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Old 11-30-2012, 11:15 PM   #12
jallanite
Shade of Carn Dűm
 
Join Date: Apr 2001
Location: Toronto
Posts: 479
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Quote:
Originally Posted by littlemanpoet View Post
I'd say that such a question underestimates Tolkien. What you are suggesting is that trading in mystery for endearment is a good exchange in your opinion. I contend that the trade-off isn't necessary.
I never suggested that at all. Never. I just suggested that some people prefer an origin and some people don’t.

Quote:
It's a minor issue; at the risk of going off on a major and useless tangent, the Celtic wizard is druidic, his milieu that of human sacrifice and unity with nature. The Germanic/Nordic (I must include the term) wizard with control of the elements - earth, wind, fire, ice, etc. Both have staves of oak, but their use of them is different in the general way I've described above.
Not a clue what you are talking about. Have you gotten your ideas from some single idiosyncratic book? See http://en.wikipedia.org/wiki/Druid#I..._Welsh_records for druids in medieval Irish and Welsh tales. Which medieval story has a Germanic or Celtic wizard that has control of the elements “earth, wind, fire, ice, etc.” If it is just one story, that proves nothing, as it was general medieval European belief that everything was composed of the basic elements earth, water, air, and fire. I don’t see any particular difference why earth, air, water, and fire might not be mentioned in a story about either Celtic or Germanic wizards, although I don’t recall such a story. Wizards are far more common in Irish and Welsh tales than in Germanic tales if that counts. The druidic wizards of Irish legend are sometimes connected with sacrifice as the tales are set in pagan times. Medieval Germanic wizards are rare outside of Arthurian tales and I only recall two explicit Germanic non-Arthurian wizards, neither much like Gandalf. I am sure there are some more that I don’t now recall.,

Quote:
The pictures you link are interesting. It's hard to know what was symbolized in medieval paintings and what was not; that is to say, did the red cloak mean anything more than its color? As for the late 1800s pictures, they reflect the Celtic strangeness that I think Tolkien didn't care for.
What are you talking about? My point is that the pointed hat is a modern idea, not found very much in genuine medieval pictures. And the wand or staff given to Merlin in some modern pictures is also not in most medieval pictures of Merlin or other wizards. Tolkien presumably included them because he wanted Gandalf to appear immediately as an iconic wizard as an iconic wizard appears in relatively modern sources.

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I'm not convinced that it's an issue of mysteriousness. I think of Gandalf outside the gate of Moria and there he seems very Germanic. So too on the Bridge of Khazad-dum. Even more so in his first treatment of Wormtongue and Theoden. Even the name, "stormcrow" is delightfully reminiscent of that Germanic feel. I suppose I pretty much like the portrayal of Gandalf throughout LotR.
Was Merlin mysterious? Not much more than Gandalf. Merlin was the son of some sort of incubus or devil by a mortal woman. Most other wizards, whether Celtic or Germanic are mysterious as it is not explained where they got their powers from. Sometimes it is just explained that they got their knowledge from study.

The epithet stormcrow should sound Germanic as it was applied to Gandalf by the Rohirrim and so is to be understood as a translated Old English name.

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What I find disappointing is what one learns about him from the Silmarillion.
There are are only two sentences about Olórin in The Silmarillion near the end of the section “Of the Maiar” in the “Valaquenta”. Gandalf as Olórin otherwise is mentioned once in the text of The Lord of the Rings and also in Appendix B which tells the most.

I was hoping you could say what you mean by a Germanic and Celtic wizard, but apparently you can’t, other than that a wizard feels either Germanic or Celtic to you, but possibly to no-one else.

Last edited by jallanite; 11-30-2012 at 11:18 PM.
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