[Child of the 7th Age]

Oh, Bethberry , I'm sorry but I couldn't resist. It was late at night and all I could see was an image of myself as a Nazgûl. I just didn't want to go to bed with that embedded on my brain. It seemed nicer to consider the Music of Creation and my own small niche as a subcreator trying to weave a tune that would blend in with the main themes!

But, all kidding aside, I think your suggestion is an excellent one to look at how Tolkien himself worked with text and consider how freely he utilized ideas from Beowulf, the works of Shakespeare, and similar sources.

I guess what I am wondering about is what Tolkien thought he was free to do as a reader and then as a writer. And, of course, what applicability that has to what we do.

Would it also be useful to look at Tolkien's personal response when others took his own texts and ideas and drew meaning from these, whether a meaning that was consonent with his own or one that was different? Obviously, this process is laden with emotion. It is easier to make a calm decision when drawing ideas from another author's text than when confronted with someone doing the same to your own. The fact that so many of the early reviews of Tolkien refected such extreme views would also make this task more difficult.

Still, to understand the process fully, you'd ideally examine things from both sides: what Tolkien thought he was free to do as a reader and writer; and how he responded when others exercised their freedom to do the same.

The first thing that comes to mind is the well-known passage from the Letters that someone quoted earlier on this thread (or at least I think so). The italics are my own.

I would draw some of the great tales in fullness, and leave many only placed in the scheme, and sketched. The cycles should be linked to a majestic whole, and yest leave scope for other minds and hands, wielding paint and music and drama. Absurd.

In theory at least, this suggests JRRT did not object to others coming into his own subcreation of Middle-earth, and further developing his legendarium using the same peoples and places that he wrote about. His list of artists does not explicitly include other writers, but, in order to produce a drama, someone must set pen to paper. Moreover, if he purposely intended to leave some tales only roughly sketched, it sounds as if he was inviting people to do more than simply repeat existing plots and ideas but rather to create something, almost in the manner of a fanfiction. How much freedom he would allot such artists in deviating from his own vision is, of course, another matter, but he did not slam the door in their faces.

Does anyone know of another artist who expressed a similar view: suggesting that others come in and create within his world, helping to develop the legends even further? And not just one subcreator, but potentially a whole host of them... Such an attitude is extraordinarily generous. The only one who comes to mind is the late Marian Zimmer Bradley who encouraged young writers to dabble in Darkover. There were a number of such "fanfiction" essays published during her life, and some of these folk went on to become fantasy writers with worlds of their own. But although she was a good writer and an early fan of Lord of the Rings, she was nowhere near the artist that Tolkien was.

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Fordim

Thanks for clarifying the part about Eruisms. I do see our positions as not that different.

Child