It is odd because on the whole it is probably the aspect of the film he minds least. Alan Lee was requested to do the illustrations for the Children of Hurin which was a matter in which CRT presumably had a lot of clout. Noone can know exactly how Tolkien saw his world and he himself was the first to admit that he had not the skill to realise his vision in paint (though the more I read, the more I realise how skilled he was at doing it with words) but it seems that Alan Lee is, at least, the "least worst option" as far as CRT is concerned.
I am no great fan of the films and have never managed to sit through the second two in their entirety since seeing them in the cinema but I did enjoy the prop and costume exhibitions and got the feeling that those who designed and created them really cared about the source material. Where they fell down for me was that characterisation was always sacrificed to endless action scenes and cheap gags. But then I am not the desired demographic.
And while the sets costumes and props were my favourite aspect, I wish the Hobbit had been treated independently. Jackson's is not the only possible vision, Those of us who knew the books first have our own and that must be "with knobs on" for CRT. He can have absolutely no need of film to make Middle Earth come to life. I don't see an inconsistency with the opinions expressed. He didn't think the book suitable and was not pleasantly surprised.
For me one ot the strengths of the Radio version - and indeed the wonderful Bernard Cribbins Jackanory reading that was my introduction to Middle Earth, was that it left more scope for the listener to engage with the work firing one's own imagination rather than dictating. Of course they are a lot more faithful to the original.
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“But Finrod walks with Finarfin his father beneath the trees in Eldamar.”
Christopher Tolkien, Requiescat in pace
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