Quote:
Originally Posted by Bęthberry
I find this observation fascinating, as I think this could be the first time that anyone here has put forth the idea of distance between Tolkien's view, as author or as narrator, and his characters' view. We have the external evidence that he did change or alter Galadriel's character so that she came more and more to represent his developing theological ideas and we also have Tolkien's letters which show that he did not idealise women in real life.
What can be gained in our understanding of LotR if we examine it to see if the story in fact does not support Gimli's adoration of Galadriel?
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Its certianly significant that when (predominantly male) characters 'fall in love' with a Lady it is love at first sight - they don't actually know the Lady as a person - she is a symbol of beauty, of perfection, which she embodies for the male (Frodo, Gimli, Aragorn, Beren). In a real sense then, they don't 'love' her at all, because they don't know her. It is perhaps, in the Jungian sense, an 'Anima' projection. She symbolises the Other, the Unknown, the Unconscious, 'Mystery'. I think this is why sexual desire is absent - or more probably is subsumed into overwhelming feelings of awe, of 'worship'.
Yet, in LotR at least, Galadriel the woman is not 'worthy' of Gimli's worship - she is an unforgiven rebel, one who sought power & control over others. She is actually an Elf-Woman, clad in simple white - something Frodo comes to see after the incident at the Mirror, but which Gimli never does see. Frodo's 'projection' is withdrawn at that point & he sees her for what she truly is - Gimli's projection never is.
For Tolkien, however, Galadriel is always an Elf-Woman, clad in simple white - he never 'worships' her. In showing the withdrawing of Frodo's projection onto her he makes plain who & what she is, & tells us plainly that there is something else going on with Gimli.