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Old 10-14-2005, 05:21 PM   #1
Aiwendil
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It's not that uncommon for scores to be rejected, even those of high-profile composers. Goldsmith, Horner, Herrmann, and Waxman are just a few of the more famous names that have been on scores turned down by the director or producers; and Shore has had at least one score rejected already. Often, it's done for legitimate artistic reasons. For example, anyone who listens to Alex North's famous rejected score to 2001 will immediately see that it is not in line with Kubrick's vision. If this rumour is true, it may simply be that Jackson was not happy with the way Shore approached the movie; Jackson may even have been right.

There are of course other cases - when a score is rejected for personal, political, or commercial reasons. This kind of thing is generally very unfortunate for all involved, since it can be seriously detrimental to the movie, can deprive film score fans of a great work, and can damage a composer's career. Famous examples are Herrmann's score for Hitchcock's Torn Curtain and, more recently, Gabriel Yared's score for Troy. Both were great scores (though in the latter case, this is judging only from the few cues that have made their way to the public), and I don't doubt that both movies suffered greatly from their lack.

So if this is true, I think it's wise to reserve judgement on it until more details come out, or the rejected score is made available.
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Old 10-15-2005, 12:06 PM   #2
Essex
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'Confirmation' from kingisknog.net..................
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Peter Jackson made the following statement: "I have greatly enjoyed my collaborations with Howard Shore, whose musical themes made immeasurable contributions to 'The Lord of the Rings' trilogy. During the last few weeks, Howard and I came to realize that we had differing creative aspirations for the score of 'King Kong.' Rather than waste time arguing with a friend and trying to unify our points of view, we decided amicably to let another composer score the film. I'm looking forward to working with James Newton Howard, a composer whose work I've long admired, and I thank Howard Shore, whose talent is surpassed only by his graciousness."
mmmmmmm so no Shore for the Hobbit then?
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Old 10-15-2005, 04:23 PM   #3
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I'm weirded our by the Shore thing, but if it didn't work out, it didn't work out.

I'm not exactly sure what to make of the Christopher Lee thing. I can't imagine Peter Jackson jeopardizing a movie because of a personal falling-out with an actor. It seems too bizarre to me. Business is business. I could think of a million work-related reasons why Lee was omitted, but personal? As in, "I don't like you anymore, Lee, you don't get to do this"???

Any specific theories on this floating out there, Child? I'd love to get a hold of them.
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Old 10-16-2005, 03:03 PM   #4
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I agree with you Lush There are just too many things at risk if you let something personal come in your way. But I do find that it is a little late to replace Howard Shore. Maybe the new James newton Howard will keep some of the things Howard Shore wrote because i can't see how you can write something in two weeks and get it recorded as well.
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Old 10-16-2005, 06:50 PM   #5
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Maybe the new James newton Howard will keep some of the things Howard Shore wrote because i can't see how you can write something in two weeks and get it recorded as well.
Well, it happened on Troy. Gabriel Yared's finely crafted score, many months in the making, was replaced with one by James Horner a few weeks prior to the movie's release. Of course, James Newton Howard doesn't have quite the same reputation for assembly-line insta-scores as Horner does.

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Old 10-16-2005, 09:26 PM   #6
Elladan and Elrohir
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This is rather shocking news. I certainly hope it won't have any effect on The Hobbit, if and when that film is made. That's one of the biggest things I'm looking forward to: One more Howard Shore Middle-earth score!

As for the Chris Lee thing, I doubt that was a personal falling-out. PJ's defense of the removal of Voice of Saruman from ROTK is, IMHO, more than adequate. Much as I love that scene, and as glad as I am that it was returned for the EE, it slows down the film and distracts from the overall plot. That's all we need, more distractions!

And of course they left his name and picture out of the theatre credits! What do you expect? You don't put that a dude starred in a movie he doesn't appear in. I mean, sure it's Chris Lee, and sure he's Saruman, and sure he's a phenomenal actor who does an awesome job, but still.

Anyways, the Lee thing aside, this Howard Shore news has me seriously worried. There's no way to tell from the story whether PJ is telling the truth, or whether he and Shore did in fact have a falling out. If they did, it may well be to the detriment of Middle-earth.
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Old 10-17-2005, 07:04 AM   #7
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I would have kept Christopher Lee in the theatre version and shortened a battle scene - but that is my preference.... I wouldn't be surprised if there was a "personal" thing - after all Lee was probably the most serious Tolkien fan among the cast and had met him - you can imagine potential tension.....

The music - well if it was simply not quite right for KK, I see no reason why Shore would not do the Hobbit -PJ is cleary happy with his take on Middle Earth if not giant apes...
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