Foley: if you had ideas, please share them (either here or via PM). I'm quite at odds with how to wrap it up. Probably not with a bang but with a whimper of sorts.
A general question to everyone.
As it looks it's not too energising to write about these landlords and the relations between the Mead Hall and them (at least on this level), should I write our characters checking all of the three and decide on an overall outcome / arrangement? I think I could do it in a way that leaves doors open to any future tensions that might lighten up the storyline later on if wished, but which could stay behind if we did not wish to go for that direction in the general narrative.
So what say you?
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Upon the hearth the fire is red
Beneath the roof there is a bed;
But not yet weary are our feet...
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