On many points, I would basically second
Galadriel55 here:
Quote:
Originally Posted by Galadriel55
I must say that I enjoyed the first book very much, the second and third too, but the fourth was already getting a bit too spread out, and the fifth was completely dragged on and disappointing. Too many characters and too much stagnation. LOTR, on the other hand, combines in itself many plotlines from different time periods without dragging it on with unnecessary inaction.
I remember saying once that GOT has some of LOTR's maturity and HP's addictiveness, which makes it an interesting book to read. Unfortunately, A Dance With Dragons did not preserve this feeling. It brought more complications but did not move an inch forward.
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I would only disagree slightly about the Dance with Dragons, I still liked it more than the fourth book and I think it *did* contribute something to the storyline, but I think it's in many ways akin to the fourth book. The plotline spreads too far to too many ends.
I think ASOIAF is much better on second re-read than on the first, though, since now I am re-reading it and there is much more to focus on.
What I think is the problem with ASOIAF from the "enjoyability" perspective is that it fulfils the dream of most book-readers: you get to learn a lot in detail about various characters in various situations. The sort of thing you have when you finish reading LotR and you pity there isn't more about what Fatty Bolger did when Frodo was in Mordor, why there isn't more about Dáin and Brand's battle in Dale against the Easterlings, why there isn't more about some more random characters who we would have found interesting and more about their personal struggles and thoughts etc...
G.R.R. Martin did exactly that. But it waters down the general plot of the book as it is and makes it full of long sequences - on first reading especially - where you are like "hey, I don't want to read a chapter about what Forlong the Fat had for breakfast and about the fight Farmer Maggot had with his neighbor before learning whether or not Frodo's Ring is The One Ring". You have a ton of "random" stuff - the writer could have just cut it, made it, say, three books and focus only on several main characters and some main plot, but instead you have an equivalent to "what Dáin, Farmer Maggot, Haldir and Ufthak were doing while Frodo was on the way to Mordor". (On top of that, you aren't even sure which of the plots is more important, whether the one about Mordor or the one about Bag End, but that does not seem to be the point of the books.) But exactly this makes the books much more enjoyable on second reading, when you can focus on the gazillion of minor characters, or even the details about the main characters which have eluded you before.
So that is one thing. And the other big thing is, in my opinion, the sort of "lasting value". I am not sure, despite its brilliance in terms of really big complex plot, detailed characters etc, whether ASOIAF has that. I think LotR is the kind of thing that many people can relate to and we can sort of identify ourselves with the characters in LotR or the "underlying conflicts" and, as Tolkien says, it has the "eucatastrophe", and I agree with him that that is one of the big things that makes stores great and lasting, that they reflect something of our lives and also give us the hope for the future. Despite liking many of the main characters of ASOIAF, having pity for the more villainous ones and so on, I would not want to spend much time together with either of them, and the story itself is not really very, well, hopeful, is it? It makes a good spectacle, it has interesting plot twists and so on, but again, the lasting value - I didn't really see it so far. It does not try to play anything, it
is a story with its own value, but LotR just has something else to offer, too. Somebody could possibly write more stories akin to ASOIAF, given enough time and so on, but LotR requires more depth.