Quote:
Originally Posted by William Cloud Hicklin
"lovingly turned single lines into detailed scenes"
A practice known as "fan-fiction." Or, alternatively, "pulling stuff out of his arse."
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It's one thing to say a director can and ought to put his personal stamp on an adaptation, and quite another to say that a particular effort by a particular director must therefore be good. Most would I think agree that the "personal stamp" of the hack who directed the Mike Meyers 'Cat in the Hat' was abysmally bad. In this case it's the "personal stamp" of a ham-handed and adolescent-minded director with no sense of self-restraint who has never understood the atmosphere or themes of the originals (neither LOTR nor Hobbit).
The result, therefore, is not an expanded or fully-realised Tolkien universe, but rather something akin to, some catastrophe having demolished half the Sistine Chapel, the Vatican hiring Frank Frazetta to paint the new part. Or, perhaps, Mozart's unfinished Requiem 'completed' by the Trans-Siberian Orchestra.
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God, why must you hate on everything that isn't a 100% accurate rendition of the book? Can't you acknowledge it as a good film without ranting about how Erebor looked too nice or how soul-murderingly awful it was that characters that appeared in the books weren't exactly how you pictured them when the film came around?
I for one felt it was a good, exciting and well-paced film with plenty of humour and a nice whimsical atmosphere about it. But those trivial facts clearly mean nothing compared to the grievous, all-important issue of how 'burrahobbit' was pronounced.
I have my complaints as well - Azog certainly felt a bit too computer-generated to me, for instance - but clearly any attempt to defend what has already been decided as wretchedly abysmal for the crime of not matching your mental pictures is doomed to failure.