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Originally Posted by William Cloud Hicklin
" Can't you acknowledge it as a good film without ranting about how Erebor looked too nice or how soul-murderingly awful it was that characters that appeared in the books weren't exactly how you pictured them when the film came around?"
Strawman, strawman, strawman. You Revisionists always trot that out as if it's an argument Purists make, even though it isn't and never has been. I don't care how many buttons Bilbo has on his waistcoat or which Dwarf's hood was what color.
What we *do* expect is adherence to the overall themes, tone and atmosphere of the books; characters which aren't turned into inversions of themselves; and- as important as anything - no additions of subpar rubbish Jackson or Boyens make up out of whole cloth, apparently on the assumption that they can write better than Tolkien. They're mistaken.
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So when things that Tolkien had created got removed from the Lord of the Rings adaptation it was bad but when things (that Tolkien himself created) got introduced to the Hobbit adaptation it was just as bad?
Adherence to overall themes?
It did feel very fairy-tale and Hobbity to me, with the Elvenking's stag mount, the songs, Radagast, the Great Goblin and the humorously bickering Trolls. Maybe I was watching a different film from the copy your cinema - there must have been an error ensuring I got a fun, charming and nice film rather tha your grim, dour, drab, un-Hobbity copy.
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And, no, it's not a "good film." Even detaching it from the books entirely and looking at it simply as popcorn cinema, TH is too long, poorly paced, and over-reliant on too many pointless fight scenes that drag on for far too long.
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Too long? Poorly paced? It felt like just over an hour when I was watching it in the cinema! The excellent humour re4ally helped.
Also, all the fight scenes I recall -
Smaug burning Erebor. Backstory, not really a fight scene.
The battle at Moria. Backstory filled out during a quiet moment.
Trolls. Dwarves, try to rescue Bilbo, get captured - majority of scene is not physical combat. In book. Shows us Bilbo's growing courage and guile (in a departure, he's the one who comes up with the idea of stalling for time),
Chase by goblins. Not from book, introduces Radagast/Dol Guldur subplot (to be fulfilled in later films) and shows us to Rivendell.
Stone Giants. Emphasis is on hiding and surviving overwhelming threat - no real action takes place. In book.
Goblin Town escape. Fast-paced with plenty of humour, whimsy and excitement. Derived from book.
Wargs and goblins. Generally as in book, Thorin fights Azog character but the general flow (Dwaves climb trees-Gandalf throws burning pinecones-Dwarves about to be smoked out-Eagles arrive) is as in the book.