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The most unfortunate thing about producer/fandom relationship is the sure knowledge of the former that, given decent amount of PR, the members of the latter are going to buy any rubbish produced, provided that it is effectively tied up with the original.
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So absolutely true!
So then I guess it will be a success, but will it still reallly be a success with the "other people" (normal public, critics, etc.).
This is a question for our British Barrow-downs members: How are the British musical/play reviewers? Are they tough?
I know a little about the New York ones, but even though the only musical I have ever seen I saw in London, I know little of what the critics are like.
But, yes, this will attract a lot of interest. But the main question is how will it last over the long run? And that question will only be answered by viewing of the final product
