Yes
Estelyn, that phase also stood out for me, so very original a thought! And so descriptive as well.
Quote:
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The night was railing against the morning of which it was bereaved, and the cold was cursing the warmth for which it hungered.
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And I agree with
Heren Istarion that Bombadil and the Wight seem to be echoing the Ainulindale, and following the course of their respective orientation in the song. And though, at least in Tom case, the songs seem somewhat childlike, as
Aiwendil put it with forced rhyme, they still hold power. And as he himself says, his songs are stronger, likely because they stem from Illuvatar as opposed to Melkor. I think this is where I would part ways with this thought. But I still purpose that he is a created, rather than creating force. As for Gandalf holding him in respect, if Tom were some form of unfallen creation, he would reflect Illuvatar’s intent unblemished, just as his song reflects the Ainulindale, and would be honored for that I should think.
There is a purposeful and jarring juxtaposition between Tom and his simple songs/ways and his age/knowledge. It does not seem to fit at all. And I don’t think this simplicity was just an unfortunate choice on Tolkien’s part. Didn’t Galahad also seem a bit annoying? And his naming of the ponies was also a strange thing, like Adam naming animals. (But I am go off the deep end now, and it's quite alright to say so!
)
The idea of Frodo’s experience in the Barrow as a rebirth is a new one for me
davem, many thanks! I will have to reread now with that in mind, to see what else there is to be gleaned in the transformation!
And
Laiwende, Thanks for your sharing the landscape around southern England! Your mention of Tom as an archaeologist struck me also, in that Tom removed treasure from the barrow, but the hobbits were the treasure he seemed to value more.
Out of curiousity, does anyone know if the significance of the brooch Tom picked out was further explained somewhere else?