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The power of song is very evident throughout Middle-earth history. Or perhaps the better term is "songs of power", which is evidently a theme that intrigued Tolkien. We're' not talking merely singing, but a method used to summon power by beings with innate power themselves, or lesser beings that use an agent in combination with song (Frodo with the phial of Galadrial or Aragorn with athelas).
From the Music of the Ainur, to the battle of Finrod and Sauron, to Luthien and Morgoth, songs of power weaved a spell throughout Arda.
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And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision.
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