frodo Baggage to Rivendell) to leader of the forces of the free. Gandalf has to slowly exit the stage to make Aragorn appear the more, and so in PJ's world it (I guess) works.
And to surprises: Sure, I'm all for them if they are well done, but if another main character were to fall off a cliff and return...
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There is naught that you can do, other than to resist, with hope or without it.
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#6 |
Ghost Prince of Cardolan
Join Date: Mar 2007
Location: Home. Where rolling green hills and clear rivers are practically my backyard.
Posts: 595
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Well, of course. As I said, I don't like the Gandalf part. I don't like any of the changes that ruin/cowardize any of the characters. No movie maker has that right, though I do beleive he has a right to make such changes as I meantioned above.
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One (1) book of rules and traffic regulations, which may not be bent or broken. ~ The Phantom Tollbooth |
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#7 |
Ghost Prince of Cardolan
Join Date: Mar 2007
Posts: 903
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JUst reread the section in the book and watched it in the EE of ROTK. I would have preferred it have stuck closer to the book especially with the flaming crown. I always liked that touch a great deal. But I did not see the film depiction as anything near cowardice on the part of Gandalf. I think Jackson was trying to show just how powerful the WK is which makes the upcoming scene with Eowyn even more powerful and dramatic.
Sure, Gandalf is unhorsed and both he and Shadowfax show a lot more reaction than in the book. But I took his facial expressions on the ground to mean he was marshalling his strength for a return volley with the Witchking. But before that can happen, we get the horns blowing and the WK departs. I think it works this way - and there is nothing wrong with it - but I would have liked to see it a bit more like the book. |
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#8 | |
Wight
Join Date: Sep 2006
Posts: 204
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Quote:
Olorin is said to be afraid of Sauron, which makes sense, but the WK is a different story. Now Tolkien does say somewhere that the Witch King has been invested with new powers, presumably transferring some of his own power on to the WK. But this is never mentioned in the movie, so the scene at the gates where Gandalf's staff is broken comes across as incongruous given all the preceding scenes... In fact, the real point is that there is no coherent interpretation of Gandalf in the movies...
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`These are indeed strange days,' he muttered. `Dreams and legends spring to life out of the grass.' |
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#9 |
Curmudgeonly Wordwraith
Join Date: Jun 2007
Location: Ensconced in curmudgeonly pursuits
Posts: 2,515
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I agree with your disagreement and your conclusion on coherency. The scene is annoying; in fact, it is one of the 'pimples of perturbance' that jut out with painful regularity in the LotR films like acne on an otherwise pretty face.
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And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision. |
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#10 |
Pile O'Bones
Join Date: Aug 2009
Posts: 12
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[QUOTE=CSteefel;609308Now Tolkien does say somewhere that the Witch King has been invested with new powers, presumably transferring some of his own power on to the WK. But this is never mentioned in the movie, so the scene at the gates where Gandalf's staff is broken comes across as incongruous given all the preceding scenes... [/QUOTE]
"He has not revealed his most deadly servant, the one who will lead his armies into battle"... (paraphrased from memory). That to me indicates that PJ is setting this up as a more powerful WK, one that can challenge Gandalf. |
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#11 | |||
Ghost Prince of Cardolan
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#12 | |
Curmudgeonly Wordwraith
Join Date: Jun 2007
Location: Ensconced in curmudgeonly pursuits
Posts: 2,515
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No, Obloquoy, I will have to disagree with you on this one. PJ lifts an entire sequence from Tolkien when Gandalf flashes back with a vivid description of his resurrection after he had defeated the Balrog. The insinuation is that Gandalf is sent back from the dead to finish his mission. It would make little sense to have Gandalf die once more -- wouldn't he just be sent right back again? Obviously someone (who in the film is nameless) does not want Gandalf to die. And after he defeated a balrog! Later, Gandalf the White is seen chasing off a whole herd of Nazgul in order to rescue Faramir. In this context, the scene where Gandalf's staff is broken makes absolutely no sense, particularly since Gandalf the White had only recently broken Saruman's staff (which would, I believe, show plainly that Gandalf's power has increased exponentially as well). So let's see here, the movies show: 1. Gandalf defeating the Balrog 2. Gandalf being resurrected 3. Gandalf claiming Saruman's 'White' title 4. Gandalf breaking Saruman's staff (after being completely unaffected by a huge fireball flung by Saruman, mind you) 5. Gandalf easily chasing away several Nazgul with a magic blast of white light The plotting is uneven and in places downright sloppy. It is Peter Jackson merely going for cheap thrills and effects rather than offering a cohesive and unambiguous plot.
