[LadyBrooke]

*Looks at thread* Meep! I suggest that everybody takes a few deep breaths, back away for a moment, and try to calm down before people learn the reality of war from this thread. This is not a life or death situation, nobody is going to die because we can’t agree, and we do not want to become known as ‘the group of Tolkien fans that tried to bludgeon each other over the internet.’ As one of the youngest on the thread I think I can safely say that it is possible to keep one’s head cool, and not descend to the level of orcs. Note the description for the Books forum

In-depth discussions of Middle-earth for the learned and the curious. Everyone is welcome.

Learned implies a certain degree of maturity, and those who are curious have to be careful to not overstep the bounds of civility

Now on to my thoughts.

Originally Posted by Hookbill the Goomba

Something that has struck me about The Lord of the Rings and, indeed, most of the Legendarium, has been the fact that, as you say, davem, violence is not depicted in grotesque or detailed terms. There are glimpses here and there, but nothing to the extent of the heroic deeds and so on. What strikes me as the possible reason is that Tolkien simply did not want to do this. When reading his essay On Fairy Stories as well as the forward to The Lord of the Rings (I vaguely remember something from the letters, but it's been so long since I read them-) that Tolkien was writing what he wanted.

Tolkien wrote he wanted, just like most other writers in this day and age who are not constrained to writing what a rich patron wanted them to write. Jane Austen wrote what she wanted, so did George MacDonald, C.S.Lewis, and many other writers still do today. After all, the best books to do seem to come from people who had the freedom to write what they wanted - not what the person dangling the money bag wanted

Originally Posted by Hookbill the Goomba

With The Silmarillion, Children of Hurin and so on, we have much broader strokes of the stories; details are left out because the vastness of the tail, you might say, thrusts it aside. Had the detail been the same in The Silmarillion as it was in The Lord of the Rings, could it be contained within the bounds of a paperback? Probably not; it would probably collapse in on itself and create a black hole.

If The Silmarillion had as much detail as LotR does, it would need it’s own zipcode, and would most likely have been broken up into a series of 50 books. Which I wouldn’t have minded.

Originally Posted by Hookbill the Goomba

Tolkien seems to relish and toughly enjoy telling us about the heroic deeds as well as the tragic tales. There we find some of his best writing. We enjoy it. We relish it. We are here discussing it. After all, what was Tolkien's duty other than to tell the story? Indeed, even that was not a duty, as such, but a need within him.

Thank you, thank you, thank you. As a writer myself, this is one of the things I’ve been trying to express in my posts. For some writers, we don’t think about duty or anything like that. It is a need to tell a story that drives us to stay up to 3am to finish just one more line or derive complex genealogies for characters that are mentioned once.

Originally Posted by Hookbill the Goomba

Besides all this, to my mind, Middle Earth was, for so long, a place beset with evil and horror. The seemingly endless war with Melkor and the battles with Sauron must have plagued their minds. Therefore, any act of heroism, I should think, would be savored and remembered. It would not surprise me if the same was true of heroic tales of our own world were born from the same mindset. Places racked with war seeking any way to think of better things. Who knows?

The idea of seeking any way to think of better things is one I am frequently seeing in my own area recently. I don’t know if anybody outside of Kentucky and Indiana has even noticed our recent problem, but in a 6 month period we have had two severe power outages lasting for over a week in some places due to hurricane winds and snow. And people have sought escape from thoughts of snow. In fact the week of the snow all of the radio stations were playing such songs as Sunshine and Summertime by Faith Hill.

Originally Posted by Bêthberry

Who is responsible for how readers use literature--or gamers, games--the users or the creators?

I feel extremely uncomfortable that this is even necessary to ask. Is nobody going to be held responsible for their own actions, these days? Even if you read a book titled 1,000,000 Ways to Destroy Earth, if you blow up the Earth it was your own decision. Not the book’s writer, not video games’ designer , not your dog’s. Yours.

Originally Posted by davem

Is that not intriguing? What would a psychologist make of a victim's account of a traumatic event which deliberately onitted the most horrific dimension.

While I am not a trained psychologist, I am (A.) Currently taking psychology for school credit and (B.) Somebody who has had an anxiety disorder, and has chosen to study all sorts of mental disorders and traumas. Therefore I feel I am in somewhat of a position to comment on this.

It is very intriguing, which is why I chose to start a thread on the psychological affects in the books and on Tolkien. A psychologist would likely make something along the lines of what I have already mentioned in this thread, and backed up with one of Tolkien’s own quotes from a letter. That is that Tolkien used his writings as a form of escapism, which is a frequent mode of coping with disaster - separating oneself from the actual event.

Originally Posted by Ibrînidilpathânezel

Fictional depiction of unpleasant truths can be educational -- but only up to a point, I believe. Beyond that threshold, it can undercut, distort, or even obliterate the message, because the audience stops listening, or listens out of fear.

Something like this happened in one of my history classes once. We had to watch this very realistic movie on the Holocaust. Brilliant movie and absolutely true to what happened. And yet myself and many of my classmates would be unable to tell you anything about what happened or even what it was called. Why? Because by the time we had seen a little of the movie, many of us were so desperate to just get these images out of our head, that we had all stopped watching. I myself just grabbed my arm and dug my nails in to have something else to focus on. It was too traumatizing, too realistic - we couldn’t deal with it. This was 15 and 16 year olds by the way. Sometimes it can be more damaging to show the complete truth, than it is to describe the basics and let the rest go. I sincerely believe we would have gotten more if they had just described the camps and the number of people - not just Jews - that died there.

Originally Posted by Hookbill the Goomba

That's not to say there aren't the tragic and less desirable parts of the Legendarium. But plot is dependent on these things. The battle of Pelenor field would not have hit me so hard and remained in my memory if not for the passing of Théoden.

The tragic parts, such as the Scouring of the Shire and others, serve a much deeper purpose than simply balancing out good and evil. They effect the reader in a more emotional way than the blood and spilled entrails ever could. It is these events that hit hardest, that stay in the mind. Tolkien, I think, wanted his story to have these effects. The same things he had felt when reading myths and legends.

Touching briefly on Theoden’s death, I don’t think it would have affected me as hard if Tolkien had described what the actual death would have been like. It would have taken something away from Theoden’s speech and forgiveness of Merry for disobeying orders because the entire time I would have been like “He’s talking this much with a horse lying on top of him - WHAT?????”, but without that speech Theoden would have been less of a hero to me. If that makes sense.

Sometimes things have to be traded for other things. In this case I think the realistic part of war was put lower on the list of priorities to give Tolkien a chance to create characters that stand for hope to so many around the world.

That excerpt gave nothing to me except to make me feel a sense of hopelessness. What’s the point of living if there is no hope?