The Elvish city of Kôr may be based on the city of Kôr in the novel
She: A History of Adventure by H. Rider Haggard, one of the most influential novels in modern literature. In Henry Resknik’s interview with Tolkien in 1966, Tolkien states, “I suppose as a boy
She interested me as much as anything …” See
http://efanzines.com/Niekas/Niekas-18.pdf , page 40.
Haggard’s Kôr is a ruined African city where Ayesha, an immortal white queen, has ruled for two millennia. Ayesha reveals that she has learned the secret of immortality and that she possesses other supernatural powers including the ability to read the minds of others, a form of telegnosis, and the ability to heal wounds and cure illness.
Ayesha is by some considered to be the origin of Tolkien’s Elven ruler Galadriel.
One Willam H. Stoddard partly posts at
http://www.troynovant.com/Stoddard/T...nd-Ayesha.html :
Chapter XIII of She, “Ayesha Unveils”, offers a striking series of events. The narrator of the story speaks with Ayesha in a hidden chamber, and learns of her agelessness. She shows him a “font-like vessel” in which she summons up images of his own journey to her country, telling him she learned of him through such images; and when he calls it magic, she tells him:
It is no magic — that is a dream of ignorance. There is no such thing as magic, though there is such a thing as knowledge of the hidden ways of Nature. This water is my glass; in it I see what passes when at times it is my will to summon it …
After this, he asks her to allow him to look on her face, and she unveils herself, revealing beauty that he compares to that of a celestial being, which he says lies “in a visible majesty, in an imperial grace, in a godlike stamp of softened power” — and he covers his eyes and goes away shaken, reflecting that it is not safe to look on such beauty.
Note how many details can be compared with Frodo’s visit to the mirror of Galadriel in The Fellowship of the Ring. Lothlórien, like Kôr, is an ancient city holding the memory of a distant past, and ruled by an undying queen. Both accounts include a pool of water that shows visions, partly out of the mind and memory of the viewer, and partly of distant places. And Galadriel not only is overwhelmingly beautiful, like Ayesha, but, when she considers accepting the One Ring from Frodo, takes on the same quality of visible majesty. Her climactic line “All shall love me and despair!” would sound entirely natural in Ayesha’s voice.
The one great difference is that Haggard makes Ayesha fundamentally evil, though capable of occasional softer feelings; but Tolkien makes Galadriel ultimately good, despite her being capable of pride, ambition, and rebellion. In the end, Galadriel is redeemed, whereas Ayesha is destroyed by those same qualities, which she is unable to renounce.
Tolkien may have unconsciously picked the name Kôr for his city from Haggard’s novel, or even purposely borrowed the name, but later changed it to Tirion upon Túna to avoid the connection.
For further discussion of Haggard’s Kôr and Tolkien’s Kôr, see John D. Rateliff’s essay “
She and Tolkien, Revisited” in
Tolkien and the Study of His Sources, edited by Jason Fisher.