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And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision. |
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#13 | |
Ghost Prince of Cardolan
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#14 |
Curmudgeonly Wordwraith
Join Date: Jun 2007
Location: Ensconced in curmudgeonly pursuits
Posts: 2,515
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Nothing. But if Gandalf is not a Maia in the film, he's certainly an Aztec as far as semi-divine manifestations go
![]() Jackson's use of the famous WiKi line "No man can kill me" would no longer apply to resurrected Gandalf, who is no longer mortal nor a man in the strictest sense, anymore than Jesus Christ would be considered mortal man after his resurrection. Jackson's script directly refers to other powers reviving Gandalf and thus an achievement of immortality: "....Until at last, I threw down my enemy and smote his ruin upon the mountainside. Darkness took me. And I strayed out of thought and time. Stars wheeled overhead and each day was as long as a life age of the earth. But it was not the end. I felt life in me again. I've been sent back until my task is done. " The emphasized line "I've been sent back until my task is done" is a direct reference to heavenly intervention (and Gandalf taking Frodo on the last ship merely bolsters the inference of immortality). Therefore, your insinuation that "[Gandalf is] just a cranky old wizard who is sometimes impressive, but clearly not up to dealing with the WK..." is not the perception Jackson portrays after Gandalf's defeat of the Balrog. Again, the scripting is uneven and relies on gimmickery and visual appeal over substance and continuity. It's much like how PJ dragged Faramir through the dirt for several agonizing sequences before finally showing the character's nobility. The utterly absurd segment where Frodo shows a flying Nazgul the Ring and Faramir finally decides to set the hobbits free is part and parcel of PJ's inconsistency as he bounces from stunning visual vignettes and rebounds to attempt to tell the story. In fact, I think the scene where Frodo shows the Nazgul the Ring in Osgiliath is even more disconcerting than the WiKi breaking Gandalf's staff. Logic would dictate that the Nazgul, upon seeing a hobbit with the Ring, would not simply fly away, but would call his cohorts and all the collected armies of Mordor to that one point. Frodo would not have even made it into Mordor if logic, even inconsistent movie pretzel logic, prevailed. Bah, I've drank too much coffee.
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And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision. |
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#15 | |
Wight
Join Date: Sep 2006
Posts: 204
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In fact, the original point was that PJ has no coherent and consistent representation of Gandalf, particularly after he returned. You cannot borrow entire scenes from Tolkien implying clearly the return of a Maia, and then drop it suddenly in front of the Gates of Minas Tirith...
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`These are indeed strange days,' he muttered. `Dreams and legends spring to life out of the grass.' |
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#16 |
Wight
Join Date: Sep 2006
Posts: 204
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Others have mentioned as well the letter in which Tolkien says that the WK was invested with new power shortly by Sauron shortly before the last battle on the Pelennor. Not sure if you are denying this point, or objecting to the use of the phrase "transferring power". Perhaps the better phrase would be that Sauron gave the WK new power...
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`These are indeed strange days,' he muttered. `Dreams and legends spring to life out of the grass.' |
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#17 | ||
Ghost Prince of Cardolan
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Last edited by obloquy; 09-01-2009 at 09:33 AM. |
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#18 | |
Wight
Join Date: Sep 2006
Posts: 204
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Quote:
As for the investment of power in the WK (real or not), if you have the exact quote and can comment on how you interpret it, that would help. Otherwise, this point was to actually support your point of view (assuming that we needed anything from Tolkien here). Otherwise, you are left with a vague statement in the movies about not having revealed his most deadly servant, which does not really imply clearly an enhancement of power. So one is left with simply the fact that the WK did break Gandalf's staff, so as I said earlier, PJ simply changes the equation with no warning here. If that is consistent film making, give me another director...
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`These are indeed strange days,' he muttered. `Dreams and legends spring to life out of the grass.' |
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#19 | |
Curmudgeonly Wordwraith
Join Date: Jun 2007
Location: Ensconced in curmudgeonly pursuits
Posts: 2,515
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The incongruity is in the scripting. Somehow part-time shield maiden Eowyn is more powerful than the balrog-smoting Gandalf? That's what the addled inference is. Inconsistency -- picking and choosing jumbled aspects of the story in order to glorify special effects -- this is the infuriating aspect of the films.
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And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision. Last edited by Morthoron; 09-01-2009 at 12:09 PM. |
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