[Bêthberry]

Am I the only one who is becoming a bit uncomfortable with the tenor of this discusssion? We all get heated about our own particular way of reading texts and events, but I would hope we continue to recognise that other interpretations and processes are possible.

I have been someone who has in the past not been interested in the kind of project which those in the "Revised Simillarion Project" have been pursuing because, to me their intention and criteria do not reflect what I understand narrative to be about. That is, I would side with Tolkien--and here I refer back to my post about On Fairy Stories--that things get into the stew of story based upon their narrative significance and how much they satisfy the desires of readers for the consolation of story. When I say this, I mean no discourtesy to Aiwendil and Maedhros and Findegal and the others on the project; their thought and effort is to my mind keen and admirable. However--and this is a very big however even as I disagree with some of their basic premises, I would insist upon their 'right' as readers to be able to recreate any kind of text they wish--I just wouldn't accept it as 'authentic' "authoritative'" or representing Tolkien's intention . The simple fact that as readers they wish to engage in this interpretive activity is enough. In fact, it represents, to me, the entire "purpose" of literature, to engage our minds. To suggest that they cannot do so because what will be produced will not have any "special purpose" or is "pointless" is, in my humble opinion, too restrictive and untenable even, for a discussion board.

To take this discussion forward, however, rather than to become bogged down in refuting posts, I would like to return to On Fairy Stories. Tolkien argues,

we make in our measure and in our derivative mode, because we are made: and not only made, but made in the image and likeness of a Maker.

. . . [and of this faculty. . . ]

Uncorrupted it does not seek delusion or bewitchment and domination; it seeks shared enrichment, partners in making and delight, not slaves

Obvisously here Tolkien's Christian belief is what supports his idea that men are "corrupt making-creatures". But there are other ways to reach this conclusion as well. It remains, for me, the reason why the Silmarillion project has worth and value even as I do not wish to pursue such a study.

What Tolkien is saying to us is cast in stone (or paper). We may learn more about him as we read more widely, but what he says to us in any particular passage cannot change. Nor can it react to our responses and interpretations. It is a one way conversation. In that sense, it is not vibrant, which is surely the very essence of life.

Thank-you, SaucepanMan, for reiterating with greater clarity my point about whether the text can create new forms of communication. Of course it cannot. I feel a bit quilty here as I believe it was me who first raised the metaphor of a living text, but I used that in the context of reading activity, not to suggest a gnostic arguement about the text itself as a living mind of the writer. I would in fact return yet again to On Fairy Stories for consideration of this activity. It is possible to take this concept of "enchantment" too far. Tolkien says that this natural human activity

certainly does not destroy or even insult Reason; and it does not either blunt the appetite for, nor obscure the perception of, scientific verity. On the contrary. The keener and the clearer is the reason, the better fantasy will it make.

Or, as Tolkien again put it, "a prophylactic against loss." A Recovery.

Oh, and, Mr. Hedgethistle, about the terminology of Guilding Hand or Providence. I am glad you chose not to use "Guiding Light". However, as to your disheartened elderly reader, perhaps you can tell her it is like climbing Mount Everest.