Quote:
Originally Posted by Mister Underhill
I think again it goes back to Jackson favoring going for something extreme in the moment over a careful control of what he's building in the overarching narrative. A digitally enlarged mouth is a more arresting visual. A beheading is more shocking and visually interesting than both sides just riding away, even though it happens to subvert the personality of one of your most important characters.
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I think this was Jackson's intent all along and is consistent with how he treated the character of Aragorn. He portrays him as a man who is not comfortable with his position as the Heir to Gondor and who cannot accept that honour. As such, a violent reaction to an emissary would not be out of character. I always think that this change was put there as Jackson maybe felt the modern audience would nto be comfortable with the idea of a clear cut hero with masses of honour, a mistake as it happens, when you consider how the audience/readership idolised the honour driven Ned Stark in A Game of Thrones.
Still, it's perhaps the most jarring incidence of Aragorn behaving without honour and maybe they did not intend him to be quite
so arrogant at this stage of the narrative.