Quote:
Originally Posted by Nogrod
Life is not always nice and people are capable of great atrocities - as they are able to show the greatest kindness. And yes, trying to close one 's eyes on things that go against one's own moral standards is lying to oneself about reality. The attitude one has to things narrated one doesn't like is more or less the dividing line between reading for escapism and reading with interest in real life.
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This I'm afraid means that the SoIaF disturbs people because it doesn't give one the easy black-and-white - and that there is a yawning for that simple world-view.
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Even as someone who's no fan of
A Song of Ice and Fire I agree that the fact that it treats life in a harsh and brutal way doesn't somehow denigrate it; so much of the canon of "literature" deals with exactly the same things, the more unpleasant parts of life. It's hardly inappropriate content. Hemingway's
A Farewell to Arms is a completely arbitrary example I might give of a well-regarded novel that puts certain horrors of human life in intense focus and is moving and profound for that very reason.
My main problem with
A Game of Thrones was that the parts I found interesting, which had the supernatural elements, were brief teases, while all the political scheming I find utterly tedious and reminds me of the horrible 'church politics' diversions in David Eddings'
Elenium series.
In defence of Professor Tolkien, I would argue that his allegedly less 'realistic' characterisation and more conservative presentation of violence and sexuality are indicative of the notion, in both my opinion and that of the Professor himself, that
The Lord of the Rings is, in textual terms, a Romance and not a Novel: "My work is
not a 'novel', but an 'heroic romance' a much older and quite different variety of literature." (Letter 329) I suppose that might seem like a defensive or apologist view to some but personally I think it is extremely significant in understanding why
The Lord of the Rings is, arguably, painted in broader strokes than the conventional modern Fantasy 'novel'. That being said I would persist whole-heartedly in my belief that the characterisation and character development in
The Lord of the Rings is simply abstract and subtle, not limited.