Quote:
Originally Posted by Orphalesion
Well the Silmarills weren't that important yet in a metaphysical sense, they were just the most beautiful of the gems created by the Noldoli. But even the later version Melkor is motivated, fundamentally motivated by greed, cosic-scale greed for the light untainted and the flame unperishable, but still greed.
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I suppose one could call it that--though you've already conceded implicitly that there is an order of magnitude in difference between "cosmic-scale greed for the light untainted and flame imperishable" and the rather petty greed-for-gems we see here.
More to the point of what I was thinking, though, Melko's greed in the Lost Tales seems almost spontaneous: he sees gems and simply must have them, whereas although the later Melkor also lusts for the creations of the Noldor (including the Silmarils which do, indeed, have heightened importance), this is a long-standing desire on his part and it is not just a desire to possess something beautiful, but bound up far more clearly with his desire to dominate the other Valar and the created universe. Here that desire to dominate, though perhaps logically implicit, has not yet been drawn out by Tolkien.
And later, when it DOES become a key element of Melkor's plot and character, I would argue that it moves his motivations beyond the realm of even cosmic greed towards pride. Of course, as they say, pride is the root of all sins (including greed) and as the originator of all evil Melkor appropriately partakes of them all, but his greed is later more clearly subordinated to his pride, whereas in the early text it seems to arise separately.