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Originally Posted by Aiwendil
It makes very little sense as stated. However, one certainly could see the 'Narn' as a rebuttal of the 'ubermensch' in a different context. Tolkien draws, of course, on the whole body of Germanic myth concerned with Siegfried/Sigurd and the Volsungs - the same body of myth that Wagner drew on (Tolkien would probably say 'perverted') in his Ring cycle. If there's any connection between Nietzsche and the Turin saga surely it lies in the analogy between Turin and Siegfried.
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You see, that makes sense, but Drout's comment doesn't. Of course, I don't see CoH simply as Tolkien sticking two fingers up at Wagner. Turin isn't simply an anti-ubermensch figure - for all his reckless pride he is a sympathetic figure, a human being. Tolkien isn't satirising, or mocking the Nazi ideal in the figure of Turin. He is showing a man whose reach exceeded his grasp. Turin constantly fails, but he fails heroically. I can't escape the feeling that Tolkien did consider Turin a hero, that he admired him for what he attempted, rather than offering him as an example of overweening pride.