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Originally Posted by Morthoron
Ah, but strictly in LotR she does exhibit, even in her eventual acquiescence, the sin of pride.
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Oh that uppity woman.
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Originally Posted by Morthoron
*Sniffs* Oh, that was beautiful -- very touching. Unfortunately, the original question did not concern characters struggling to be 'good', but of the existence of a character who embodies 'absolute good'; therefore, "the complete absence of evil or the complete presence of good" is the crux of the discussion, and "flaws and negative characteristics" directly negate any 'absolute'.
If you wish to have a discussion of the relative merits of 'good' or 'evil' in characters, that would require a separate thread, or we must abandon the original posit altogether. That would be fine wth me, as I've already inferred that the term 'absolute good' is contentious in itself.
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I was under the impression that most of us agree there is no character in LotR who exhibits "absolute goodness". Yet
Cailin's essay cannot consist of the single sentence to that effect. ["An 'F'? 'But Professor, that single sentence is my essay!" "But you have to prove that." "How do I prove that?" "By demonstrating what kind of goodness the characters exhibit and how these kinds are not absolute goodness.") Furthermore, from her subsequent post I gathered that her question concerns a general statement about fantasy, that as a genre it involves questions of good versus evil.
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Originally Posted by Cailin's second post in thread
Some very interesting answers, thank you. I did not wish to go off-topic, because this is a Tolkien forum, but some of you might still be interested why I pose this question. The question actually arose from an article ("From Elfland to Hogwarts") I read by John Pennington, who finds fault with the Harry Potter series by comparing it to The Lord of the Rings, and some other famous fantasy works which he considers to be at the heart of fantasy (Chronicles of Narnia, for example). His main point is basically that Harry Potter is “fundamentally failed fantasy”. One of the reasons was most intriguing to me:
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But the archetypal theme of good versus evil appears to be what the Potter books are about. Harry's education is cemented in this ultimate dichotomy that Tolkien, Lewis, and LeGuin privilege in their texts. So just what are the Harry Potter books about? (...) All is ripe for the good old-fashioned battle between good and evil. But that tone is quickly undercut--Harry is often more interested in being able to visit Hogsmeade and practice Quidditch than he is in fighting evil.
And later:
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Finally, what ultimately is the role of the archetypal good versus evil dichotomy in the series? Voldemort represents the darkest of evil. But what of the good? Is there an overarching figure of good--a supreme being, for example, not necessarily God--whom Harry and his friends follow? They certainly are in a Christian universe, for they celebrate the Christmas season. If there are the Dark Arts, are there the Light or White Arts? Dumbledore is a Merlin and Gandalf figure, but Dumbledore does not achieve any grandeur; his name evokes bumble and bumbling, reminiscent of Tweedledee and Tweedledum, those foolish characters. There seems to be a good in the novel, but that goodness seems individual rather than archetypal. Thus the archetypal evilness in the Potter universe has no real antidote other than Harry and his friends (who do not seem to take that evil too seriously).
Since Rowling’s work is constantly contrasted with The Lord of the Rings, presumably Pennington did find the archetypes he was looking for in Tolkien’s writing. Perhaps he was indeed referring to Eru - though as Formendacil rightly points out, Eru is not really mentioned in The Lord of the Rings. He may be the source of goodness, as he is the source of everything, but like Tom Bombadil, the Ring seems to be beneath his concerns and Sauron’s far lesser evil is sufficiently balanced by characters such as Gandalf, who are not supreme archetypes. The goodness in Lord of the Rings seems to me quite individual and I think it would somehow detract from characters such as Sam and Frodo that their goodness is ultimately nothing more than some sort of divine infusion from above.
P.S. I’m not sure how many Potter fans / readers are present, but of course after the publication of Deathly Hallows it is quite clear that the Potter universe is indeed Christian. The article quoted above is from 2002, and was written before the fifth instalment in the series was published.
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This is a larger issue than the question she first posed, and I took it that she would not be adverse to expanding the discussion to what is "goodness", particularly with this comment she made, which I repeat here:
The goodness in Lord of the Rings seems to me quite individual and I think it would somehow detract from characters such as Sam and Frodo that their goodness is ultimately nothing more than some sort of divine infusion from above.
If I erred, I do apologise.
Lal, I do agree that Galadriel and Celeborn are all draped up in the trapings of leadership. This is the exotic realm in LotR! Galadriel's (and hubby's
) attempts to make time stand still are fascinating. It is an essential quality of the elves, that for them, goodness means unchange. (and, yes, my grammar here is deliberate.)